月亮与六便士｜英文故事｜听故事学英文｜英文听力练习｜睡前英文
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:00 | The Moon and Sixpence | 月球和六便士 |
| 0:03 | Have you ever had a dream that was so strong that you wanted to give up everything to follow it? | 你曾经有过一个如此强烈的梦想,想放弃一切去追求它吗? |
| 0:11 | Many years ago, in London, there lived a man named Charles Strickland. | 多年前,在伦敦,有一个叫查尔斯·斯特里克兰的人居住. |
| 0:17 | He was a quiet and | 他是一个安静的, |
| 0:19 | ordinary person. | 是个普通人 |
| 0:20 | He worked as a successful stockbroker, had a wife, two children, | 他是一个成功的股票经纪人, 有一个妻子,两个孩子, |
| 0:25 | and a comfortable home. | 和一个舒适的家。 |
| 0:28 | To most people, he seemed to have everything needed for a happy life. | 在大多数人看来,他似乎拥有幸福生活所需的一切. |
| 0:33 | However, inside his heart, there was a hidden desire that nobody knew. | 然而,在他的内心里,有一个隐藏的欲望,没有人知道. |
| 0:40 | Strickland was not interested in money, social success, or a comfortable family life. | 斯特里克兰对金钱,社交成功或舒适的家庭生活不感兴趣. |
展开字幕全文（296 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | The Moon and Sixpence | 月球和六便士 |
| 2 | Have you ever had a dream that was so strong that you wanted to give up everything to follow it? | 你曾经有过一个如此强烈的梦想,想放弃一切去追求它吗? |
| 3 | Many years ago, in London, there lived a man named Charles Strickland. | 多年前,在伦敦,有一个叫查尔斯·斯特里克兰的人居住. |
| 4 | He was a quiet and | 他是一个安静的, |
| 5 | ordinary person. | 是个普通人 |
| 6 | He worked as a successful stockbroker, had a wife, two children, | 他是一个成功的股票经纪人, 有一个妻子,两个孩子, |
| 7 | and a comfortable home. | 和一个舒适的家。 |
| 8 | To most people, he seemed to have everything needed for a happy life. | 在大多数人看来,他似乎拥有幸福生活所需的一切. |
| 9 | However, inside his heart, there was a hidden desire that nobody knew. | 然而,在他的内心里,有一个隐藏的欲望,没有人知道. |
| 10 | Strickland was not interested in money, social success, or a comfortable family life. | 斯特里克兰对金钱,社交成功或舒适的家庭生活不感兴趣. |
| 11 | He was not a charming man, and he was not good at expressing his feelings. | 他不是一个迷人的人,他不擅长表达自己的感情. |
| 12 | He spent most of his time quietly working. | 他大部分时间都静静地工作 |
| 13 | His wife believed he was a normal husband | 他的妻子相信他是个正常的丈夫 |
| 14 | who cared about his career and family. | 他们关心自己的事业和家庭。 |
| 15 | But one day, something unexpected happened. | 但有一天,发生了意外 |
| 16 | Strickland suddenly left his family and went to Paris. | 斯特里克兰突然离开家人,前往巴黎. |
| 17 | Everyone was shocked. | 每个人都很震惊。 |
| 18 | His friends | 他的朋友们 |
| 19 | could not understand why he would leave such a comfortable life. | 无法理解他为什么要离开这么舒适的生活。 |
| 20 | His wife was deeply hurt and | 他妻子受了重伤 |
| 21 | angry. | 愤怒。 |
| 22 | She believed that another woman must be the reason for his leaving. | 她认为,另一个妇女必须是他离开的原因。 |
| 23 | People thought | 人们以为 |
| 24 | Strickland had lost his mind. | 斯特里克兰已经疯了 |
| 25 | The narrator of the story, a young writer, | 故事的旁白,一个年轻的作家, |
| 26 | heard about this strange event. | 听说这个奇怪事件 |
| 27 | He was curious about Strickland's decision. | 他对斯特里克兰的决定感到好奇. |
| 28 | Later, Strickland's | 后来,史崔克兰 |
| 29 | wife asked him to go to Paris and persuade her husband to come back. | 妻子让他去巴黎劝说丈夫回来. |
