标准英音有多好听！每日英音跟读：英国VA博物馆 古董CHAN
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:48 | So here we have a 1965, spring-summer 1965, Orcature garment from the house of Chanel. | 我们这里有1965年春夏 1965年香奈儿家的半兽人服装 |
| 1:00 | The suit has been offered to the museum by the family of a lady called Antoinette in | 这件西装是由一位叫安托瓦内特的女士的家人送去博物馆的 |
| 1:05 | her memory. | 她的记忆。 |
| 1:07 | Antoinette was born in Poland in 1920. | 安托瓦内特1920年出生于波兰. |
| 1:10 | She spent her childhood in Belgium, and in 1940, after the outbreak of the Second World | 她在比利时度过童年 1940年,第二次世界大战爆发后 |
| 1:18 | War, she made her way to London, which is where she spent the rest of her life. | 战争,她走进了伦敦,在那里度过了余生. |
| 1:34 | Because I'm handling a textile object here, and it has very minimal metal, it's actually | 因为我在这里处理一个纺织器, 它有非常微小的金属, 它实际上是 |
| 1:41 | safer for the object if I use no gloves and clean hands. | 如果我没有戴手套和干净的手,对物体比较安全。 |
| 1:47 | This suit would have been purchased at the house of Chanel in Paris. | 这身西装本来是在巴黎香奈儿家购买的. |
| 2:00 | The process of having an Orcature garment made involves multiple trips to have your | 做半兽人服装的过程 包括多次旅行 |
展开字幕全文（102 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | So here we have a 1965, spring-summer 1965, Orcature garment from the house of Chanel. | 我们这里有1965年春夏 1965年香奈儿家的半兽人服装 |
| 2 | The suit has been offered to the museum by the family of a lady called Antoinette in | 这件西装是由一位叫安托瓦内特的女士的家人送去博物馆的 |
| 3 | her memory. | 她的记忆。 |
| 4 | Antoinette was born in Poland in 1920. | 安托瓦内特1920年出生于波兰. |
| 5 | She spent her childhood in Belgium, and in 1940, after the outbreak of the Second World | 她在比利时度过童年 1940年,第二次世界大战爆发后 |
| 6 | War, she made her way to London, which is where she spent the rest of her life. | 战争,她走进了伦敦,在那里度过了余生. |
| 7 | Because I'm handling a textile object here, and it has very minimal metal, it's actually | 因为我在这里处理一个纺织器, 它有非常微小的金属, 它实际上是 |
| 8 | safer for the object if I use no gloves and clean hands. | 如果我没有戴手套和干净的手,对物体比较安全。 |
| 9 | This suit would have been purchased at the house of Chanel in Paris. | 这身西装本来是在巴黎香奈儿家购买的. |
| 10 | The process of having an Orcature garment made involves multiple trips to have your | 做半兽人服装的过程 包括多次旅行 |
| 11 | measurements taken. | 测量结果。 |
| 12 | The garment is normally produced in a toile, a very simple fabric to begin with, and then | 服装通常用一个玩具生产 一种非常简单的布料开始,然后 |
| 13 | the final garment is made in the exact fabrics, and you have an additional fitting to fit | 最后的衣物是用织物做的,你还有一件适合 |
| 14 | it specifically to your body. | 具体到身体上 |
| 15 | So this is exactly made for her. | 所以这是给她做的 |
| 16 | It won't fit anybody else. | 它不会适合任何人。 |
| 17 | I know from speaking to the Chanel archive that she ordered the suit in February, and | 我从跟香奈儿的档案里得知 她在二月订了西装 |
| 18 | then she later ordered the hat in March 1965. | 后来她于1965年3月订购了这顶帽子. |
| 19 | It's very rare for us as a museum to be offered Orcature garments that survive in their entirety | 作为博物馆,我们很少被提供 完整的兽衣 |
| 20 | with the accessories. | 带着配件 |
| 21 | This one comes with the hat and also a handbag that she ordered. | 这个是戴帽子的 还有她点的手提包 |
| 22 | And it's also very rare for a museum to be offered Orcature garments in such good condition | 博物馆也很少 被提供如此好的兽衣 |
| 23 | and with such good provenance. | 和如此良好的来源。 |
| 24 | So this is a very exciting addition to our collection. | 所以这是我们收藏的一个非常激动人心的补充。 |
| 25 | So Chanel started off her career as a milliner, so hats are really fundamental to both her | 香奈儿从小就当小米工 所以帽子对她俩来说都很重要 |
