别再以为艺术是奢侈品！艺术家姜伊云：越是混乱的时代，我们越需
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:18 | This is a glimpse into one of my artworks, Vanishing. | 这是对我作品的一瞥, 消失。 |
| 0:22 | What you see, this is a tribute to the species | 你看,这是对物种的纪念 |
| 0:26 | extinguished by us, humanity. | 被我们人类消灭 |
| 0:29 | I dedicate my career to translating the invisible crisis of our time | 我献身于翻译我们时代的无形危机 |
| 0:33 | as vivid as the images before you. | 就像你面前的画面一样生动 |
| 0:37 | That includes climate change, artificial intelligence | 包括气候变化、人工智能 |
| 0:43 | and even the crisis of our own humanity. | 甚至是我们人类的危机 |
| 0:47 | We're living in an era of wicked problems. | 我们生活在一个恶性问题的时代. |
| 0:50 | The crises are so massive that we cannot grasp them. | 危机如此巨大,我们无法应付。 |
| 0:54 | We can feel a paper cut, but we cannot feel a collapsing planet. | 我们可以感觉到被剪纸,但我们不能感觉到一个崩溃的星球。 |
展开字幕全文（189 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | This is a glimpse into one of my artworks, Vanishing. | 这是对我作品的一瞥, 消失。 |
| 2 | What you see, this is a tribute to the species | 你看,这是对物种的纪念 |
| 3 | extinguished by us, humanity. | 被我们人类消灭 |
| 4 | I dedicate my career to translating the invisible crisis of our time | 我献身于翻译我们时代的无形危机 |
| 5 | as vivid as the images before you. | 就像你面前的画面一样生动 |
| 6 | That includes climate change, artificial intelligence | 包括气候变化、人工智能 |
| 7 | and even the crisis of our own humanity. | 甚至是我们人类的危机 |
| 8 | We're living in an era of wicked problems. | 我们生活在一个恶性问题的时代. |
| 9 | The crises are so massive that we cannot grasp them. | 危机如此巨大,我们无法应付。 |
| 10 | We can feel a paper cut, but we cannot feel a collapsing planet. | 我们可以感觉到被剪纸,但我们不能感觉到一个崩溃的星球。 |
| 11 | In an endless chase of progress, | 在无休止的追逐进步, |
| 12 | we have turned our nature and technology into monumental threats. | 我们把我们的本性和技术变成了巨大的威胁。 |
| 13 | Paradoxically, we have devastated the very habitat we live in | 矛盾的是,我们摧毁了我们生活的栖息地 |
| 14 | and jeopardized the very intelligence that makes us human. | 并危及我们人类的智慧 |
| 15 | The result is great anxiety. | 结果是极大的焦虑。 |
| 16 | But we must ask ourselves, was this collapse truly unseen? | 但是我们必须自问, 这场崩塌是否真的看不见? |
| 17 | We have more data than any generation in history, | 我们的数据比历史上任何一代都多 |
| 18 | yet reality feels further away. | 但现实却更遥远 |
| 19 | We're drowning in information, but starving for meaning. | 我们沉溺在信息中, 但饥饿的意义。 |
| 20 | The chain of understanding is broken, | 理解链断了, |
| 21 | leaving our crisis so cold and abstract. | 我们的危机如此冷酷和抽象 |
| 22 | We have lost the connection and the ability to care. | 我们失去了联系和关心的能力。 |
| 23 | Living at the intersection of art and technology, | 生活在艺术与技术的交汇处, |
| 24 | I felt an irresistible urge to rebuild that bridge. | 我感到不可抗拒的渴望 重建那座桥。 |
| 25 | My mission became clear, | 我的任务变得很清楚 |
| 26 | to render the invisible visible. | 以显无形. |
| 27 | I want to translate these wicked problems into physical experiences | 我想把这些邪恶的问题 化为物理经验 |
| 28 | so that we can truly care. | 这样我们才能真正关心 |
| 29 | But how do we translate the intangibles? | 但我们怎么翻译无形的东西? |
| 30 | Let me take you on my journey. | 让我带你走我的旅程。 |
| 31 | I began with the most vital data set, the Earth, | 我从最关键的数据集地球开始 |
| 32 | specifically our water. | 尤其是我们的水 |
| 33 | Look at this single tiny drop that holds all the Earth's fresh water. | 看这颗小水滴 挡住了地球所有的淡水 |
| 34 | Half of humanity will like clean water by 2050, | 到2050年,人类一半的人会喜欢干净的水, |
| 35 | and many already do. | 很多人已经这么做了 |
| 36 | To expose the crisis of this vital resource, | 为了揭露这一重要资源的危机, |