| 30 | When the narrator arrived | 当旁白者到达 |
| 31 | in Paris, he found Strickland living in a small, poor room. | 在巴黎,他发现斯特里克兰住在一个小而贫穷的房间里. |
| 32 | The place was completely different | 这地方完全不同 |
| 33 | from his former comfortable home in London. | 从他以前在伦敦舒适的家 |
| 34 | Strickland had almost no money, he had no good | 斯特里克兰几乎没有钱,他也没有好处 |
| 35 | clothes, no successful job, and no interest in returning to his old life. | 衣服,没有成功的工作, 也没有兴趣回到他的旧生活。 |
| 36 | The narrator tried | 旁白者试图 |
| 37 | to understand him. | 来了解他 |
| 38 | Why did you leave your family, he asked. | 他问你为什么离开你的家人 |
| 39 | Strickland answered calmly that he | 斯特里克兰冷静地回答道: |
| 40 | wanted to become a painter. | 想成为一个画家。 |
| 41 | The narrator was surprised. | 旁白者很惊讶 |
| 42 | Painting? | 画画? |
| 43 | Strickland was already a | 斯特里克兰已经是一个 |
| 44 | middle-aged man, he had no training as an artist, he had no reputation, no money, and no future | 中年人,没有受过艺术家训练,没有名声,没有钱,没有未来 |
| 45 | promise. | 答应。 |
| 46 | Most people would think it was impossible for him to start a new life as a painter. | 大多数人会认为他不可能以画家的身份开始新的生活. |
| 47 | The narrator asked him if he missed his family. | 旁白者问他是否想念家人 |
| 48 | Strickland showed little emotion. | 斯特里克兰表现出了一点情感. |
| 49 | He said that | 他说 |
| 50 | he did not want to return. | 他不想回来。 |
| 51 | He had spent many years living a life that did not belong to him. | 他度过了多年的生活 不属于他。 |
| 52 | Now he wanted to do what he truly wanted. | 现在他想要做他真正想要做的事 |
| 53 | The narrator realized that Strickland was not | 旁白者意识到斯特里克兰不是 |
| 54 | running away from his family because of another woman, he was running away from his old life. | 因为另一个女人而离家出走,他正在逃离他的旧生活。 |
| 55 | After this meeting, Strickland continued living in Paris. | 这次会议之后,斯特里克兰继续在巴黎居住. |
| 56 | He spent his days painting and learning | 他花了一天的时间画画学习 |
| 57 | by himself. | 一个人 |
| 58 | He did not care about other people's opinions. | 他不在乎别人的意见。 |
| 59 | He lived a poor and difficult life, | 他过着贫穷艰难的生活, |
| 60 | but he felt free. | 但他觉得自由。 |
| 61 | At the same time, his family suffered greatly. | 同时,他的家人也深受其害。 |
| 62 | His wife returned to London | 他的妻子回到了伦敦 |
| 63 | and told everyone that her husband had abandoned them. | 告诉大家她丈夫抛弃了她们 |
| 64 | Many people felt sorry for her. | 很多人为她感到难过。 |
| 65 | However, Strickland did not change his decision. | 然而,斯特里克兰并没有改变他的决定. |
| 66 | Years passed, and the narrator heard that | 多年过去了,旁白者听到 |
| 67 | Strickland was still painting in Paris. | 斯特里克兰当时仍然在巴黎画画. |
| 68 | His life was still difficult. | 他的生活依然艰难。 |
| 69 | He often had no money for | 他经常没有钱 |
| 70 | food and lived in terrible conditions. | 食物和生活环境非常糟糕。 |
| 71 | During this time, he met another painter named Dirk Struve. | 在此期间,他遇到了另一位名叫德克·斯特鲁夫的画家. |
| 72 | Dirk was a kind but not very talented artist. | 德克是一个善良的艺术家,但不是很有才华。 |
| 73 | He admired Strickland's work and believed that | 他欣赏斯特里克兰的作品,认为 |
| 74 | Strickland had great artistic ability, even though most people did not understand him. | 施特里克兰拥有巨大的艺术能力,尽管大多数人并不理解他. |
| 75 | Dirk tried to help Strickland many times. | 德克多次试图帮助斯特里克兰. |
