社会心理学:为什么一些女性毫不费力就很优雅/有品位
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:00 | Cultural capital is one of the few forms of wealth you can carry without anyone seeing it. | 文化资本是少数可以携带的财富形式之一,没有人看到它. |
| 0:05 | And yet, in certain rooms, it can tell people more about you than money ever could. | 然而,在某些房间里, 它能告诉人们更多关于你 比钱永远。 |
| 0:09 | Pierre Bourdieu described cultural capital as the knowledge, education, competencies, | Pierre Bourdieu将文化资本描述为知识、教育、能力、能力、知识、能力、能力、能力、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识和知识。 |
| 0:14 | and dispositions that society learns to recognize as valuable. | 以及社会所认识到的价值。 |
| 0:17 | Some people inherit this familiarity. | 有些人继承了这种熟悉。 |
| 0:19 | And because these things are learned so early, | 因为这些东西很早就学会了 |
| 0:21 | they can look like personality. | 他们可以看起来像个性。 |
| 0:23 | They can look like confidence. | 他们可以看起来像自信。 |
| 0:25 | They can even look like intelligence. | 他们甚至可以看起来像智能。 |
| 0:26 | But what happens when a woman deliberately acquires this kind of cultural fluency? | 但是,当一个女人故意获得这种文化流利会怎样呢? |
展开字幕全文(213 条)
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | Cultural capital is one of the few forms of wealth you can carry without anyone seeing it. | 文化资本是少数可以携带的财富形式之一,没有人看到它. |
| 2 | And yet, in certain rooms, it can tell people more about you than money ever could. | 然而,在某些房间里, 它能告诉人们更多关于你 比钱永远。 |
| 3 | Pierre Bourdieu described cultural capital as the knowledge, education, competencies, | Pierre Bourdieu将文化资本描述为知识、教育、能力、能力、知识、能力、能力、能力、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识、知识和知识。 |
| 4 | and dispositions that society learns to recognize as valuable. | 以及社会所认识到的价值。 |
| 5 | Some people inherit this familiarity. | 有些人继承了这种熟悉。 |
| 6 | And because these things are learned so early, | 因为这些东西很早就学会了 |
| 7 | they can look like personality. | 他们可以看起来像个性。 |
| 8 | They can look like confidence. | 他们可以看起来像自信。 |
| 9 | They can even look like intelligence. | 他们甚至可以看起来像智能。 |
| 10 | But what happens when a woman deliberately acquires this kind of cultural fluency? | 但是,当一个女人故意获得这种文化流利会怎样呢? |
| 11 | In this video, we'll look at what cultural capital really is, why familiarity can look | 在这段视频中,我们将看看什么是文化资本, 为什么熟悉可以看 |
| 12 | like confidence, how women develop cultural range, and why some women seem effortlessly | 像自信,妇女如何发展文化范围, 以及为什么一些妇女看起来不努力 |
| 13 | sophisticated. | 精细。 |
| 14 | Because perhaps sophistication isn't something you're simply born with. | 因为也许你生来就很复杂 |
| 15 | Perhaps in part, it's something you learn to carry. | 也许部分地,这是你学会携带的东西。 |
| 16 | So where does this invisible form of wealth actually come from? | 那么这种隐形形式的财富实际上是从哪里来的呢? |
| 17 | To understand that, we have to go back to the French sociologist Pierre Bourdieu, | 为了了解这一点,我们必须回到法国社会学家皮埃尔·布尔迪厄那里, |
| 18 | who studied how social class is reproduced not only through money, but through culture, | 他们研究社会阶层是如何被复制的 不仅通过金钱,而且通过文化, |
| 19 | education, and the habits we acquire. | 教育,以及我们获得的习惯。 |
| 20 | He called these forms of socially valuable knowledge and | 他称这些形式具有社会价值的知识 |
| 21 | familiarity cultural capital and identified three forms of it. | 熟悉文化资本,确定三种形式. |
| 22 | The first is embodied cultural | 第一个是文化 |
| 23 | capital. | 资本。 |
| 24 | This is the most difficult to see because it lives in the person. | 这是最难看到的,因为它生活在人。 |
| 25 | It is your vocabulary, | 这是你的词汇, |
| 26 | your manner of speaking, your knowledge, your way of interpreting a painting, | 你说话的方式,你的知识, 你解释画的方式, |
