英音有多好听！每日英音跟读：英国国家美术馆（如何移动一副古画
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:20 | So that's now fully down and secured. | 所以,现在完全 下来和保障。 |
| 0:24 | Using this system it can now be | 现在使用这个系统就可以了 |
| 0:27 | transported through the galleries like that, it can be temporarily stored like | 像这样通过画廊运输 可以暂时储存 |
| 0:30 | that and then reinstalled directly off that. | 然后直接重整旗鼓 |
| 0:35 | So a solution that gives us a way | 因此,一个解决方案给我们一个方法 |
| 0:36 | to kind of minimalise handling of the work. | 将工作的处理降到最低 |
| 0:39 | Most of what we use is designed in | 我们使用的大部分是设计在 |
| 0:41 | house from the fixings we put things on the wall with to the trolleys, the | 房子从修理 我们把东西 在墙上 与拖车, |
| 0:51 | yellow trolley was designed by myself. | 黄色拖车是我自己设计的 |
| 0:54 | Like everything's very bespoke because | 就像一切都很清晰 因为 |
展开字幕全文（87 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | So that's now fully down and secured. | 所以,现在完全 下来和保障。 |
| 2 | Using this system it can now be | 现在使用这个系统就可以了 |
| 3 | transported through the galleries like that, it can be temporarily stored like | 像这样通过画廊运输 可以暂时储存 |
| 4 | that and then reinstalled directly off that. | 然后直接重整旗鼓 |
| 5 | So a solution that gives us a way | 因此,一个解决方案给我们一个方法 |
| 6 | to kind of minimalise handling of the work. | 将工作的处理降到最低 |
| 7 | Most of what we use is designed in | 我们使用的大部分是设计在 |
| 8 | house from the fixings we put things on the wall with to the trolleys, the | 房子从修理 我们把东西 在墙上 与拖车, |
| 9 | yellow trolley was designed by myself. | 黄色拖车是我自己设计的 |
| 10 | Like everything's very bespoke because | 就像一切都很清晰 因为 |
| 11 | it's a very niche kind of requirement to move pictures but then we're also quite | 移动图片是一种非常特殊的要求, 但我们也相当 |
| 12 | lucky it's just a paintings collection here we can kind of specialise and | 幸运的是,它只是一幅画集 在这里,我们可以 某种专业和 |
| 13 | create solutions. | 创建解决方案。 |
| 14 | Any small to medium-sized works that we can lift off | 任何小到中型的作品,我们可以升起 |
| 15 | by hand can just go on the yellow trolleys and then silver is larger | 用手就可以去黄色的拖车 然后银子就更大了 |
| 16 | heavier things that need stacker trolleys then blue is the heaviest | 更重的东西,需要堆栈推车,而蓝色是最重的 |
| 17 | things like altarpieces so that's kind of how they're coded so we know what | 像祭坛一样的东西 所以它们是如何编码的 所以我们知道 |
| 18 | equipment to bring with us. | 设备带给我们 |
| 19 | Because of the building work that's going to | 因为建筑工程将会 |
| 20 | happen for NG200 we have to take the works off the wall in the same threwing | 发生NG200,我们必须把 墙上的作品在同一扔 |
| 21 | just to protect them from the vibrations we're not actually changing these | 为了保护他们免受震动 我们实际上不会改变这些 |
| 22 | galleries but because of the vibrations we're taking them down for protection so | 画廊,但因为震动,我们带他们下来保护,所以... |
| 23 | lots of the highlight paintings are going to be moved into the main wing so | 许多亮点画将被移入主翼 |
| 24 | the public can still see them so tomorrow this is going to go up on the | 公众仍然能看到他们,所以明天这将会上升 |
| 25 | wall in the main building in the gallery. | 画廊主楼墙壁. |
| 26 | Normally in art handling we try | 通常在艺术处理 我们尝试 |
| 27 | and do all the work in the galleries before the gallery opens at 10 o'clock so | 在画廊10点开放前 在画廊里做所有的工作 |
| 28 | we normally come in at 8 try and do all the jobs so that the public don't sort | 我们通常八点进来 尝试做所有的工作 这样公众就不会排序 |
| 29 | of have to be disturbed by our goings on but because the same throwing is so big | 但因为同样的掷球太大了 |
| 30 | a project we have to do it during opening hours so we've screened off these | 我们不得不在开放时间完成这个项目 所以我们已经筛选了这些 |
| 31 | rooms. | 房间。 |
| 32 | Yeah there's probably only I think how many a dozen or so pictures in the | 是啊,也许只有我认为 有多少打左右的照片在 |
| 33 | collection where we use the blue hoist in full with its towers they sort of | 在那里我们使用蓝色的升起 满是它的塔 他们排序 |
| 34 | become like the set piece moves where everybody kind of has a roll and it all | 变得像片段的移动 在那里,每个人都有卷 |
| 35 | comes together pretty quick and it takes a lot of planning. | 来得很快 需要很多计划 |
| 36 | And also this one | 还有这个 |