| 76 | He gave him food, money, and a place to stay. | 他给了他食物、钱和住处 |
| 77 | However, Strickland did not show much gratitude. | 然而,斯特里克兰并没有表现出多少感激之情. |
| 78 | He was a cold and selfish man. | 他是个冷酷自私的人 |
| 79 | He only cared about his painting. | 他只关心他的画 |
| 80 | Dirk had a beautiful wife named Blanche. | 德克有一个美丽的妻子,名叫布兰奇. |
| 81 | She was quiet, | 她很安静 |
| 82 | proud, and unhappy in her marriage. | 骄傲和不高兴 在她的婚姻。 |
| 83 | Dirk loved her deeply, but Blanche did not love him in the same | 德克深爱她,但布兰琪却不爱他 |
| 84 | way. | 就是这样 |
| 85 | When Strickland stayed at Dirk's home, something changed. | 当斯特里克兰留在德克的家里时,事情变了. |
| 86 | Strickland became interested | 斯特里克兰开始感兴趣 |
| 87 | in Blanche. | 在布兰奇。 |
| 88 | He did not think about Dirk's feelings or the kindness Dirk had shown him. | 他没有想到德克的感情 也没有想到德克给他的仁慈 |
| 89 | He only followed his own desire. | 他只顺着自己的欲望 |
| 90 | Blanche eventually left Dirk and went with Strickland. | 布兰奇最终离开了德克,并和斯特里克兰一起去了. |
| 91 | Dirk was heartbroken. | 德克很伤心 |
| 92 | He could not understand why Strickland treated people so cruelly. | 他不明白为什么斯特里克兰如此残酷地对待人. |
| 93 | He had helped Strickland when nobody else would, but Strickland still hurt him. | 他帮了史崔克兰,但史崔克兰仍然伤害他 |
| 94 | The narrator also found Strickland's behavior difficult to accept. | 旁白者也发现斯特里克兰的行为难以接受. |
| 95 | He saw that Strickland had | 他看见史崔克兰 |
| 96 | a powerful artistic spirit, but he also saw that Strickland could ignore the feelings of others. | 一种强大的艺术精神, 但他也看到 斯特里克兰可以忽略 别人的感情。 |
| 97 | Strickland and Blanche moved to another place. | 斯特里克兰和布兰奇搬到了另一个地方. |
| 98 | However, their relationship was not happy. | 然而,他们的关系并不幸福。 |
| 99 | Blanche soon discovered that Strickland was not a romantic man. | 布兰奇很快发现斯特里克兰不是一个浪漫的人. |
| 100 | He did not care about love, | 他不在乎爱 |
| 101 | comfort, or happiness. | 舒适,或快乐。 |
| 102 | His only true passion was painting. | 他唯一真正的激情就是画画 |
| 103 | For Strickland, | 对于斯特里克兰, |
| 104 | people were less important than his art. | 人们不如他的艺术重要 |
| 105 | Blanche became lonely and unhappy. | 布兰琪变得孤独和不快乐. |
| 106 | She wanted love and | 她想要爱和 |
| 107 | attention, but Strickland could not give her what she needed. | 但斯特里克兰不能给她她需要的 |
| 108 | After the difficult relationship | 在困难的关系之后 |
| 109 | with Blanche, Strickland's life became even more separated from ordinary society. | 随着布兰奇的到来,斯特里克兰的生活与普通社会更加分离. |
| 110 | He cared less and less about money, reputation, and other people's opinions. | 他越来越不关心钱,名声,和其他人的意见. |
| 111 | The only thing that | 唯一的东西 |
| 112 | mattered to him was painting. | 对他来说,那是绘画。 |
| 113 | The narrator continued to hear stories about Strickland. | 旁白者继续听到有关斯特里克兰的故事. |
| 114 | Some people said he was a terrible man. | 有人说他是个可怕的人 |
| 115 | Others said he was a genius. | 其他人说他是个天才 |
| 116 | Everyone had a different | 大家都不一样 |
| 117 | opinion about him. | 对他的看法。 |
| 118 | But one thing was certain. | 但有一点是肯定的。 |
| 119 | Strickland was completely controlled by his | 史崔克兰完全被他的 |
| 120 | desire to create art. | 渴望创造艺术。 |
| 121 | After some years in Paris, Strickland decided to leave Europe. | 在巴黎呆了几年后,斯特里克兰决定离开欧洲. |