| 27 | your ability to recognize a reference, your confidence in discussing something unfamiliar. | 你能够识别一个参考, 你有信心讨论一些陌生的东西。 |
| 28 | It is not simply information stored in your memory. | 这不仅仅是存储在您记忆中的信息。 |
| 29 | It becomes a disposition, | 它变成了一种处置, |
| 30 | something you can draw upon without consciously retrieving it. | 东西你可以利用 而不自觉地收回它。 |
| 31 | The second is objectified cultural capital, books, paintings, works of art. | 二是标本文化资本,图书,绘画,艺术品. |
| 32 | But Bourdieu | 但波迪欧 |
| 33 | makes an important distinction here. | 这里有一个重要的区别。 |
| 34 | Owning a cultural object is not the same as possessing | 拥有文物不等于拥有 |
| 35 | the cultural capital necessary to fully use or appreciate it. | 充分利用或欣赏文化资本。 |
| 36 | A bookshelf can be purchased. | 可以购买书架. |
| 37 | The years required to understand what is on it cannot. | 了解其中内容所需要的年数是不可能的。 |
| 38 | The third is institutionalized cultural | 三是制度化的文化 |
| 39 | capital. | 资本。 |
| 40 | Degrees, qualifications, academic credentials, institutions take knowledge and | 学位、学历、学历、学历、机构掌握知识 |
| 41 | give it a socially recognized form. | 给它一种社会认可的形式。 |
| 42 | A university degree can therefore function as more than evidence | 因此,大学学位不能作为证据 |
| 43 | that someone studied. | 有人学习。 |
| 44 | It can become a signal that society agrees to recognize, and these forms can | 它可以成为社会同意承认的信号,这些形式可以 |
| 45 | interact. | 互动。 |
| 46 | A woman may have read extensively, developed intellectual competence, and then had | 妇女可能广泛阅读、发展智力能力,然后 |
| 47 | that competence formally recognized through an elite university. | 才能被精英大学正式承认 |
| 48 | Or she may have accumulated | 或者她可能已经积累 |
| 49 | enormous embodied knowledge without possessing the institutional credentials that would make | 丰富的知识,但不具备机构资格 |
| 50 | other people immediately recognize it. | 其他人马上认出来 |
| 51 | This is one reason cultural capital cannot simply be reduced | 这也是文化资本不能简单地减少的原因之一 |
| 52 | to education. | 对教育。 |
| 53 | Education matters, but social origin matters too. | 教育很重要,但社会出身也很重要。 |
| 54 | Bourdieu的研究使得 | |
| 55 | comforting idea that education simply levels the playing field. | 令人欣慰的是,教育只是公平竞争。 |
| 56 | Even when educational attainment | 即使教育程度 |
| 57 | is similar, differences in social origin can remain associated with differences in cultural | 社会出身的差异可能与文化差异有关 |
| 58 | competence and familiarity, because two people can receive the same degree and still arrive at the | 能力与熟悉程度,因为两个人可以获得同样的学位,并且仍然到达 |
| 59 | institution carrying completely different histories. | 具有完全不同历史的机构。 |
| 60 | One may already know how to speak the language | 可能已经知道该怎么说了 |
| 61 | of the institution. | 机构名称。 |
| 62 | The other may have spent years learning it, and that difference can be almost | 另一个可能已经花了几年时间去学习, 而这种差异几乎可以 |
| 63 | impossible to see. | 无法看见。 |
| 64 | This is what makes cultural capital so fascinating. | 这就是文化资本如此迷人的原因。 |
| 65 | It can make privilege | 它能创造特权 |
| 66 | look like personality. | 看起来像个性 |
| 67 | It can make familiarity look like confidence. | 它可以让熟悉 看起来像信心。 |
| 68 | It can make inherited | 它可以继承 |
| 69 | knowledge look like natural intelligence. | 知识看起来像是自然智能 |
| 70 | And sometimes what we call having good taste is simply | 有时候我们称之为品味好 |
| 71 | the visible surface of a much deeper social history. | 更深层次的社会历史的表面 |
| 72 | This is where Rosamund Pike becomes | 罗莎蒙德派克就是在这里 |
| 73 | particularly interesting. | 特别有趣 |
| 74 | Not because she is a model of some perfect cultured woman, but because | 不是因为她是一位完美的女性模特 而是因为 |
| 75 | her life contains an unusually visible accumulation of cultural experiences. | 她的生活包含着异常明显的文化经验积累。 |