| 37 | we're quite lucky because it's not too tall some of the altarpieces are so | 我们很幸运,因为它不是太高 一些祭坛是那么的 |
| 38 | tall that just to get out of the room to get out of the wing we have to lay them | 高高的,为了离开房间 离开翅膀,我们必须让他们躺下 |
| 39 | down and put them on their side and that becomes a lot more stressful just | 把它们放在一边,这样就更紧张了 |
| 40 | because of the weight of things involved and when something's so tall the people | 因为事情的重量 和当东西这么高 人们 |
| 41 | on the ground can't actually help you until it's nearly level. | 在地面上,直到接近平面,才能帮助你。 |
| 42 | So NG1 that | 所以NG1这样 |
| 43 | will be moved yeah I mean that even to re to move it between rooms in the | 我的意思是,即使移动它 在房间之间 |
| 44 | gallery takes two days so it's that's a huge undertaking things this big are | 画廊需要两天时间 所以这是一件巨大的事业 |
| 45 | difficult to move. | 很难移动。 |
| 46 | Back here tomorrow morning for the movement and then the | 明天早上回来参加运动 然后 |
| 47 | installation. | 安装。 |
| 48 | So we're gonna head through to room 11 just kind of get | 所以我们要去11号房 |
| 49 | everything set up in there before we take this through just so we've got as | 在经过这一切之前就已经安排好了 |
| 50 | much working space as possible through there. | 很多工作空间 尽可能在那里。 |
| 51 | It's probably the smallest room | 可能是最小的房间 |
| 52 | we've ever hung altarpieces in so yeah not been in there before. | 我们曾经挂在祭坛上 所以是的,不是在那里之前。 |
| 53 | No I don't. | 不,我没有。 |
| 54 | Yeah okay yeah nice and straight. | 是啊,好吧,是啊 不错和直。 |
| 55 | So that's now fully down and secured using | 因此,现在完全下降 并使用 |
| 56 | this system it can now be transported through the galleries like that it can | 这个系统现在可以通过画廊运输了 |
| 57 | be temporarily stored like that and then reinstalled directly off that so a | 暂时存放,然后直接重新安装 |
| 58 | solution that gives us a way to kind of minimalize handling of the work. | 能够让我们把工作的处理降到最低 |
| 59 | Most of | 多数 |
| 60 | we use is designed in-house from the fixings we put things on the wall with | 我们用是内部设计的 我们把东西放在墙上 |
| 61 | to the trolleys the lifting equipment. | 到推车 起重设备。 |
| 62 | I mean this was designed by Pat the yellow | 我的意思是,这是帕特设计 黄色 |
| 63 | trolley was designed by myself like everything's very bespoke because it's a | 推车是我自己设计的,就像一切都很清晰,因为它是一个 |
| 64 | very niche kind of requirement to move pictures but then we're also quite | 移动图片的要求非常特殊 但我们也相当 |
| 65 | lucky it's just a paintings collection here we can kind of specialize and | 幸运的是,它只是一个画集 在这里我们可以 一种专门, |
| 66 | create solutions. | 创建解决方案。 |
| 67 | Any small to medium-sized works that we can lift off | 任何小到中型的作品,我们可以升起 |
| 68 | by hand can just go on the yellow trolleys and then silver is larger | 用手就可以去黄色的拖车 然后银子就更大了 |
| 69 | heavier things that need stacker trolleys then blue is the heaviest things | 更重的东西,需要堆叠拖车, 而蓝色是最重的东西 |
| 70 | like altarpieces so that's kind of how they're coded so you know what equipment | 就像祭坛一样 所以它们是如何编码的 你知道什么设备 |
| 71 | to bring with us. | 带我们一起去 |
| 72 | Like normally in art handling we try and do all the work in | 像正常的艺术处理 我们尝试做所有的工作 |
| 73 | the galleries before the gallery opens at 10 o'clock so we normally come in at | 画廊10点开放前的画廊 所以我们通常在 |
| 74 | 8 try and do all the jobs so that the public don't sort of have to be | 8 尝试做所有的工作 这样公众就不会是 |
| 75 | disturbed by our goings-on but because the same drawing is so big a project we | 但因为同样的画 对我们来说是件大工程 |
| 76 | have to do it during opening hours so we've screened off these rooms. | 必须在营业时间进行,所以我们已经检查了这些房间。 |
| 77 | So we're | 所以我们是 |
| 78 | gonna head through to room 11 and just kind of get everything set up in there | 要去11号房 然后把所有东西都安排好 |
| 79 | before we take this through just so we've got as much working space as | 之前我们通过这个 只是让我们有 一样多的工作空间 |
| 80 | possible through there. | 可能通过那里。 |
| 81 | It's probably the smallest room we've ever hung | 这可能是我们挂过最小的房间 |
| 82 | altarpieces in so yeah. | 祭坛上摆放的 |
| 83 | It's not been in there before has it? | 它以前没在里面过吗? |
| 84 | No I don't. | 不,我没有。 |
| 85 | Yeah? | 是吗? |
| 86 | Okay. | 摆 |
| 87 | Yeah, it's nice and straight. | 是啊,这是很好的和直。 |
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