| 122 | He wanted to find a place where he could live freely and paint without being disturbed. | 他想找个可以自由生活和绘画而不受干扰的地方. |
| 123 | He traveled to Tahiti, a beautiful island in the Pacific Ocean. | 他前往太平洋上一个美丽的岛屿大溪地. |
| 124 | At that time, Tahiti was far away | 当时大溪地很远 |
| 125 | from the modern world. | 从现代世界。 |
| 126 | It was a place of nature, simple life, and peaceful surroundings. | 这是一个自然的地方, 简单的生活, 和平的环境。 |
| 127 | For Strickland, it was the perfect place to escape from society. | 对斯特里克兰来说,这是逃离社会的完美地点. |
| 128 | When he arrived in Tahiti, | 当他到达大溪地时 |
| 129 | he had almost nothing. | 他几乎什么都没有。 |
| 130 | He had no money, no friends, and no plan for the future. | 他没有钱,没有朋友,也没有未来的计划. |
| 131 | But he did not worry. | 但他并不担心 |
| 132 | He felt that he had finally found the place he had been searching for. | 他认为他终于找到了他一直在寻找的地方。 |
| 133 | In Tahiti, Strickland lived a very simple life. | 在塔希提,斯特里克兰的生活非常简单. |
| 134 | He spent most of his time painting. | 他大部分时间都在画画. |
| 135 | He walked through forests, watched the ocean, and studied the people and nature around him. | 他走过森林,观察海洋,研究周围的人和自然. |
| 136 | The beauty of the island deeply influenced his art. | 该岛的美丽深深影响了他的艺术. |
| 137 | The colors of the sky, the trees, | 天空的颜色,树木, |
| 138 | the flowers, and the people became part of his paintings. | 花,人民成为他画的一部分。 |
| 139 | His work became more powerful | 他的作品越来越强大了 |
| 140 | and more unique. | 更独特的。 |
| 141 | However, life in Tahiti was not easy. | 然而,大溪地的生活并不容易。 |
| 142 | Strickland的钱很少 | |
| 143 | and he often became sick because of his poor living conditions. | 他经常因为生活条件差而生病。 |
| 144 | Many people thought he would not survive, but Strickland did not care. | 许多人认为他不会幸存,但斯特里克兰并不在意. |
| 145 | He was not interested | 他没兴趣 |
| 146 | in living a long and comfortable life. | 过着漫长舒适的生活 |
| 147 | He only wanted to finish the paintings in his mind. | 他只想完成他心中的画作. |
| 148 | During this time, he met a man named Captain Nichols and his wife, Atta. | 在此期间,他遇到了一个名叫尼科尔斯上尉和他的妻子阿塔的男子. |
| 149 | Atta was a native | 阿塔是当地人 |
| 150 | woman from Tahiti. | 来自大溪地的女人 |
| 151 | She was simple, calm, and strong. | 她很简单,冷静,坚强 |
| 152 | Unlike many people Strickland had met | 不像史崔克兰见过的人 |
| 153 | before, she did not judge him. | 之前她没有审判他 |
| 154 | She accepted him as he was. | 她接受了他现在的样子 |
| 155 | Strickland and Atta eventually | 斯特里克兰和阿塔最终 |
| 156 | lived together. | 一起住过 |
| 157 | They built a small home away from the busy world. | 他们建造了一个远离繁忙世界的小家. |
| 158 | For the first time in many years, | 多年来第一次 |
| 159 | Strickland had a quiet place where he could paint without interruption. | 斯特里克兰有一个安静的地方 他可以不间断地画画。 |
| 160 | Atta cared for him. | 阿塔照顾他 |
| 161 | She cooked for him, looked after him when he was sick, and accepted his strange personality. | 她为他煮饭,在他生病时照顾他,并接受了他奇怪的个性. |
| 162 | Their relationship was very different from his past relationships. | 他们的关系与他过去的关系大不相同. |
| 163 | Strickland did not become a warm or loving person. | 斯特里克兰并没有成为一个温暖和爱的人. |
| 164 | He was still distant and often difficult | 他还是很遥远,常常很困难 |
