《暮光之城》《吸血鬼日记》爆火背后隐藏着Z世代对吸血鬼的何种
字幕摘录
| 时间 | 英文 | 中文 |
|---|---|---|
| 0:04 | We can get tonight's event started. | 我们可以让今晚的活动开始。 |
| 0:06 | My name is Rusty Fufanon. | 我叫罗丝蒂·弗凡农 |
| 0:08 | I am a graduate of Yale College | 我是耶鲁大学的毕业生 |
| 0:10 | Class of 2024, a current Yale Light Fellow at Middlebury in Beijing, and an intern here at Yale | 2024年的班级,现任耶鲁大学北京米德尔伯里分校的耶鲁光明研究员,耶鲁大学的实习生 |
| 0:16 | Center Beijing. | 北京中心报. |
| 0:17 | For those of you who are new, Yale Center Beijing was founded in 2014 as Yale's | 对你们这些新人来说,耶鲁中心北京成立于2014年,是耶鲁大学的 |
| 0:21 | embassy and activity center in China, serving all of its 14 schools. | 驻华使馆和活动中心,服务于其14所学校的全部. |
| 0:27 | For the past 10 years, | 过去10年里 |
| 0:28 | we have hosted thousands of events, such as today's, convening thought leaders to discuss | 我们主办了数千次活动,如今天的,召集思想领袖讨论 |
| 0:33 | critical and cutting edge issues that are shaping our world. | 影响我们世界的关键和尖端问题。 |
展开字幕全文（468 条）
| 序号 | 英文 | 中文 |
|---|---|---|
| 1 | We can get tonight's event started. | 我们可以让今晚的活动开始。 |
| 2 | My name is Rusty Fufanon. | 我叫罗丝蒂·弗凡农 |
| 3 | I am a graduate of Yale College | 我是耶鲁大学的毕业生 |
| 4 | Class of 2024, a current Yale Light Fellow at Middlebury in Beijing, and an intern here at Yale | 2024年的班级,现任耶鲁大学北京米德尔伯里分校的耶鲁光明研究员,耶鲁大学的实习生 |
| 5 | Center Beijing. | 北京中心报. |
| 6 | For those of you who are new, Yale Center Beijing was founded in 2014 as Yale's | 对你们这些新人来说,耶鲁中心北京成立于2014年,是耶鲁大学的 |
| 7 | embassy and activity center in China, serving all of its 14 schools. | 驻华使馆和活动中心,服务于其14所学校的全部. |
| 8 | For the past 10 years, | 过去10年里 |
| 9 | we have hosted thousands of events, such as today's, convening thought leaders to discuss | 我们主办了数千次活动,如今天的,召集思想领袖讨论 |
| 10 | critical and cutting edge issues that are shaping our world. | 影响我们世界的关键和尖端问题。 |
| 11 | Tonight, I am delighted to welcome | 今晚,我很高兴欢迎 |
| 12 | Heather Clement教授,耶鲁大学英语系高级讲师, | |
| 13 | and the course director for English 1014 Expository Writing Seminars. | 以及英语1014 Expository写作研讨会的课程主任. |
| 14 | She received her PhD from Yale | 她从耶鲁大学获得博士学位 |
| 15 | University's Department of Comparative Literature in 2013, and has taught vampire literature and | 2013年,大学比较文学系教授吸血鬼文学和 |
| 16 | for nearly a decade. | 将近十年了 |
| 17 | In 2022, she received the Fred Streby and Linda Peterson Prize for | 2022年,她获得了弗雷德·斯特雷比和琳达·彼得森奖. |
| 18 | Excellence in Teaching. | 卓越教学. |
| 19 | Her research has appeared in studies in Romanticism, 18th Century Studies, | 她的研究出现在了浪漫主义,18世纪的研究中, |
| 20 | and The Lion and the Unicorn. | 狮子和独角兽 |
| 21 | She is currently working on manuscripts on new directions in | 她目前正在编写有关新方向的手稿。 |
| 22 | vampire fiction and film since the 2010s, as well as on writing pedagogy. | 2010年代起吸血鬼小说和电影,以及写作教育学. |
| 23 | Today's talk, | 今天的谈话 |
| 24 | titled Reality Bites, Teenage Vampires from Buffy to Sasha, maps the quest for authenticity | 名为Reality Bites、从巴菲到萨沙的少年吸血鬼, |
| 25 | of the teen experience through the cliches and contrivances of the teen vampire genre. | 青少年经历 的陈词滥调和构思 青少年吸血鬼流派。 |
| 26 | We'll focus on the recent Canadian short film, Humanist Vampire, Seeking Consenting Suicidal | 我们将关注加拿大最近的短片《人道吸血鬼》 寻求同意杀人 |
| 27 | Person, directed by Ariana Louise Sighs and screened yesterday here at Yale Center Beijing. | 由Ariana Louise叹息导演,昨天在北京耶鲁中心放映。 |
| 28 | Today, we'll consider how Gen Z teens in particular shift the boundaries of the type. | 今天,我们将考虑Gen Z十几岁青少年如何改变这种类型的界限。 |
| 29 | Professor Clement will begin with us our presentation, and afterwards we'll open the | 克莱门特教授将开始我们的演讲, 之后我们将打开 |
| 30 | {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}请发言 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}谢谢 | |
| 31 | Without further ado, let's welcome our speaker. | 别再说了,欢迎我们的演讲人 |
| 32 | Thank you very much. | 谢谢 |
| 33 | Thank you, Rusty, for that presentation. | 谢谢你的介绍,罗斯提 |