| 37 | I spent an intense year with Google. | 我和Google一起度过了很紧张的一年. |
| 38 | They were searching for an artist | 他们在找一个艺术家 |
| 39 | to bridge the gap between complex data and creative storytelling. | 以弥合复杂数据与创造性故事叙述之间的差距。 |
| 40 | And an amazing door opened. | 和惊人的门打开。 |
| 41 | NASA joined the team | NASA加入了团队 |
| 42 | to offer me an exclusive access to the satellite data. | 允许我独家访问卫星数据 |
| 43 | This rare gift becomes the soul of my artwork, | 这个难得的天赋 成为我艺术的灵魂 |
| 44 | passage of water. | 水的通过。 |
| 45 | My goal is to turn these NASA numbers into visceral experiences, | 我的目标是把这些NASA的数字 变成粘着的经验, |
| 46 | dramatize them so that we can truly see and feel | 戏剧化他们 这样我们才能真正看到和感觉到 |
| 47 | what is happening to our fresh water. | 我们的淡水怎么了? |
| 48 | Look at this. | 看看这个。 |
| 49 | This is the raw satellite data that captures the water situation. | 这就是捕捉水情的原始卫星数据. |
| 50 | We have the most sophisticated technology over time, | 我们拥有最先进的技术 |
| 51 | but who can actually understand what is happening here? | 但谁能真正理解这里发生了什么? |
| 52 | What happens if we change the interface? | 如果我们改变接口怎么办? |
| 53 | I spent months obsessing over how to turn these numbers brave, | 我花了几个月时间 迷恋如何让这些数字变得勇敢, |
| 54 | and now I can present the outcome to you. | 现在我可以向你们介绍结果。 |
| 55 | What you see is 20 years of water patterns | 你所看到的是20年的水图 |
| 56 | turned into a breathing landscape. | 变成了一个呼吸的景观。 |
| 57 | This is passage of water. | 这是水的流经。 |
| 58 | It lives on Google's platform, | 它住在谷歌的平台上, |
| 59 | designed for you to fully interact with. | 设计为您可以充分互动。 |
| 60 | Let's see the dramatic change between 2002 and 2023. | 让我们看看2002年至2023年的戏剧性变化. |
| 61 | We are losing our fresh water fast, | 我们快失去淡水了 |
| 62 | and we are the reason. | 我们就是原因 |
| 63 | Here, the numbers become instinct. | 在这里,数字变成了本能。 |
| 64 | You don't just see the data. | 你不只是看到数据。 |
| 65 | You feel it. | 你感觉到了。 |
| 66 | This is where artistic creativity becomes an essential, | 这就是艺术创造力成为关键的地方 |
| 67 | not a luxury. | 不是奢华 |
| 68 | It is the language that allows me to tackle those wicked problems | 我用这种语言来解决这些邪恶的问题 |
| 69 | and turn them into something we can grasp. | 把它们变成我们能掌握的东西 |
| 70 | We brought this project to COP28. | 我们把这个项目带到了COP28。 |
| 71 | There, we spoke with climate scientists, | 在那里,我们与气候科学家交谈, |
| 72 | policymakers, indigenous people who face water scarcity every day. | 决策者、每天面临缺水问题的土著人民。 |
| 73 | Seeing their reactions in front of my artwork | 看到他们对我作品的反应 |
| 74 | gave me absolute certainty. | 我绝对确定 |
| 75 | Arts is the vital bridge, | 艺术是关键的桥梁, |
| 76 | a missing link that has undeniable power | 缺失的链接具有不可否认的力量 |
| 77 | to restore our lost connection. | 恢复我们失去的连接。 |
| 78 | But now, we face an even deeper crisis, | 但现在,我们面临更深层次的危机, |
| 79 | one that challenges the very definitions of human intelligence, | 挑战人类智慧定义的 |
| 80 | the unfathomable AI. | 难忘的AI。 |
| 81 | Here you are, 2026, and AI is everywhere. | 2026年,你在这里, 和AI无处不在。 |
| 82 | The technology is advancing in a staggering pace, | 该技术正在以惊人的速度发展, |
| 83 | and we have to accept an uncomfortable truth. | 我们必须接受一个令人不舒服的事实。 |
| 84 | The machines are replacing parts of us. | 机器正在取代我们的一部分 |
| 85 | But the real danger is hidden behind the sleek interfaces. | 但真正的危险却隐藏在sleek接口后面. |
| 86 | AI gives us brilliant results, | AI给了我们辉煌的结果, |
| 87 | but the logic, the process, | 但逻辑,过程, |
| 88 | that remains a total mystery. | 那还是个谜 |
| 89 | And that is exactly why we call it a blood box. | 这正是为什么我们称之为血盒。 |
| 90 | If these algorithms are deciding our future, | 如果这些算法决定了我们的未来 |