| 165 | to understand. | 来理解 |
| 166 | But Atta did not expect him to change. | 但阿塔并没有期望他改变. |
| 167 | She understood that Strickland | 她知道斯特里克兰 |
| 168 | belonged to his art. | 属于他的艺术。 |
| 169 | In Tahiti, Strickland created some of his greatest works. | 在大溪地,斯特里克兰创作了一些他最伟大的作品. |
| 170 | However, | 不过, |
| 171 | the outside world still did not know his talent. | 外界还不知道他的才华 |
| 172 | Back in Europe, most people had forgotten him. | 在欧洲,大多数人都忘记了他。 |
| 173 | He was just a strange man who had abandoned his family and disappeared. | 他只是个离家出走的陌生人 |
| 174 | Only a few people | 只有几个人 |
| 175 | believed that he was a great artist. | 相信他是一个伟大的艺术家。 |
| 176 | The narrator eventually traveled to Tahiti because he wanted | 旁白者最终来到大溪地 因为他想要 |
| 177 | to learn more about Strickland. | 学习更多关于斯特里克兰。 |
| 178 | He wanted to understand the man behind the rumors. | 他想了解谣言背后的人 |
| 179 | When he arrived, he discovered a very different Strickland. | 他到达后发现了一个非常不同的斯特里克兰. |
| 180 | He saw a man who was completely | 他看见一个完全 |
| 181 | focused on his painting. | 专注于他的画。 |
| 182 | Strickland seemed to have found his true place in the world. | 斯特里克兰似乎找到了他在世界中的真实位置. |
| 183 | The narrator visited Strickland's home and saw his paintings. | 旁白者参观了斯特里克兰的家,看到了他的画作. |
| 184 | He was deeply surprised. | 他非常惊讶。 |
| 185 | The paintings were unlike anything he had seen before. | 这些画和他以前见过的不一样 |
| 186 | They were full of powerful emotions | 他们充满强大的情感 |
| 187 | and a strange beauty. | 和奇怪的美丽。 |
| 188 | They showed nature and human beings in a way that felt mysterious | 他们以神秘的方式展现自然和人类 |
| 189 | and original. | 和原创。 |
| 190 | The narrator began to understand why Strickland had sacrificed everything for his art. | 旁白者开始理解 为什么史崔克兰为了他的艺术牺牲了一切 |
| 191 | Although Strickland was selfish and often cruel, he had a rare gift. | 虽然施特里克兰自私且往往残忍,但他有罕见的天赋. |
| 192 | He was able to see something | 他能看到一些东西 |
| 193 | that ordinary people could not see. | 普通人看不见 |
| 194 | However, Strickland's life was not without suffering. | 然而,斯特里克兰的生活并非没有苦难. |
| 195 | After living in Tahiti for some time, he became seriously ill. His health became worse, | 在大溪地居住一段时间后,他病重. 他的健康变得更糟, |
| 196 | but he continued painting. | 但他继续画画 |
| 197 | Even when his body was weak, his mind was still full of ideas. | 即使在身体虚弱的时候,他的思想还是充满了思想. |
| 198 | During his illness, Strickland created a great painting on the walls of his house. | 在他生病期间,斯特里克兰在他的房子的墙上创作了一幅伟大的画. |
| 199 | He worked with all his energy. | 他精力充沛地工作着 |
| 200 | He painted the world he saw inside his heart. | 他画了内心所见的世界 |
| 201 | The people around him did not fully understand what he was creating, but Atta knew that the | 他身边的人并不完全了解他创造的东西,但阿塔知道 |
| 202 | painting was something special. | 画画很特别 |
| 203 | She stayed beside him and took care of him. | 她留在他身边照顾他 |
| 204 | Later, | 后来 |
| 205 | Strickland became blind because of his illness. | 斯特里克兰因病失明. |
| 206 | This was a terrible situation for an artist. | 这对艺术家来说是个可怕的局面。 |
| 207 | Painting was the center of his life, but now he could no longer see. | 绘画是他一生的中心,但现在他再也看不见了. |