| 26 | story and the Chanel look. | 故事和香奈儿的表情 |
| 27 | When she first opened her business in 1909, it was selling hats, and her style of hats | 1909年她首次开业时 卖的是帽子 和帽子的风格 |
| 28 | in particular were the much more paired back versions of the very elaborate, very over-the-top | 特别是非常精心、非常超顶的背面版本 |
| 29 | hats that were being produced in the early 20th century, and it was really the huge success | 20世纪初生产的帽子 真的是巨大的成功 |
| 30 | of her hat that allowed her to expand the business. | 她的帽子 让她可以扩展生意。 |
| 31 | There's a very beautiful stitch motif that starts in the centre of the crown and goes | 有一个非常漂亮的缝合 开始在王冠的中央,去 |
| 32 | all the way to the edge and around the body of the crown and out around the brim. | 一直到边缘 环绕着王冠的躯体 环绕着金刚石 |
| 33 | One of the really lovely details about the hat is that it still has its original two | 帽子的一个非常可爱的细节是 它仍然有它原来的两个 |
| 34 | hat pins here and here. | 这里和这里都有帽子 |
| 35 | And the idea with hat pins was if you had bouffanty hair, you could do your updo. | 戴帽子的点子是 如果你有丰满的头发 你可以做你的升华。 |
| 36 | The style of the time was the chignon, that was very popular, so you could have your hat | 当时的风格是香肠,很受欢迎,所以你可以戴帽子 |
| 37 | of your very large hair and then the hat pins would secure it in place. | 你的头发很大,然后帽子针会固定好 |
| 38 | This is a really beautiful example of a hat that was commissioned around the same time | 这是一个非常美丽的例子 帽子是同时委托的 |
| 39 | as the suit, and you can see it was commissioned specifically to match, so the same colour | 作为西装,你可以看到它被特别委托 匹配,所以同样的颜色 |
| 40 | and the same fabric has been used to trim the brim. | 也用同样的布料来修剪钢丝 |
| 41 | There's a really lovely original Chanel label on cream with black lettering sewn to the | 奶油上有个非常可爱的香奈儿原创标签 上面有黑字缝着 |
| 42 | back of the grosgrain ribbon, and the grosgrain ribbon runs all the way around the inside | 腹股沟丝带的背面 腹股沟丝带一直绕着里面 |
| 43 | of the crown so it sits very neatly on your head. | 戴在皇冠上 所以它坐在你的头上非常整洁 |
| 44 | There's a really lovely contrast stitch here in cream, a very simple thread which marks | 奶油里缝了一针非常可爱的对比线 一条非常简单的线 |
| 45 | where the front of the hat is so you know exactly where to pop it. | 帽子的前面是哪里 所以你知道在哪里可以打开它。 |
| 46 | So here we have a 1965, a spring-summer 1965, haute couture garment from the house of Chanel. | 我们这里有1965年春夏 1965年香奈儿家的高级服装 |
| 47 | The suit has been offered to the museum by the family of a lady called Antoinette in | 这件西装是由一位叫安托瓦内特的女士的家人送去博物馆的 |
| 48 | her memory. | 她的记忆。 |
| 49 | Antoinette was born in Poland in 1920. | 安托瓦内特1920年出生于波兰. |
| 50 | She spent her childhood in Belgium, | 她在比利时度过了童年 |
| 51 | and in 1940, after the outbreak of the Second World War, she made her way to London, which | 1940年,第二次世界大战爆发后,她前往伦敦 |
| 52 | is where she spent the rest of her life. | 她的余生都在那里度过 |
| 53 | Because I'm handling a textile object here, it has | 因为我在这里处理一个纺织物品, 它有 |
| 54 | very minimal metal. | 金属很少 |
| 55 | It's actually safer for the object if I use no gloves and clean hands. | 如果我没有戴手套和干净的手,这对物体来说是比较安全的. |
| 56 | This suit would have been purchased at the house of Chanel in Paris. | 这身西装本来是在巴黎香奈儿家购买的. |
| 57 | The process of having | B. 拥有和拥有 |
| 58 | an haute couture garment made involves multiple trips to have your measurements taken. | 做高档服装需要多次旅行才能测量 |
| 59 | The | 那个 |
| 60 | garment is normally produced in a toile, a very simple fabric to begin with, and then | 服装通常用一个毛巾生产, 一种非常简单的布料开始,然后 |