| 34 | I want to make sure everybody can hear me okay. | 我想确保每个人都能听到我好。 |
| 35 | If for some | 如果有些人 |
| 36 | reason I get cut out, just let me know. | 我被切断的原因, 只要告诉我。 |
| 37 | I'm also going to try and share a few clips today, so I | 我今天也想分享一些片段 所以我 |
| 38 | hope that goes well over Zoom. | 希望这能比Zoom好 |
| 39 | I apologize. | 对不起 |
| 40 | All the clips I wanted to show were not available | 所有我想展示的片段都没有 |
| 41 | because of copyright issues to broadcast, but I will show a few. | 因为有版权问题需要广播, 但我会展示几个。 |
| 42 | Thank you so much for having me. | 谢谢你邀请我 |
| 43 | This is really a pleasure to share some of the things that I've been doing in the classroom | 我很高兴能和大家分享我在课堂上做的一些事情 |
| 44 | with students and also work that I'm developing as we speak. | 和学生一起工作, 和工作,我正在发展 当我们说话。 |
| 45 | I wanted to start off first though | 我想先开始 |
| 46 | with the question of why do I even teach vampires, castles, and werewolves? | 我为什么要教吸血鬼、城堡和狼人? |
| 47 | This is a very fun genre. | 这是一个非常有趣的流派。 |
| 48 | It's a popular genre. | 通俗流传. |
| 49 | You don't have to be an academic to appreciate it. | 不须学人以赏之. |
| 50 | It's one that is | 就是这个 |
| 51 | quite accessible to the masses. | 大众相当容易接触。 |
| 52 | It results in a large fan population. | 由此产生了大量的粉丝人口. |
| 53 | I'll tell you a little | 我告诉你一点 |
| 54 | story about how I really came to realize why this is such an important genre for me and a field for | 关于我是如何真正意识到 为什么这对我来说 是一个很重要的流派 |
| 55 | teaching college-age students especially. | 特别是教授大学生。 |
| 56 | Earlier this semester, I was teaching a first-year seminar | 这学期早些时候,我教了一个第一年的研讨会 |
| 57 | on the topic of vampires, castles, and werewolves. | 吸血鬼 城堡 狼人 |
| 58 | I had a student come to my office hours. | 我有个学生来我办公室上班 |
| 59 | We were | 我们是 |
| 60 | discussing Frankenstein. | 讨论弗兰肯斯坦。 |
| 61 | We were talking about just a regular paper kind of topic. | 我们谈论的只是普通的论文话题。 |
| 62 | Then the | 接下来 |
| 63 | student paused and turned to me and said, I wanted to let you know how helpful reading | 学生停下来对我说 我想告诉你阅读有多有帮助 |
| 64 | Frankenstein has been to me personally. | 弗兰肯斯坦亲自来找我 |
| 65 | I paused. | 我停下来了。 |
| 66 | I was a little taken aback. | 我有点退缩了 |
| 67 | I wasn't sure where | 我不知道从哪里 |
| 68 | this was going. | 这是去。 |
| 69 | I said, okay, tell me a little more. | 我说,好吧,告诉我多一点。 |
| 70 | What do you mean? | 你说什么? |
| 71 | The student referred to | 学生提到 |
| 72 | a very specific passage in Frankenstein where Frankenstein's mother has just passed away | 弗兰肯斯坦的一个非常具体的段落 弗兰肯斯坦的母亲刚刚去世 |
| 73 | because she became ill after caring for her niece. | 因为她照顾外甥女后生病了 |
| 74 | She passes away. | 她过世了 |
| 75 | Later in the story, | 后来的故事, |
| 76 | Dr. Frankenstein is about to have a wedding. | 弗兰肯斯坦博士即将举行婚礼. |
| 77 | Mary Shelley, the author of Frankenstein, | 弗兰肯斯坦的作者玛丽·雪莱 |
| 78 | describes this awkward sensation of the celebration aspect of a wedding but with the | 描述这种尴尬的感觉 一个婚礼的庆祝方面,但与 |
| 79 | dark cloud of death of a dear loved one hanging over the wedding ceremony. | 一个亲爱的爱人死在婚礼上 |
| 80 | She said, you know, | 她说,你知道, |
| 81 | when I graduated from high school last year, everybody was really excited. | 去年高中毕业时 大家都很兴奋 |
| 82 | My family was | 我的家人曾经是 |
| 83 | coming into town. | 进来了 |
| 84 | Her cousin tragically died in a car accident just a day or two before | 她的表弟不幸死于车祸 就在一两天前 |
| 85 | her actual graduation. | 她实际毕业。 |
| 86 | She said she was very close with this person. | 她说她和这个人很亲近 |
| 87 | It was a very difficult | 真的很困难 |
| 88 | event for her. | 为她举办的活动。 |
| 89 | She said, up until I read Frankenstein, I didn't have the words to | 她说,直到我读了弗兰肯斯坦, 我没有字要说 |
| 90 | express what it felt like to be going through such a celebratory moment with such the weight of grief | 表达它所感受的 经历这样一个欢庆的时刻 如此悲伤的重量 |
| 91 | on my shoulders. | 我肩上挂着 |