| 208 | Yet he continued to live | 然而他继续活着 |
| 209 | with the same determination. | 以同样的决心。 |
| 210 | He could not paint anymore, but the images inside his mind remained | 他无法再画画了 但他脑海里的影像仍然 |
| 211 | alive. | 活着。 |
| 212 | As Strickland became older and weaker, he spent almost all of his time inside his small | 随着史崔克兰变老变弱 他几乎把全部时间都花在他的小房间里 |
| 213 | house in Tahiti. | 在大溪地的房子。 |
| 214 | His body was becoming tired, but his mind was still filled with the world of art. | 他的身体正在变得疲惫,但他的头脑仍然充满艺术世界. |
| 215 | Even though he was blind, he continued to think about painting. | 虽然是盲人,但他继续考虑绘画. |
| 216 | The pictures in his imagination were still clear. | 他想象中的照片还是清晰的. |
| 217 | The colors, shapes, and scenes that he had created | 他创造的颜色、形状和场景 |
| 218 | in his mind remained with him. | 他的脑海里一直有他 |
| 219 | The people around him knew that he was very different from ordinary | 他身边的人知道他和普通人很不一样 |
| 220 | people. | 人们 |
| 221 | Strickland had never cared about fame, money, or respect. | 史崔克兰从不关心名声、金钱或尊重 |
| 222 | He had left behind a comfortable | 他留下了一个舒适的 |
| 223 | life in London, lost his family, hurt many people, and lived in poverty. | 在伦敦生活,失去家人,伤害许多人,生活贫困. |
| 224 | To many people, his choices | 对很多人来说 他的选择 |
| 225 | were impossible to understand. | 无法理解 |
| 226 | But for Strickland, there was only one thing that mattered. | 但对于斯特里克兰来说,只有一件事很重要. |
| 227 | He wanted | 稱璶 |
| 228 | to follow his own truth. | 遵循他自己的真理 |
| 229 | Before his death, Strickland created one final great work. | 在他死前,斯特里克兰创作了最后一部伟大的作品. |
| 230 | It was painted on the walls of his house in Tahiti. | 在他位于大溪地的房屋的墙壁上画的. |
| 231 | The painting was huge and powerful. | 这幅画巨大而有力. |
| 232 | It showed the beauty and mystery of life that he had discovered on the island. | 它显示了他在岛上发现的美好和神秘的生活. |
| 233 | The work was unlike anything people had seen before. | 这部作品与人们之前所看到的作品不同. |
| 234 | However, Strickland never knew how the | 然而,史崔克兰从不知道 |
| 235 | world would react to it. | 世界会对此作出反应。 |
| 236 | He never waited for praise. | 他从不等待赞美 |
| 237 | He never cared whether people would call him a | 他从来不在乎别人会叫他 |
| 238 | genius or a madman. | 天才或者疯子 |
| 239 | For him, the painting itself was enough. | 对于他来说,画本身就足够了. |
| 240 | After Strickland died, | 斯特里克兰死后 |
| 241 | Atta followed his final wish. | 阿塔遵循了他的最终愿望. |
| 242 | Before his death, Strickland had asked that the painting should | 在他死前,斯特里克兰曾要求画作应该 |
| 243 | not be saved or shown to others. | 不被保存或显示给其他人。 |
| 244 | He wanted his work to disappear with him. | 他希望他的作品与他一起消失. |
| 245 | Atta respected his wish. | 阿塔尊重他的愿望。 |
| 246 | The walls of the house were destroyed, and the great painting disappeared forever. | 房屋的墙壁被毁,大画永远消失. |
| 247 | Many years later, people began to understand Strickland's talent. | 多年之后,人们开始理解斯特里克兰的才华. |
| 248 | His paintings became famous. | 他的画作成名. |
| 249 | Art critics started to study his work. | 艺术批评家们开始研究他的作品. |
| 250 | They realized that he had created something unique | 他们意识到他创造了独特的东西 |
| 251 | and powerful. | 和强大的。 |
| 252 | People who once ignored him began to admire him. | 曾经无视他的人开始崇拜他. |
