《经济学人》冰湖吐气、百年绝唱：外媒笔下的传奇郭兰英 [B2
![《经济学人》冰湖吐气、百年绝唱：外媒笔下的传奇郭兰英 [B2]](https://1zimu.com/subtitle/imgs/20260914/czz0mwyvqglehz03y52ucawc_1789356711151.jpg)
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:06 | Guo Lanying The singer and champion of traditional Chinese | 郭兰英 传统汉语的歌手和冠军 |
| 0:11 | opera died on August 11, aged 97. | 歌剧于8月11日逝世,享年97岁. |
| 0:16 | The question was simple, but it still took her by surprise. | 问题很简单,但她还是很惊讶。 |
| 0:21 | A well-dressed young man | 一个穿得体的年轻人 |
| 0:22 | stood up at one of her talks and asked, | 站在她的谈话中问, |
| 0:25 | Do you have a signature song? | 你有签名歌吗? |
| 0:27 | Before she could answer, the whole audience, young and old, | 在她回答之前,所有的观众,无论年轻还是老, |
| 0:30 | burst out in chorus, A great river flows, wide are its waves, | 河水大流,波涛大波 |
| 0:36 | Wind blows the scent of rice-blossoms to both shores, | 风把米花的气味吹到两岸 |
| 0:40 | And Guo Lanying rocked with laughter. | 而郭兰英则以笑声震撼. |
展开字幕全文（112 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | Guo Lanying The singer and champion of traditional Chinese | 郭兰英 传统汉语的歌手和冠军 |
| 2 | opera died on August 11, aged 97. | 歌剧于8月11日逝世,享年97岁. |
| 3 | The question was simple, but it still took her by surprise. | 问题很简单,但她还是很惊讶。 |
| 4 | A well-dressed young man | 一个穿得体的年轻人 |
| 5 | stood up at one of her talks and asked, | 站在她的谈话中问, |
| 6 | Do you have a signature song? | 你有签名歌吗? |
| 7 | Before she could answer, the whole audience, young and old, | 在她回答之前,所有的观众,无论年轻还是老, |
| 8 | burst out in chorus, A great river flows, wide are its waves, | 河水大流,波涛大波 |
| 9 | Wind blows the scent of rice-blossoms to both shores, | 风把米花的气味吹到两岸 |
| 10 | And Guo Lanying rocked with laughter. | 而郭兰英则以笑声震撼. |
| 11 | That song, My Motherland, was indeed her signature. | 这首歌"我的祖国"确实是她的签名. |
| 12 | Both melody and words were in the simple folk-song style she loved. | 旋律和文字都以她喜欢的简单的民歌风格出现. |
| 13 | She had sung it most famously in Xiong Gun Ling, a film of 1956 about a recent battle | 她唱的歌最有名的是在Xiong Gun Ling, 1956年的电影 关于最近的一场战斗 |
| 14 | of the Korean War, sitting demure and radiant in military uniform in a cave full of battered | 身着军装坐在满是被打的洞穴里 |
| 15 | soldiers who, group by group, joined in with her. | 士兵们, 集体, 加入她。 |
| 16 | China was indeed beautiful, its roads broad and its waters full of white sails, but, in | 中国确实很美,道路宽敞,水域充满白帆,但是 |
| 17 | order to usher in a new era, they woken the sleeping mountains and changed the shapes | 为了迎来新时代 他们唤醒了睡山 改变了形状 |
| 18 | {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}河边 | |
| 19 | Revolutionary progress was mixed in with natural human homesickness, another of her most famous | 革命进步与自然的人类思念相混合 这也是她最著名的 |
| 20 | songs, Nanny Wan, celebrated the transformation of a north-western gorge into fertile productive | 歌声,万保姆,庆祝西北部峡谷 变成肥沃的产物 |
| 21 | fields, crops everywhere, by the 359th Brigade. | 由359旅负责 |
| 22 | Again, people sang this up and down the land, | 人们再次歌唱着这片土地上下 |
| 23 | and she was delighted to perform it to anyone, many or few, farmers or factory workers, premiers | 她很高兴能为任何人表演 不论多少人 农民或工厂工人 首演 |
| 24 | – Zhou Enlai was a great fan – or dumpling sellers. | ——周恩来是好粉丝——或饺子卖家. |
| 25 | Not for nothing was she named in | 不是白说,她的名字 |
| 26 | 2019 a People's Artist, one of China's highest honours. | 2019年获人民艺术家,中国最高荣誉之一. |
| 27 | Yet it was opera that had | 然而,歌剧有 |