| 92 | She thanked me for teaching Frankenstein and I thought, wow, that is why | 她感谢我教弗兰肯斯坦 我想,哇,这就是为什么 |
| 93 | I'm teaching these books because even though they are supernatural, even though they reach far beyond | 我教这些书是因为它是超自然的 尽管它们远远超出 |
| 94 | anything we could imagine in a kind of realistic novel, they still touch us in very profound and | 任何我们能想象的 一种现实小说, 他们仍然触动我们 非常深刻和 |
| 95 | helpful and palliative ways. | 帮助和缓解的方法。 |
| 96 | I want to talk a little bit about how that happens because | 我想谈谈这是怎么回事,因为... |
| 97 | that has not always been the case for vampires. | 对于吸血鬼来说,情况并非总是如此。 |
| 98 | First of all, I just want you to think for a | 首先,我只想你考虑一下 |
| 99 | minute as I start this talk. | 当我开始说话的时候 |
| 100 | Think about a fictional character that it could be a supernatural | 想想一个虚构的人物 可能是超自然的 |
| 101 | character or a realistic novel character, one from a short story or a film, but one with whom you | 性格或现实主义小说人物, 一个来自短篇故事或电影, 但与你同在的人物 |
| 102 | identify and maybe one whose emotional journey you feel deeply with or that you have a kind of | 和也许一个人的情感之旅 你深深感受到 或你有某种 |
| 103 | intuition about this character that might surpass that of others. | 对这个角色的直觉 可能超越了别人的直觉 |
| 104 | Think about why you identify with | 想想你为什么认同 |
| 105 | that character. | 那个角色 |
| 106 | Is it because you have many things in common? | 是因为你有很多共同点吗? |
| 107 | Do you have a shared experience, for | 你们有共同的经验吗? |
| 108 | example, as my student had had? | 举个例子,就像我的学生一样? |
| 109 | Does this figure help you understand yourself better? | 这个数字能帮助你更了解自己吗? |
| 110 | Does it | 是吗 |
| 111 | create a kind of emotional catharsis? | 造就一种情感催化症? |
| 112 | Then I would ask you to step back and ask, did anyone | 然后我会请你退后 问,有没有人 |
| 113 | think of a non-human animal? | 想想非人类动物? |
| 114 | Did anyone think perhaps of a vampire? | 有没有人想到过吸血鬼? |
| 115 | Because for centuries, | 因为几个世纪以来 |
| 116 | vampires were not the kinds of characters in whom readers would readily see themselves. | 吸血鬼不是读者能轻易看到自己的角色 |
| 117 | First and foremost, vampires were coming out of folktales, largely from Eastern Europe, | 首先,吸血鬼从民间传说中走出来 主要是来自东欧 |
| 118 | although we can find versions of vampire lore all over the world, well beyond into the ancient | 虽然我们可以找到 吸血鬼传说的版本 世界各地, 远远超出古代 |
| 119 | history, which is beyond the scope of this talk, but I just wanted to allude to that first. | 历史,这超出了这次谈话的范围,但我只想首先提到这一点。 |
| 120 | But in | 不过在 |
| 121 | the last 15 years, vampires have become some of the most relatable characters in the U.S. film and | 在过去的15年里,吸血鬼已经成为了美国电影中 最令人印象深刻的角色 |
| 122 | young adult literature genre. | 青壮年文学流派. |
| 123 | For example, fandoms such as what they call Twighards, | 例如,他们所谓的Twighards之类的狂热, |
| 124 | which are Twilight fans, have bolstered the franchise to well over three billion dollars | 是暮光的粉丝, 已经将特许经营权提升到30多亿美元 |
| 125 | worldwide. | 环球 |
| 126 | Now, these characters have something in common. | 现在,这些角色有共同之处。 |
| 127 | Bella and Edward from Twilight, | 贝拉和爱德华从暮暮, |
| 128 | the Lost Boys, they're all misfits. | 失落的男孩,他们都不适合。 |
| 129 | More recent, even female and popular high school characters | 最近,甚至女性和受欢迎的高中角色 |
| 130 | such as Buffy from The Vampire Slayer or Elena from The Vampire Diaries, they're in ostensibly | 比如吸血鬼屠夫的巴菲 或者《吸血鬼日记》的埃琳娜 |
| 131 | the popular crowd, but they still feel quite out of place. | 大众,但他们仍然感觉 相当不合时宜。 |
| 132 | And few things capture the teenage | 很少有事情能抓住那个少年 |
| 133 | experience in the United States better than characters who feel as if on some level they | 在美国的经历比那些感觉在某些层面 |
| 134 | don't belong. | 不属于你 |
| 135 | And of course, both teenagers and vampires, it seems, are subject to dramatic and | 当然,青少年和吸血鬼 似乎都受到戏剧性的和 |
| 136 | unpredictable mood swings. | 不可预测的情绪波动。 |
| 137 | And while few teenagers today are fighting for the salvation of mankind | 今天很少有青少年为拯救人类而战 |