| 76 | She studied English at | 她学习英语 |
| 77 | Oxford. | 牛津大学. |
| 78 | She grew up as the daughter of two opera singers and spent part of her childhood around | 她作为两个歌剧歌手的女儿长大 度过了童年的一部分 |
| 79 | rehearsals and performances. | 排练和表演。 |
| 80 | She has spoken about being intensely interested in literature, theater, | 她谈到对文学,戏剧, |
| 81 | language, and other cultures, and yet there is a fascinating contradiction in her story. | 语言, 和其他文化, 然而在她的故事中有一个令人着迷的矛盾。 |
| 82 | Despite the | 虽然 |
| 83 | cultural capital she possessed, Pike has spoken about feeling like an outsider at Oxford. | 她拥有的文化资本,派克 谈到感觉像牛津的外人。 |
| 84 | In | 内 |
| 85 | retrospect, she realized that some of the people she found intimidating were just as insecure as | 回想起来,她意识到一些她发现 恐吓的人,就像没有安全感一样 |
| 86 | she was. | 琌 |
| 87 | That detail matters, because it prevents us from turning cultural capital into a simplistic | 这个细节很重要,因为它阻止我们把文化资本变成简单化 |
| 88 | equation. | 计算公式。 |
| 89 | Knowledge equals confidence. | 知识等于信心. |
| 90 | It doesn't. | 它没有。 |
| 91 | You can possess cultural capital and still feel | 你可以拥有文化资本 仍然感觉 |
| 92 | like an outsider. | 像一个外人。 |
| 93 | You can have the degree, the vocabulary, the references, and the credentials, | 你可以有学位,词汇,参考文献, 和证书, |
| 94 | and still wonder whether you belong. | 还想知道你是否属于我 |
| 95 | The more interesting transformation is what happens when | 更有趣的转变是当 |
| 96 | exposure accumulates, when a world that once seemed distant becomes familiar. | 当一个一度似乎遥远的世界变得熟悉时,接触就会累积起来。 |
| 97 | Perhaps the most | 也许最 |
| 98 | valuable thing cultural capital gives you is not the ability to impress other people. | 文化资本给你的宝贵东西 不是给别人留下深刻印象的能力 |
| 99 | It is the | 这是 |
| 100 | ability to remain curious when you don't know. | 能够保持好奇 当你不知道。 |
| 101 | And that may be the real psychology of it. | 这也许是真正的心理学。 |
| 102 | The woman | 那个女人 |
| 103 | with cultural range isn't necessarily the woman who has memorized the most information. | 文化范围不一定是记忆最丰富的女人 |
| 104 | She is the | 她就是那个 |
| 105 | woman who has learned that unfamiliarity is temporary, that she can enter a new world, observe | 了解不熟悉是暂时的 能够进入新世界的女人 观察 |
| 106 | it, ask questions, learn its language, and eventually find her footing. | 它,问问题,学习它的语言,并最终找到她的立足点. |
| 107 | Her world becomes | 她的世界变得 |
| 108 | larger not because she possesses more things, but because fewer things feel completely foreign to | 不是因为她拥有更多的东西 而是因为更少的东西感到完全陌生 |
| 109 | | |
| 110 | There is another form of cultural capital that becomes particularly visible when someone | 另一种文化资本形式 变得特别明显 |
| 111 | moves between different institutions and social worlds. | 在不同的机构和社会世界之间移动。 |
| 112 | Amal Clooney是一个有趣的例子。 | |
| 113 | Her public image is often reduced to elegance. | 她的公众形象经常被贬为优雅. |
| 114 | The clothes, the composure, the polished way she | 衣服, 舒适, 抛光的方式她 |
| 115 | speaks. | 说话 |
| 116 | But those things are the surface of something much more substantial. | 但这些东西是更实质性的东西的表面。 |
| 117 | Her education, | 她的教育, |
| 118 | her legal career, and her work within international institutions placed her inside | 她的法律生涯,以及她在国际机构内的工作,将她置于 |
| 119 | worlds with their own languages, expectations, and forms of authority. | 拥有自己的语言、期望和权威形式的世界。 |
| 120 | Law has its own vocabulary. | 法律有自己的词汇。 |
| 121 | International diplomacy has its own codes. | 国际外交有自己的守则。 |
| 122 | Elite academic institutions have their own assumptions | 精英学术机构有自己的假设 |
| 123 | about how knowledge should be presented and discussed. | 关于如何介绍和讨论知识。 |