| 253 | The world finally recognized the | 世界终于认识到 |
| 254 | artist that had been hidden behind his strange personality. | 被隐藏在他古怪人格背后的艺术家 |
| 255 | But Strickland himself never knew | 但史崔克兰本人却不知道 |
| 256 | about this success. | 关于这个成功。 |
| 257 | He never received fame. | 他从来没有获得过名声。 |
| 258 | He never received wealth. | 他从未获得过财富。 |
| 259 | He never returned to the | 他再也没回来 |
| 260 | comfortable life that he once had. | 他曾经有过的舒适的生活 |
| 261 | He only followed the dream that lived inside his heart. | 他只跟随内心的梦想 |
| 262 | The narrator often thought about Strickland's life. | 旁白者经常想到斯特里克兰的生活. |
| 263 | He wondered what kind of person Strickland | 他想知道史崔克兰是什么样的人 |
| 264 | really was. | 确实 |
| 265 | Was he a selfish and cruel man? | 他是自私和残忍的人吗? |
| 266 | Or was he a great artist who had no choice | 还是他是一个伟大的艺术家 谁没有选择 |
| 267 | but to follow his passion? | 但跟着他的激情? |
| 268 | The answer was not simple. | 答案并不简单。 |
| 269 | Strickland was not a kind person. | 斯特里克兰不是一个好人。 |
| 270 | He often ignored the feelings of others. | 他经常忽略别人的感情. |
| 271 | He hurt people who loved him and refused to take responsibility for his actions. | 他伤害了爱他的人,拒绝为他的行为承担责任. |
| 272 | But at the same time, he had an extraordinary artistic power. | 但与此同时,他拥有非凡的艺术力量. |
| 273 | He had the courage to leave | 他有勇气离开 |
| 274 | everything behind and search for something that was more important to him than comfort | 寻找比安慰更重要的东西 |
| 275 | and success. | 和成功的。 |
| 276 | The title of the story, The Moon and Sixpence, represents two different worlds. | 故事标题"月球与六便士"代表两个不同的世界. |
| 277 | The Sixpence is a small coin on the ground. | 六便士是地面上的一种小硬币. |
| 278 | It represents ordinary life, money, safety, | 它代表着普通的生活,金钱,安全, |
| 279 | and the things people can easily see. | 和人们容易看到的东西。 |
| 280 | The moon is far away in the sky. | 月在天远. |
| 281 | It represents dreams, | 它代表着梦想 |
| 282 | beauty, and something difficult to reach. | 美,和一些难以达到的东西。 |
| 283 | Most people spend their lives looking at the Sixpence | 大多数人一生都在看六便士 |
| 284 | because it is practical and real. | 因为它是实际和真实的。 |
| 285 | But Strickland looked at the moon. | 但施特里克兰看月亮. |
| 286 | He gave | 他给了 |
| 287 | up everything familiar and followed a dream that few people could understand. | 所有熟悉的事物 都追随着很少有人能理解的梦 |
| 288 | His journey was painful and lonely, but it allowed him to create something unforgettable. | 他的旅程是痛苦和孤独的,但这使他能够创造出令人难忘的东西. |
| 289 | His life reminds people that every person has different dreams and different paths. | 他的生活提醒人们,每个人都有不同的梦想和不同的道路. |
| 290 | Some people choose a safe and comfortable road. | 有些人选择一条安全舒适的道路. |
| 291 | Others choose a difficult road | 其他人选一条艰难的道路 |
| 292 | because they are searching for something deeper. | 因为他们在寻找更深层的东西 |
| 293 | Strickland chose the second path. | 斯特里克兰选择了第二条道路. |
| 294 | And although his life was full of mistakes and pain, | 虽然他的生活充满了错误和痛苦, |
| 295 | his art became his lasting mark on the world. | 他的艺术成为他在世界的持久印记. |
| 296 | Thank you for watching. | 谢谢你的观看。 |
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