| 61 | final garment is made in the exact fabrics and you have an additional fitting to fit it specifically | 最后的服装是用织物做的 而且你还有一件特别适合它的衣服 |
| 62 | to your body. | 让你的身体。 |
| 63 | So this is exactly made for her. | 所以这是给她做的 |
| 64 | It won't fit anybody else. | 它不会适合任何人。 |
| 65 | I know from speaking | 我从电话里知道 |
| 66 | to the Chanel archive that she ordered the suit in February, and then she later ordered the hat | 她二月订了西装 后来又订了帽子 |
| 67 | in March 1965. | 1965年3月参加. |
| 68 | It's very rare for us as a museum to be offered haute couture garments | 作为博物馆,我们很少被提供高档服装 |
| 69 | that survive in their entirety with the accessories. | 和配件一起活下来 |
| 70 | This one comes with the hat | 这个是戴帽子的 |
| 71 | and also a handbag that she ordered. | 还有她点的手提包 |
| 72 | And it's also very rare for a museum to be offered | 博物馆也很少提供 |
| 73 | haute couture garments in such good condition and with such good provenance. | 高贵的衣冠 条件和来源都很好 |
| 74 | So this is a very | 所以,这是一个非常 |
| 75 | exciting addition to our collection. | 令人兴奋的添加我们的收藏。 |
| 76 | So Chanel started off her career as a milliner, so hats | 香奈儿从小就当米酒工 戴帽子 |
| 77 | are really fundamental to both her story and the Chanel look. | 她的故事和香奈儿的外表都很重要 |
| 78 | When she first opened her business | 刚开业的时候 |
| 79 | in 1909 it was selling hats, and her style of hats in particular were the much more paired back | 在1909年它卖帽子, 她的帽子的风格 特别是更多的对背 |
| 80 | versions of the very elaborate, very over-the-top hats that were being produced in the early 20th | 20年代初制作的非常精细,非常超顶的帽子版本 |
| 81 | century. | 一个世纪 |
| 82 | And it was really the huge success of her hat that allowed her to expand the business. | 而正是她帽子的巨大成功 让她得以扩展生意 |
| 83 | There's a very beautiful stitch motif that starts in the center of the crown and goes all the way | 有一个非常漂亮的缝合 开始在王冠中央 并一路走 |
| 84 | to the edge and around the body of the crown and out around the brim. | 绕着王冠的边缘 绕着王冠的躯体 |
| 85 | One of the really lovely | 一个非常可爱的 |
| 86 | details about the hat is that it still has its original two hat pins here and here. | 有关帽子的细节是,它仍然有 它最初的两个帽子针在这里和这里。 |
| 87 | And the idea with hat pins was if you had bouffanty hair you could do your updo. | 戴帽子的点子是 如果你有丰满的头发 你可以做你的升华。 |
| 88 | The style of the time | 时代的风格 |
| 89 | was the chignon, that was very popular. | 香肠,很受欢迎 |
| 90 | So you could have your hat of your very large hair and | 这样你就可以有你的帽子 你非常大的头发和 |
| 91 | then the hat pins would secure it in place. | 然后帽子的针会固定好 |
| 92 | This is a really beautiful example of a hat that was | 这是一个非常美丽的例子 帽子曾经 |
| 93 | commissioned around the same time as the suit and you can see it was commissioned specifically | 大约与西装同时,你可以看到它是特别委托的 |
| 94 | to match. | 来匹配 |
| 95 | So the same color ways and the same fabric has been used to trim the brim. | 所以用同样的颜色和布料来修剪布料。 |
| 96 | There's | 还有 |
| 97 | a really lovely original Chanel label on cream with black lettering sewn to the back of the | 一个非常可爱的香奈儿原创标签 在奶油上,黑色的字母缝合到后面 |
| 98 | grosgrain ribbon. | 腹股沟丝带。 |
| 99 | And the grosgrain ribbon runs all the way around the inside of the crown so it | 和杂粮丝带 运行在王冠的内侧 |
| 100 | sits very neatly on your head. | 坐在你的头上非常整洁。 |
| 101 | And there's a really lovely contrast stitch here in cream, | 这里有一个非常可爱的对比缝 在奶油, |
| 102 | very simple thread which marks where the front of the hat is so you know exactly where to pop it. | 非常简单的线条,它标志着 帽子的前面在哪里 所以你知道在哪里可以弹出它。 |
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