| 124 | To become fluent in those environments | 在那些环境中变得流利 |
| 125 | is not simply to learn information. | 不仅仅是学习信息。 |
| 126 | It is to learn how the environment works. | 而是学习环境如何运作。 |
| 127 | And this distinction | 这个区别 |
| 128 | matters. | 问题。 |
| 129 | Because cultural capital is not only about knowing what something means. | 因为文化资本不仅仅是要知道什么是什么东西。 |
| 130 | It is knowing | 这是知道 |
| 131 | how to behave around that knowledge, knowing when to speak, how to frame an argument, what kind of | 如何在知识的周围表现, 知道何时说话, 如何设定一个争论, |
| 132 | language will be taken seriously, which references are understood. | 将认真对待语言,这些语言的参考文献将被理解。 |
| 133 | This is part of what makes some | 这是其中的一部分 使一些 |
| 134 | people appear effortlessly at home in environments that might feel intimidating to someone else. | 人们在对别人可能感到恐惧的环境中,在家中不惜一切代价。 |
| 135 | The effort happened earlier. | 这项工作是在早些时候进行的。 |
| 136 | By the time we see the finished version, the knowledge has become | 当我们看到完成的版本, 知识已经变得 |
| 137 | And that is why cultural capital can be so difficult to imitate. | 这就是为什么文化资本 很难模仿。 |
| 138 | You can copy the clothes, | 你可以把衣服复制下来 |
| 139 | you can learn the vocabulary, you can visit the same places. | 你可以学习词汇, 你可以访问相同的地方。 |
| 140 | But familiarity cannot be acquired | 却无法熟悉 |
| 141 | in an afternoon. | 在一个下午。 |
| 142 | It is accumulated through exposure, through repetition. | 它通过接触、重复积累。 |
| 143 | And this is where | 这里 |
| 144 | cultural capital begins to resemble something psychological. | 文化资本开始类似于心理。 |
| 145 | Because eventually, the environment | 因为最终,环境 |
| 146 | itself changes. | 本身会改变。 |
| 147 | Not because the room has changed, but because you have. | 不是因为房间变了 而是因为你变了 |
| 148 | Perhaps this is where the | 也许这里是 |
| 149 | modern conversation gets it most wrong. | 现代对话是最错误的 |
| 150 | We have reduced cultural capital to aesthetics. | 我们已经将文化资本减少到美学。 |
| 151 | But this | 但这个 |
| 152 | is the surface. | 这是表面。 |
| 153 | A woman can know every supposedly sophisticated reference and still have a very | 女人可以知道每一个 所谓的复杂的参考 仍然有一个非常 |
| 154 | narrow view of the world. | 狭义的世界观. |
| 155 | And another woman can know nothing about opera or European art and possess | 还有一个女人对歌剧或欧洲艺术一无所知 拥有 |
| 156 | extraordinary cultural capital within completely different traditions. | 在完全不同的传统中有着非凡的文化资本。 |
| 157 | This is important because | 这很重要,因为 |
| 158 | culture is not one hierarchy. | 文化并不是一个等级。 |
| 159 | There are many cultural worlds. | 文化世界众多. |
| 160 | And each one has its own knowledge, | 每个人都有自己的知识, |
| 161 | practices and forms of recognition. | 承认的实践和形式。 |
| 162 | A scientist may possess an enormous amount of cultural capital | 科学家可能拥有巨大的文化资本 |
| 163 | within scientific culture. | 在科学文化中。 |
| 164 | A filmmaker may possess it within cinema. | 电影制片人可能在电影院里拥有它. |
| 165 | A woman who knows the history, | 一个知道历史的女人 |
| 166 | literature and traditions of her own culture may possess forms of cultural knowledge that someone | 她自己的文化的文学和传统可能拥有某种文化知识形式,而这种文化知识形式是: |
| 167 | obsessed with European sophistication completely lacks. | 沉迷于欧洲的先进性完全缺乏。 |
| 168 | So the goal shouldn't be to accumulate the | 所以目标不应该是积累 |
| 169 | cultural symbols that happen to be fashionable among one particular class. | 文化标志 恰巧在一个特定阶层中流行。 |
| 170 | It should be to | 应该是 |
| 171 | range to become someone who can enter different intellectual and cultural worlds with genuine | 成为真正进入不同知识世界和文化世界的人 |
| 172 | curiosity. | 好奇心很强 |
| 173 | 这让Melody Hobson如此有趣 | |
| 174 | Her story is not simply one of | 她的故事不只是一个 |