| 91 | shouldn't we talk about the invisibles, | 我们不应该谈论隐形人, |
| 92 | the hidden logic governing our lives? | 我们生活中隐藏的逻辑? |
| 93 | That is why I created this project with my students in my research lab. | 这就是为什么我和学生一起在我的研究实验室里创建了这个项目。 |
| 94 | We wanted to open the blood box to eliminate what's inside. | 我们想打开血盒 消除里面的东西 |
| 95 | 这个项目的题目是SOTA,简称为State of the Arts. | |
| 96 | In the world of engineering, | 在工程学界, |
| 97 | it means to describe the gold standard of machine capability. | 意思是描述机器能力的金本位. |
| 98 | AI that generates our images or our text isn't just magic, | 生成我们图像的AI 或者我们的文字不仅仅是魔法, |
| 99 | it's a complex mathematical structure. | 这是一个复杂的数学结构。 |
| 100 | Digital neurons cluster into a network, | 数字神经元组成网络, |
| 101 | processing data through multiple hidden layers. | 通过多个隐藏层处理数据。 |
| 102 | But aren't you curious if these architectures are all the same? | 但你不好奇这些建筑是否都一样吗? |
| 103 | You might assume that they are all identical grids, | 你可以假设它们都是相同的网格, |
| 104 | but as we looked deeper, we found far more diverse. | 但随着我们更深入的观察, 我们发现更加多样化。 |
| 105 | What you see is living architecture of 118 AI models visualized. | 你看到的是118个AI模型可视化的活体建筑. |
| 106 | See how digital neurons connect and fire with its own unique geometry. | 参见数字神经元如何与自身独特的几何相连接和点火. |
| 107 | The shape decides how to generate images, text or sounds. | 形状决定如何生成图像,文字或声音. |
| 108 | To understand their intelligence, we need to see the shape first. | 为了了解他们的智力,我们需要先看到形状. |
| 109 | Let's take a closer look at SOTA. | 让我们仔细看看SOTA。 |
| 110 | I will show you how LLM calculates and computes a single sentence. | 我会告诉你LLM如何计算和计算一个句子。 |
| 111 | This is how a machine works, | 机器就是这样工作的 |
| 112 | a complex mathematical prediction governed by its architecture. | 一个复杂的数学预测 由它的架构。 |
| 113 | This is the invisible logic of our time. | 这是我们时代的无形逻辑。 |
| 114 | When we bring the hidden machinery into the physical world, | 当我们把隐藏的机器带到物理世界 |
| 115 | the artificial finally becomes tangible. | 人造人终于变得有形 |
| 116 | To experience the shape of AI is to demystify it. | 体验AI的形状就是去神秘化. |
| 117 | As you can see here, you can access to this artwork on your mobile. | 正如你在这里看到的,你可以访问 在你的手机上的艺术品。 |
| 118 | Don't just watch them, play with the models. | 别光是看着他们 和模特儿玩 |
| 119 | This isn't just about overcoming anxiety. | 这不仅仅是要克服焦虑 |
| 120 | It is the very first step to reclaiming our human agency. | 这是恢复我们人类机构的第一步。 |
| 121 | But we don't want to stop a near understanding. | 但我们不想停止接近的理解。 |
| 122 | Clarity is just a foundation. | 明亮只是一个基础。 |
| 123 | Our true task is not to see the presence, but to shape the future. | 我们的真正任务不是看到存在,而是塑造未来。 |
| 124 | While my previous works primarily exist within digital projections and displays, | 虽然我之前的作品主要存在于数字预测和显示中, |
| 125 | I failed a strong yearning to pull this intelligence into tangible forms. | 我未能实现强烈的渴望 将这种情报转化为有形的形式 |
| 126 | I wanted to make an overwhelming experience, | 我想做一个压倒性的经验, |
| 127 | something that you don't just look at, | 一些你不只是看, |
| 128 | but something you inhabit with your body. | 但有些东西你住在你的身体。 |
| 129 | We are at a threshold. | 我们到了一个临界点。 |
| 130 | To co-design a future with AI, we must ask, | 为了与AI共同设计未来,我们必须问: |
| 131 | what is the shape of future AI? | 未来AI是什么形状? |
| 132 | I built a physical answer to that question, | 我做了一个物理答案 这个问题, |
| 133 | and this is light architecture. | 这是轻建筑。 |
| 134 | In light architecture, AI takes a physical breath. | 在光线建筑中,AI进行物理呼吸. |