| 28 | made her, traditional opera, dealing not just with lords and princes, she parading in heavy | 使她成为传统歌剧, 不仅与领主和王子打交道, 她沉迷于 |
| 29 | glittering robes and extravagant headdresses, but from the 1940s with ordinary people trying | 闪闪发光的长袍和奢侈的套装 但从1940年代开始 普通人都在努力 |
| 30 | to get by. | 以获得通过。 |
| 31 | At 15 she fell in love with an opera called The White-Haired Girl. | 15岁时,她爱上了歌剧"白发少女". |
| 32 | This was the story | 这就是故事 |
| 33 | of Xia, a young peasant woman whose land was taken by a vicious landlord who made her | 夏的一位年轻农妇 她的土地被一个恶毒的地主抢走了 |
| 34 | his concubine. | 其妾b. |
| 35 | Rather than submit, she took refuge in a cave, her hair and skin turning | 而不是屈服,她躲在洞穴里,头发和皮肤变了 |
| 36 | white as a ghost's, her clothes in rags, until the soldiers of the Chinese Communist | 白如鬼,衣着破布,直到中国共产党的士兵 |
| 37 | Party brought her back to the sunlight. | 党带她回到阳光下。 |
| 38 | Lan Ying thrilled to this role in large part because a rapacious man got his comeuppance. | 兰英对这个角色很兴奋 因为一个贪婪的男人得到了他的喜悦 |
| 39 | In China's old society, even sometimes under the new, women were on the bottom rung, subservient | 在中国的旧社会, 即使在新时代, 女人在最底层,屈从 |
| 40 | to husbands and parents-in-law, confined to the house. | 丈夫和岳母, 被禁锢在房子里。 |
| 41 | She sang their resistance. | 她唱起他们的反抗。 |
| 42 | In another | 在另一个 |
| 43 | opera, The Injustice to Dou'e, she played a woman falsely accused of murder, singing | 歌剧"对豆豆的不公正" 她扮演了一个被诬陷谋杀的女人 |
| 44 | much of the time on her knees with a wooden crime placard strapped to her back. | 大部分时间她跪着 用木质犯罪牌子绑在她的背上 |
| 45 | But her | 不过她 |
| 46 | final aria, pathetic and disgraceful, was a lacerating attack on her male abusers and | 最后的阿里亚, 可悲和可耻的, 是对她的男性施虐者 的轻率攻击, |
| 47 | accusers, and on the old justice system in general. | 以及整个旧司法系统 |
| 48 | The high, pure soprano could become | 高,纯正的女高音可能会变成 |
| 49 | a furious mezzo as necessary. | 一个愤怒的米佐 必要时。 |
| 50 | That voice had been beaten into her, as was the way in those days. | 她的声音被打中了,就像那些日子一样。 |
| 51 | As an apprentice singer | 作为学徒歌手 |
| 52 | and performer under five-year contract, starting at the age of six, she was taken into her | 从六岁起,她就被带入 |
| 53 | master's household and ruthlessly trained. | 主人的家 和无情的训练。 |
| 54 | If she failed to do a somersault perfectly, | 如果她没有完美地做一次手术 |
| 55 | she was lashed with a leather sheepwhip, for in subordination she was bludgeoned black | 她被皮革羊鞭鞭打 因为从属地位是黑色的 |
| 56 | and blue with a rolling pin. | 和蓝色与滚动的针。 |
| 57 | In the bitter winters of Shanxi, her home region in the | 在山西的苦冬中 她的家乡 |
| 58 | north, she was made to do vocalizing exercises lying face down on a frozen lake. | 她被迫在冰冻的湖面上表演声乐 |
| 59 | She had | 她有过 |
| 60 | not done well unless her breath melted a hole in the ice. | 除非她的呼吸融化了冰上的一个洞 否则不会成功 |
| 61 | To escape this regime she once took poison, and at eleven ran away. | 为了逃离这个政权,她曾经服过毒,11岁时逃跑。 |
| 62 | But being so far from | 但离我们这么远 |
| 63 | her own village, she had no idea where to go. | 她不知道该去哪 |
| 64 | Besides, she was determined to sing, even | 此外,她决心唱歌,甚至 |
| 65 | if this treatment was the price. | 如果治疗是代价的话 |
| 66 | She had been spared to do it. | 她曾幸免于难。 |
| 67 | As a baby, unable to get | 作为一个孩子,不能得到 |
| 68 | a drop of mother's milk, because her peasant parents had only a handful of millet in an | 一滴母亲的牛奶,因为她的农民父母只有一小撮小米 |
| 69 | iron pot, she had been left in the woods to die. | 铁锅,她被留在树林里死去。 |
| 70 | But an aunt rescued her, and an uncle, | 但一个阿姨救了她 和一个叔叔 |