| 138 | in an epic battle royale for survival against all the dark forces of the universe, | 在一场史诗般的战役中 皇室为了生存对抗宇宙所有黑暗力量 |
| 139 | as these teen dramas point out, being a teenager still often feels that way. | 正如这些十几岁的剧情所指出,作为一个十几岁的青少年仍然常常有这种感觉. |
| 140 | The emotional repertoire | 情感循环 |
| 141 | of The Vampire may be hyperbolic, but in this regard, it might actually approximate an authentic | 吸血鬼可能是双曲的, 但在这方面,它实际上可能 大约一个真实的 |
| 142 | emotional experience of someone transitioning to adulthood. | 向成年过渡的感情经历 |
| 143 | So audience really find kinship, | 所以,观众真的发现亲属关系, |
| 144 | relatability, and authenticity with teen vampires. | 与十几岁的吸血鬼的相对性 和真实性 |
| 145 | And if, as Stephen King writes, | 如果,像史蒂芬·金写的, |
| 146 | fiction is the truth inside the lie, it might seem that the bigger the lie, ironically, the greater | 虚构是谎言的真相 谎言越大 讽刺的是 谎言越大 |
| 147 | the truth. | 事实 |
| 148 | So I was asked earlier this semester, why are we so interested in vampires? | 所以本学期早些时候有人问我 为什么我们对吸血鬼这么感兴趣? |
| 149 | What draws | 什么画 |
| 150 | us to vampires? | 我们的吸血鬼? |
| 151 | And I have kind of three answers that I want to touch on today. | 我今天有三种答案想谈谈。 |
| 152 | The first is | 第一个 |
| 153 | vampires are a hotbed of sexual desire, deviant and otherwise. | 吸血鬼是性欲的温床,有悖常理或其他原因. |
| 154 | Second, vampires in this particular | 第二,吸血鬼在这特别的 |
| 155 | period of vampire literature in particular, help navigate teens' transition through adulthood and | 特别是吸血鬼文学的时期,帮助引导青少年向成年过渡, |
| 156 | them understand sexual awakenings in modern young adult literature. | 他们理解现代青年文学中的性觉醒. |
| 157 | And third, vampires make for | 第三,吸血鬼创造 |
| 158 | terrific contemporary satire as documentaries such as the famous What We Do in the Shadows movie and | 精彩的当代讽刺片,如著名的电影《我们做的影子》 |
| 159 | TV series has shown us. | 电视连续剧给我们看了 |
| 160 | So my talk is going to be twofold today. | 所以我今天的谈话会是双重的。 |
| 161 | I'm going to trace a brief history | 我要追踪一段短暂的历史 |
| 162 | of the origin of the sexualized, rakish vampire trope from the early 19th century up to Edward | 从19世纪早期到爱德华 性化的 rakish吸血鬼的起源 |
| 163 | Damon Stefan 还有更多 | |
| 164 | And then second, I want to consider this newcomer, the humanist vampire | 其次 我想考虑这个新来的 人文主义吸血鬼 |
| 165 | seeking consenting suicidal person, which was screened last night, which I see as a pretty big | 寻求同意自杀的人, 昨晚被筛选, 我认为这是一个相当大 |
| 166 | disrupter to this genre. | 干扰这个流派。 |
| 167 | And I think it's one that really helps us understand where the possibilities | 我认为它真的帮助我们 了解在哪里的可能性 |
| 168 | of the teen vampire might go. | 青少年吸血鬼可能会去。 |
| 169 | What I have not intended to talk about today, but which I think | 我今天不想谈的,但我想 |
| 170 | are important to think about nonetheless, are other revivifications of the vampire genre that | 不过,对于吸血鬼的异种 还有其他的复兴 |
| 171 | are very contemporary, including the 2024 Nosferatu and Sinners, which just came out last month. | 包括2024年的诺斯费拉图和罪人 上个月刚出道 |
| 172 | These are very exciting, I think, for where vampire films are going, but they're not specifically | 我觉得这些电影非常令人兴奋 吸血鬼电影的拍摄地点 |
| 173 | about teens. | 大约十几岁。 |
| 174 | I'm happy to talk about this, but they're not part of the talk. | 我很乐意谈这个,但他们不是谈话的一部分。 |
| 175 | All right. | 好吧,我们走。 |
| 176 | So where | 所以从哪里 |
| 177 | do vampires come from? | 吸血鬼来自哪里? |
| 178 | Well, there's a lot of really interesting theories. | 有很多有趣的理论 |
| 179 | I'll share with you | 我会跟你分享 |
| 180 | one of my personal favorites. | 我个人的最爱之一。 |
| 181 | This comes from an anthropologist, sociologist, Paul Barber. | 这来自人类学家,社会学家保罗·巴伯. |
| 182 | And he has a theory that back in the Iron Age, well, let me take a step back. | 他有一个理论,回到铁器时代, 让我退一步。 |
| 183 | So my grandparents | 所以我的祖父母们 |
| 184 | are from Southwest Florida. | 是从佛罗里达州西南部来的 |
| 185 | And if you've ever been to Southwest Florida, you'll notice that | 如果你去过佛罗里达州西南部 你会注意到 |