| 175 | success. | 成功吗? |
| 176 | She was raised by a single mother in Chicago and grew up in circumstances very | 她由芝加哥的单身母亲抚养长大 在非常的情况下长大 |
| 177 | different from the world of elite finance she would eventually enter. | 不同于精英金融界 她最终会进入 |
| 178 | She entered worlds in | 她进入世界 |
| 179 | which she was not automatically fluent and learned how to navigate them. | 她不会自动流利并学会如何导航 |
| 180 | Learning those things gave | 学这些东西 |
| 181 | her access to a world that might otherwise have remained culturally distant. | 她能够进入一个原本在文化上仍然遥不可及的世界。 |
| 182 | And that is something | 而这是东西 |
| 183 | we often underestimate about highly accomplished women. | 我们经常低估高度成就的女性。 |
| 184 | We see the finished woman, the confidence, | 我们看到那个女人 自信 |
| 185 | the vocabulary, the composure. | 词汇,舒适。 |
| 186 | What we don't see is the accumulation, the years of reading, | 我们没有看到的是积累, 阅读的岁月, |
| 187 | the questions she asked, the people she listened to, the environments she deliberately entered, | 她问的问题, 她倾听的人, 她故意进入的环境, |
| 188 | the things she learned before anyone considered her an expert. | 在别人把她当成专家之前 她所学的东西 |
| 189 | And this is also where cultural | 这也是文化 |
| 190 | becomes more interesting than cultural status. | 变得比文化地位更有趣 |
| 191 | The point is not to become fluent in one particular | 关键是不要在某个特定领域流利 |
| 192 | definition of sophistication. | 定义精密度。 |
| 193 | It is to become capable of learning the language of different | 它能够学习不同语言 |
| 194 | worlds because cultural capital becomes most valuable when it expands the number of worlds | 文化资本在增加世界数量时变得最有价值 |
| 195 | you can understand. | 你会明白的 |
| 196 | Cultural capital was never really about knowing which things are considered | 文化资本从不真正知道什么是考虑的 |
| 197 | sophisticated. | 精细。 |
| 198 | It was about understanding how culture becomes power, how knowledge becomes | 而是要了解文化是如何成为力量,知识是如何成为力量 |
| 199 | embodied, how familiarity can become confidence, how credentials can become status, how taste can | 如何使熟悉度成为信心、证书如何成为地位、品味如何 |
| 200 | become distinction and how the things we experience in childhood can quietly shape the opportunities | 成为区别 我们童年经历的事物 如何悄悄地塑造机会 |
| 201 | we feel capable of pursuing later. | 我们觉得以后可以继续 |
| 202 | But there is something hopeful in understanding all of this | 但有些东西有希望理解这一切 |
| 203 | because once you realize that much of what looks like effortless sophistication is actually | 因为一旦你意识到 看上去很不费力的复杂 |
| 204 | accumulated familiarity, the illusion of naturalness begins to disappear. | 自然的幻觉开始消失 |
| 205 | You don't have to be born | 你不必生下来 |
| 206 | you can learn, you can enter unfamiliar rooms, you can read the book you don't understand, | 你可以学习,你可以进入不熟悉的房间, 你可以读你不懂的书, |
| 207 | you can ask the question you are embarrassed to ask, you can become interested in subjects that | 你可以问一个你很尴尬的问题, 你可以开始对课题感兴趣, |
| 208 | once felt inaccessible, and slowly the unfamiliar becomes familiar. | 慢慢地,不熟悉的人变得熟悉 |
| 209 | Not so that you can become | 不是为了让你成为 |
| 210 | someone who belongs everywhere, but so that fewer parts of the world feel close to you. | 一个人属于任何地方, 但使世界上更少的地方 感觉接近你。 |
| 211 | Because perhaps the greatest form of cultural capital isn't knowing how to appear as though | 因为也许最伟大的文化资本形式 是不知道怎样出现 |
| 212 | it is having accumulated enough knowledge curiosity and experience that you can find | 它已经积累了足够的知识 好奇和经验 你可以找到 |
| 213 | your footing almost anywhere and the world becomes larger every time you do. | 你几乎无处不在,世界变大 每一次你这样做。 |
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