| 71 | when she was four, suggested opera. | 在她四岁的时候, 推荐歌剧。 |
| 72 | Her parents, starving again by then, sold her to the opera | 那时她父母又饿死了 把她卖给了歌剧团 |
| 73 | master for five copper coins, or around twelve dollars. | 师为五铜钱,或约十二钱. |
| 74 | She fought to stay at home, but her | 她为留在家里而战,但她 |
| 75 | mother remarked that if she became a singer she could eat from a hundred households. | 母亲说,如果她成为一名歌手,她可以吃一百个家庭的食物。 |
| 76 | So | 这么说 |
| 77 | she had persevered, progressing from maids with teapots parts to rolls big enough to | 她坚持不懈,从女佣 茶壶的零件 进到大到 |
| 78 | get her on the posters. | 让她登上海报。 |
| 79 | But after she had seen the white haired girl, she packed her | 但是在她看到那个白发女孩后 她收拾了行李 |
| 80 | few things, and ran after the performance troupe, joining the revolution by begging | 几乎没有什么, 跑在表演剧团之后, 通过乞讨加入革命 |
| 81 | for the part of she-er. | 对于她 -er。 |
| 82 | In order to get it she practiced harder than ever, especially | 为了得到它 她比以往更努力练习 尤其是 |
| 83 | enunciation. | 发泄. |
| 84 | Since audiences listened to opera not for her voice, but for her meaning, she | 由于观众听歌剧 不是为她的声音, 而是为她的意义,她 |
| 85 | must bite on every word, and let each one land like a hammer blow on the heart. | 必须咬每个字, 让每一个土地像锤子击打心脏。 |
| 86 | Yet | 不过 |
| 87 | as an art form, Chinese opera was struggling. | 作为艺术形式,中国歌剧正在挣扎. |
| 88 | During the Cultural Revolution it was banned | 文化大革命期间被禁 |
| 89 | for a decade, and she herself was sent to the cowshed, an improvised prison, where | 十年,她自己被送到牛棚, 一个简易监狱,在那里 |
| 90 | she had to do forced labor. | 她不得不做强制劳动。 |
| 91 | In December 1976, after the arrest of the Gang of Four, she | 1976年12月,四人帮被捕后,她 |
| 92 | dared to change a song in mid-concert to praise, not the People's Liberation Army as usual, | 敢于在中歌会中改歌以示赞美,而非人民解放军如往常, |
| 93 | but Joe, whose death that year had hastened the end of the catastrophe. | 但乔,他那年的死 加速了灾难的结束 |
| 94 | Joe had hinted | 乔暗示过 |
| 95 | to her that she ought to train successors in her art before it was eclipsed by Western | 她应该培养继任者 在被西方人吞噬之前 |
| 96 | influences. | 影响。 |
| 97 | So, on retirement in the 1980s, she sold her house and her awards to found | 1980年代退休后 她把房子和奖项卖了 |
| 98 | in Guangzhou an art and opera school that was later named after her. | 在广州一所后来以她命名的艺术和歌剧学校. |
| 99 | She and her husband | 她和她的丈夫,我们... |
| 100 | even helped build it, heaving stones and laying roads. | 甚至帮助建造了它 挖石头和铺路 |
| 101 | Becoming China's favorite female singer | 成为中国最喜爱的女歌手 |
| 102 | had been equally hard work. | 工作同样艰苦。 |
| 103 | She impressed that work ethic on her students. | 她给学生留下了深刻印象 |
| 104 | If she wasn't | 如果她没有 |
| 105 | tough on them, audiences would be tough later. | 对他们来说,观众以后会很难。 |
| 106 | Her routine in old age was still vigorously | 她年纪大了还很正常 |
| 107 | parasitic, including half a bowl of aged Shaanxi vinegar with her meals. | 寄生虫,包括半碗年老的陕西醋和她的膳食. |
| 108 | She painted | 她画的 |
| 109 | orchids, lan in Chinese, feeling empathy with them from the name she shared. | 兰花,兰兰,兰兰,兰兰兰,兰兰兰,兰兰兰兰,兰兰兰兰兰,兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰兰 |
| 110 | She had endured. | 她已经忍受了。 |
| 111 | It was true that a deep core of anger had also pushed her on, but to dissolve it and | 诚然,一个深层的愤怒核心 也把她推向了, 但解除它和 |
| 112 | forget it, she had only to hear a packed adoring theater singing her songs back to her. | 忘了吧,她只听到一个满满的装饰 剧院唱她的歌回来给她听。 |
该视频共有字幕 112 条。解锁更多字幕为会员功能，请移动到 价格