| 186 | in the cemeteries there, there are very few coffins. | 在墓地里 棺材很少 |
| 187 | And the reason for this is if you bury | 原因是如果你埋葬 |
| 188 | a coffin in what is effectively a swamp, there's a good chance it won't stay underground. | 一个棺材在什么是 有效的沼泽, 有很好的机会 它不会停留在地下。 |
| 189 | It might | 也许 |
| 190 | over time, over years, kind of float to the top. | 随着时间的推移,多年, 一种漂浮到顶端。 |
| 191 | So Paul Barber's, one of his arguments for where | 所以保罗・巴伯, 他的论点之一 |
| 192 | these images of vampires came from early on, and vampires here usually meaning kind of vivified | 这些吸血鬼的影像来自早期, 吸血鬼在这里通常意味着一种活化 |
| 193 | corpses that don't look all that dead or decayed yet. | 尸体看起来还没有死去或腐烂 |
| 194 | They're still kind of living, but they're | 他们还活着,但他们 |
| 195 | pale. | 苍白。 |
| 196 | That perhaps this is because they were burying corpses in these acidic bogs. | 这也许是因为他们把尸体埋在这些酸性沼泽里 |
| 197 | So they're | 所以他们是 |
| 198 | pretty well preserved. | 保存得不错 |
| 199 | And then what would happen is, because it was a bog, is that as the | 然后会发生什么,因为它是一个沼泽, 是作为 |
| 200 | composition gases developed in the body, it would make them lighter and they would kind of rise to | 体内的气体成分, 它会使它们变得轻而易举,它们会升至... |
| 201 | {\fn华文楷体\fs16\1cHE0E0E0}地面 | |
| 202 | And so one of the things they did was they would pin the body to the bog with a stake, | 所以他们做的一件事是 他们用木桩把尸体钉在沼泽上 |
| 203 | which is perhaps one origin of the famous vampire lore of staking the vampire to really | 这也许是著名的吸血鬼传说之一 将吸血鬼带到真正的吸血鬼 |
| 204 | destroy them. | 摧毁他们。 |
| 205 | This again is just a theory. | 这又是个理论 |
| 206 | But of course, vampirism is often potentially an allegory | 当然,吸血鬼主义 经常是一种隐喻 |
| 207 | for epidemics, for deaths. | 对流行病,对死亡。 |
| 208 | There's a lot of stories in which families die fairly quickly. | 有很多故事说 家庭死得很快 |
| 209 | And again, that would tie in with the idea that if one family member gets very sick | 再说一遍,如果一个家庭成员病得很重,那就等于 |
| 210 | in just a matter of hours, much of the family could also be sick and dead very quickly. | 在几个小时之内, 大部分家庭也可能生病, 死得很快。 |
| 211 | And so | 这样 |
| 212 | they became a way to kind of explain that. | 他们变成了一种解释的方法。 |
| 213 | And I would, if that's a kind of line of thinking that | 我会,如果这是一种 线性的想法, |
| 214 | is of interest to you, there's a very recent film by Adrian Beaux called The Vordelac, which is also | 有一部最近由阿德里安·比奥拍摄的电影 叫做《巫术》 |
| 215 | in French, but with subtitles. | 法语,但带有字幕。 |
| 216 | And it's based off of a short novella by Alexi Tolstoy, second cousin | 也是根据亚历克西·托尔斯泰的短篇小说 |
| 217 | to Leo Tolstoy. | 给利奥·托尔斯泰 |
| 218 | And this is all about a kind of family drama of the contagion of the vampire. | 这是关于吸血鬼传染的家庭剧情。 |
| 219 | But even before we get to teen vampires, I want to just talk for a minute about, | 但是,即使我们到达少年吸血鬼之前, 我想只是谈谈, |
| 220 | I'm going to share my screen here, about the way that vampires came into Western literature and | 我要在这里分享我的屏幕 关于吸血鬼进入西方文学和 |
| 221 | started to develop as we know them today. | 正如我们今天所知,我们开始发展。 |
| 222 | Okay. | 摆 |
| 223 | So the poem I want to share with you first is by | 所以我想先跟你分享的诗是 |
| 224 | a German named Heinrich August Osenfelder. | 一个叫海因里希·奥古斯特·奥森费尔德的德国人 |
| 225 | And this is from the mid 18th century. | 这是从18世纪中叶开始的 |
| 226 | And so there | 就这样 |
| 227 | was a lot of lore coming out of Serbia and Hungary. | 从塞尔维亚和匈牙利传来很多神话 |
| 228 | And this poem was actually commissioned to go in | 这首诗实际上被委托去 |
| 229 | a magazine with, in a publication with some reports of what was actually happening that was | 杂志上,在一本出版物中, 有一些报道 到底发生了什么 |
| 230 | coming through. | 通过。 |
| 231 | There were actual vampires that were being documented or people that claimed to | 有真实的吸血鬼被记录 或人们声称 |
| 232 | be vampires. | 成为吸血鬼。 |
| 233 | So I'm going to read this to you. | 所以我要读给你听 |