| 135 | These modules are no longer flat pixels. | 这些模块不再是平面像素. |
| 136 | They are living neurons, and I call them neural pods. | 他们是活的神经元,我称之为神经元。 |
| 137 | They pulse with light, move through space, | 它们有光的脉冲 穿过太空 |
| 138 | running on an exact logic of AI. | 以AI的准确逻辑运行. |
| 139 | Here, you don't just watch a model. | 在这里,你不只是看一个模型。 |
| 140 | You stand inside the mind of a machine. | 你站在机器的脑海里 |
| 141 | Together, they form a circular network | 他们一起组成一个循环网络 |
| 142 | feeding data into a central projection to manifest the final outputs. | 将数据输入中央预测,以显示最后产出。 |
| 143 | See the light spills outward, filling the voids. | 见光明外溢,填满虚空. |
| 144 | It transforms the entire room into one giant living block box. | 它将整个房间变成一个巨大的生活区块箱. |
| 145 | Why circular formation? | 为什么是圆形的? |
| 146 | Because I found my inspiration in the human brain. | 因为我在人脑中找到了灵感 |
| 147 | Our brains have an incredible mechanism, | 我们的大脑有一个不可思议的机制, |
| 148 | weaving data from cortex to deeper layers | 从皮层向更深层编织数据 |
| 149 | with the flexibility that AI cannot yet replicate. | 具有大赦国际尚不能复制的灵活性。 |
| 150 | But it makes me wonder, | 但让我觉得奇怪 |
| 151 | with this incredible power inside our heads, | 以我们脑海中不可思议的力量 |
| 152 | are we genuinely training it? | 我们真的在训练它吗? |
| 153 | Or we're simply leaning on AI, | 或者我们只是依赖AI, |
| 154 | paralyzed by the fear of being replaced by a machine, | 因害怕被机器取代而瘫痪 |
| 155 | only to let our creativity and curiosity wither? | 让我们的创造力和好奇心消退? |
| 156 | I designed the circle of formation to raise a question. | 我设计了阵型圈来提出一个问题. |
| 157 | What if AI learns this neuromorphic fluidity? | 如果AI学会了这种神经形态的流体性呢? |
| 158 | What would that future look like? | 未来会是什么样子? |
| 159 | And more importantly, is that the future we want? | 更重要的是,这就是我们希望的未来吗? |
| 160 | As you walk through the blinding lights | 当你穿过灯光时 |
| 161 | in absolute darkness, | 在重重黑暗中, |
| 162 | you feel the vastness of AI. | 你感觉到AI的庞大。 |
| 163 | Is our fate to become just data providers? | 我们的命运是否只是数据提供者? |
| 164 | Is this intelligence lighting our way, | 这是情报点亮我们的方式, |
| 165 | or pulling us deeper into the dark? | 还是把我们拖入黑暗深处? |
| 166 | I shared how I transformed these wicked problems | 我分享了我如何改变这些邪恶的问题 |
| 167 | into immersive experiences. | 进入沉浸的经历。 |
| 168 | This is who I am. | 这就是我 |
| 169 | I'm an artist who builds bridges. | 我是一个艺术家 谁建造桥梁。 |
| 170 | I collaborate with scientists. | 我和科学家合作 |
| 171 | I build systems. | 我建立系统。 |
| 172 | And I connect the physical and the virtual. | 我将物理和虚拟连接起来。 |
| 173 | My art is about building spaces | 我的艺术是建筑空间 |
| 174 | where you can step inside the unseen. | 在那里你可以步入 看不见。 |
| 175 | I do this because I believe one simple truth, | 我这么做是因为我相信一个简单的事实 |
| 176 | that we are all deeply entangled. | 我们都深陷其中 |
| 177 | Nature, humanity, technology, | 自然、人性、技术、 |
| 178 | they are not separate entities. | 它们不是独立的实体。 |
| 179 | It is not us versus them or human versus machine. | 这不是我们对抗他们 也不是人类对抗机器 |
| 180 | It is a one living network. | 这是一个活的网络。 |
| 181 | And embracing this connection is the only way | 接受这个联系是唯一的方法 |
| 182 | to solve our wicked problems. | 解决我们邪恶的问题 |
| 183 | Let this light be my final message. | 让这盏灯成为我最后的信息 |
| 184 | I hope it shines not just on our data, | 我希望它能照亮我们的数据 |
| 185 | but on our shared vision. | 但以我们的共同愿景。 |
| 186 | By standing together, | 通过站在一起, |
| 187 | we can face the unknown, incredible world | 我们可以面对未知的 不可思议的世界 |
| 188 | where we can finally belong. | 我们终于可以归属了 |
| 189 | Thank you. | 谢谢 |
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