| 234 | And what's unique about this poem is it's one of the | 这首诗的独有之处在于 |
| 235 | first examples of a vampire being something incredibly sexual. | 第一例吸血鬼的性爱 |
| 236 | So I'll read it to you. | 遂诵此经. |
| 237 | And I want you to notice the different ways in which this poem in particular plays with the | 我希望你们注意到这首诗 以不同的方式演奏 |
| 238 | question of consent, namely there is no consent. | 同意问题,即没有同意。 |
| 239 | So it reads, my dear young maiden clingeth unbending | 因此,它读到,我亲爱的年轻少女 紧紧地粘着,无休止 |
| 240 | fast and firm to all the long held teaching of a mother ever true as in vampires un-mortal | 快速而坚定地完成所有长期坚持的 母亲的教诲 就像吸血鬼一样 |
| 241 | folk on thesis portal hey duck like do believe but my Christine thou dost dally and wilt my loving | 人们在论文门户上嘿嘿鸭 喜欢相信,但我的克莉丝汀 你做 dally,将我爱 |
| 242 | {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}直到我为吸血鬼的健康报仇 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}用苍白的Take来敬酒 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}好吧? | |
| 243 | And as softly thou art sleeping to thee shall I come creeping and thy life's blood drain away | 你轻轻的睡在你身旁,我就会爬来爬去,你生命的血流逝 |
| 244 | and so shalt thou be trembling for thus shall I be kissing and death's threshold | 你必为我而颤抖,我必接吻,我必死。 |
| 245 | thou it be crossing with fear in my cold arms and last shall I be questioned compared to such instruction | 你在我的寒冷怀中恐惧地渡过,我将受审问, |
| 246 | what are a mother's charms. | 什么是母亲的魅力。 |
| 247 | So in this poem we have a young maiden Christine who's been | 所以在这首诗里 我们有一个年轻的女孩克里斯蒂娜 |
| 248 | coached by her mother to stay away from dangerous potentially predatory men and the point of the | 由她母亲指导 远离危险的 潜在的掠夺性男人和点 |
| 249 | poem is to say well I'll come anyways and you'll find that I am going to basically kiss and cross | 诗是说好,无论如何,我会来 你会发现,我基本上 要吻和交叉 |
| 250 | the borders not only of death but also of propriety and sexual morals and so this is | 不仅是死亡的边界 也是正当性和性道德的边界 |
| 251 | just one example of the kinds of transitions that we make into this poetry and it happens | 仅举一个例子 来说明我们如何向诗歌过渡 |
| 252 | several times in the journal what's called the Sturm und Drang period the storm and stress period | 在日记中多次被称为暴风雨和压力期 |
| 253 | which was a kind of proto-romantic window of the 1760s to the 1780s and again there's lots of | 这是1760年代到1780年代的 一种原始浪漫主义的窗户, 并且再次有很多 |
| 254 | vampires but they're always kind of monstrous they're they might be coming into for a kind | 吸血鬼,但他们总是 一种可怕的 他们可能来一种 |
| 255 | of sexual predation but they're not characters with whom we identify in any kind of meaningful | 但是他们并不是我们认同的 任何有意义的人物 |
| 256 | way. | 就是这样 |
| 257 | So then along comes a really important figure and this is John Polidori who writes | 因此,一个非常重要的人物来了 这是约翰·波利多里写道: |
| 258 | the vampire in and where did the story come from I love the story of how the story was created | 吸血鬼从哪里来的故事 我喜欢故事是如何创造的 |
| 259 | so in 1815 Mount Tambora which is a volcano in Indonesia erupted and it created all sorts of ash | 所以在1815年 坦博拉山 在印度尼西亚爆发了火山 它制造了各种灰烬 |
| 260 | and dust and it created a kind of weather disruption which is important because that | 尘埃和尘埃 造成了一种天气干扰 这一点很重要 因为 |
| 261 | summer in the middle of this weather disruption about a couple months later there was in Geneva | 几个月后, 夏天天气中断 在日内瓦 |
| 262 | a gathering of some famous British writers Lord Byron, Mary Shelley who would go on to write | 一些英国著名作家的聚会 拜伦勋爵,玛丽・雪莱 |
| 263 | Frankenstein, Percy Shelley and John Polidori was Byron's personal physician who traveled with | 弗兰肯斯坦,珀西·雪莱和约翰·波利多里 是拜伦的私人医生,他们旅行 |
| 264 | him everywhere so they were trapped inside of this villa that they rented in Geneva because of the | 他无处不在,所以他们被困 在这座别墅里 他们租在日内瓦,因为 |
| 265 | weather caused by the volcano and as a result they ended up telling a lot of these German ghost | 火山造成的天气,结果他们告诉了很多德国鬼魂 |
| 266 | stories that were quite similar to the poem I just read and Lord Byron had this idea that they | 和我刚才读的那首诗相当相似的故事 拜伦勋爵认为 |
| 267 | have their own ghost story competition to pass the time and so that turned out to be a very | 有他们自己的鬼故事竞争 通过时间,所以结果是一个非常 |
| 268 | fruitful and generative suggestion because from that ghost story competition came Mary Shelley's | 因为那个鬼故事比赛 玛丽·雪莱的作品 |
| 269 | first draft of Frankenstein and also Polidori's novella The Vampire. | 弗兰肯斯坦的第一稿 还有波利多里的小说"吸血鬼" |
| 270 | Now The Vampire is not super | 现在吸血鬼不是超级 |
| 271 | well read I think in a lot of courses I don't actually teach it in my course although we | 读的好,我想很多课程 我实际上不 教它在我的课程,虽然我们 |
| 272 | it but it seems important in the history because it creates the first real vampire | 不过这在历史上很重要 因为它创造了第一个真正的吸血鬼 |
| 273 | rake figure. | 车身 |
| 274 | The rake was a kind of 18th century bad boy who was usually aristocratic and would seduce | 这车是18世纪的坏小子 通常都是贵族 |
| 275 | young women and kidnap them if necessary perhaps the most famous rake was Loveless from Samuel | 女青年,必要时绑架她们 也许是塞缪尔最出名的无爱者 |
| 276 | Richardson's novel Clarissa from the mid-18th century and so in this story Polidori invents | 理查德森18世纪中叶的小说"克拉丽莎" 也因此在这个故事中 波利多里发明了 |
| 277 | Lord Ruthven who is based very much off of Byron who of course was also quite promiscuous in his | 鲁斯文勋爵的基地来自拜伦 他当然也非常乱搞 |
| 278 | sexual encounters he was referred to by one of his lovers as mad bad and dangerous to know | 性接触被他的一位恋人 称为疯狂的坏和危险的知道 |
| 279 | and in this story Lord Ruthven charms everyone on the London scene in the parties he's very | 在这个故事里 鲁思文勋爵 吸引了伦敦现场的每个人 他非常 |
| 280 | mysterious but it seems that everyone that seems to liaise with him on some level ends up cursed | 神秘,但似乎每个人都 似乎与他联络 在某个层面 最终被诅咒 |
| 281 | and ends in utter ruin and so what happens is Aubrey the main character decides to go on the | 最终彻底毁灭了 接下来是奥布里 |
| 282 | grand tour which is kind of like a early 19th century post-baccalaureate trip through Europe | 就像是19世纪初的 毕业后欧洲之旅 |
| 283 | and he goes with Ruthven and they have a bunch of different escapades and eventually he realizes | 他和鲁思文去, 他们有一堆不同的口罩 最后他意识到 |
| 284 | that Ruthven is a pretty evil guy and in the process Ruthven gets mortally injured and makes | 鲁思文是个很邪恶的人 在这个过程中 鲁思文受到致命的伤害 |
| 285 | him promise not to tell anyone about his death. | 他保证不告诉任何人他的死。 |
| 286 | This is important because several months later | 这很重要 因为几个月后 |
| 287 | Ruthven appears quite alive in London and Aubrey is shocked but is reminded of his oath that he | 露丝文在伦敦看起来很活泼 欧布里很震惊 但是他发誓 |
| 288 | can't tell anyone about what what happened to Lord Ruthven and so as a result Aubrey finds that | 不能告诉任何人 鲁思文勋爵发生了什么事 因此奥布里发现 |
| 289 | Ruthven has decided to now prey on his sister and actually decides to marry her and Aubrey cannot | 鲁思文现在决定 猎杀他的妹妹, 实际上决定娶她 和奥布里不能 |
| 290 | tell anyone about who Ruthven really is. | 告诉别人鲁思文到底是谁 |
| 291 | He goes crazy and unfortunately he is only by the time | 他疯了,很不幸,他只是时间 |
| 292 | he's allowed to warn everyone his sister's already dead so not a very happy ending but this character | 他可以警告大家 他姐姐已经死了 所以这个角色不是个愉快的结局 |
| 293 | becomes very pervasive. | 变得非常普遍。 |
| 294 | This is one of the models for Dracula to be sure and it's one of the reasons | 这是德古拉的模型之一 确定,这是原因之一 |
| 295 | we often think of this vampire as a kind of aristocratic sexually attractive but also very | 我们常常认为这个吸血鬼 是一种贵族的性吸引力,但也非常 |
| 296 | dangerous kind of man. | 危险的人 |
| 297 | So there are other precedents for sexually attractive predatory female | 所以还有别的先例 性爱有吸引力的雌性 |
| 298 | vampires. | 吸血鬼们 |
| 299 | Just before Dracula came out there was Sheridan Le Fanu's Carmilla in which the vampire | 就在德古拉出来之前 有个叫Sheridan Le Fanu的卡米拉的吸血鬼 |
| 300 | is actually a young woman who comes to be a companion of another young woman and she's | 其实是个年轻女人 她来跟另一个年轻女人在一起 |
| 301 | described as one of the most beautiful creatures that ever lived so it wasn't as if vampires were | 被描述为最美丽的生物之一 曾经活着 所以它不是像吸血鬼 |
| 302 | always one sex or the other but they've always ever since Lord Ruthven they've typically been | 但自从鲁思文勋爵开始 他们就一直 |
| 303 | with the exception of course of Count Orlok and the kind of line of Nosferatu they've typically | 除了奥洛克伯爵的路线和诺斯费拉图的路线外 他们通常都有 |
| 304 | been very attractive and we see that that's only been enhanced by film that has taken place in the | 非常吸引人,我们发现,只有电影在 |
| 305 | interim so from the earliest black and white films you have Bela Lugosi's iconic Dracula character | 暂时如此,从最早的黑白电影中,你拥有贝拉·卢戈西的标志性德古拉人物. |
| 306 | and vampires including Kiefer Sutherland, Tom Cruise, Brad Pitt, Robert Pattinson these are all | 还有包括基弗·萨瑟兰 汤姆·克鲁斯 布拉德·皮特 罗伯特·帕廷森在内的吸血鬼 |
| 307 | fairly attractive actors so this idea of the good-looking sexually attractive vampire | 相当有吸引力的演员,所以这个想法 好看的有性吸引力的吸血鬼 |
| 308 | has certainly pervaded. | 当然已经渗透。 |
| 309 | So now I want to transition a little bit to scene vampires because | 所以现在我想转变一下 来扮演吸血鬼 因为 |
| 310 | some of these vampires of course this rakish character has translated into for example Edward | 其中一些吸血鬼,当然 这个rakish的字符 已经转化为例如爱德华 |
| 311 | Cullen 但是90年代有个重要转变 这是Josh Whedon的 | |
| 312 | series Buffy the Vampire Slayer. | 吸血鬼杀手Buffy系列 |
| 313 | So this was based on the 1992 film but it's this tv series | 这是根据1992年的电影改编的 但这是电视剧 |
| 314 | premiered in 1997 and concluded in 2003. | 1997年首映,2003年结束. |
| 315 | It's basically a 1990s version of a vampire story | 基本上是一个1990年代版本的吸血鬼故事 |
| 316 | 除了主角莎拉·米歇尔·盖勒(Sarah Michelle Geller)被称为巴菲·萨默斯(Buffy Summers)是吸血鬼. | |
| 317 | slayer she has been born into the role of having to save the world from evil vampires and this | 她生来就扮演着 拯救世界免受邪恶吸血鬼伤害的角色 |
| 318 | was an important show not only because it was taking the history of vampires in a new direction | 不仅仅是因为它把吸血鬼的历史 带到了一个新的方向 |
| 319 | but also because at the time it was an important show for representing different queer identities | 也因为当时是代表不同同性恋身份的重要节目 |
| 320 | on tv but many of the the scenes as I'll show you in a moment were one of the ways to illustrate | 在电视上,但很多场景... ...我会展示给你看... ... |
| 321 | {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}在屏幕上看到一个同性恋少年的滋味 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}却又没明白进入 | |
| 322 | the politics or sometimes even the language of queer identity in any explicit way although | 政治,有时甚至是同性恋身份的语言 以任何明确的方式。 |
| 323 | later seasons certainly do that. | 以后的季节当然会这样 |
| 324 | So I want to share with you an open one of the clips that I | 所以我想和你们分享我打开的片段 |
| 325 | think really captures what's helpful about the team that's kind of quintessential about the teen | 认为真的捕捉到 团队的帮助 那种典型的十几岁 |
| 326 | drama and that is this juxtaposition of having to save the world and having to take a math final | 戏剧,这就是一个 需要拯救世界 和参加数学决赛的共鸣 |
| 327 | and how those two things carry almost identical weight for the teenage vampire slayers. | 和这两件事 如何携带几乎一样的重量 青少年吸血鬼屠夫。 |
| 328 | I'm going | и璶ǐ |
| 329 | to share my screen and as I play this clip I would encourage you to notice the very end line | 分享我的屏幕 当我播放这段片段时 我鼓励你注意结尾线 |
| 330 | how the transition happens between the fight scene that I'll show and then the final kind of | 我将展示的战斗场景与最后的战斗场景之间 如何发生过渡 |
| 331 | teen drama commentary. | 青少年戏剧评论. |
| 332 | I had that guy under control until he resorted to fisticuffs. | 我控制着那个家伙 直到他使用假肢。 |
| 333 | Oh what is that um five vampires in three nights? | 哦,什么是嗯五个吸血鬼 在三个晚上? |
| 334 | Yep no angel. | 是的,没有天使。 |
| 335 | Are you uh really that anxious to come up against him? | 你真的那么想来对付他吗? |
| 336 | I want it over with. | 我要结束这一切 |
| 337 | I hear that. | 我听见了 |
| 338 | Oh we better | 我们最好 |
| 339 | go I haven't even started studying for finals yet. | 去,我还没有开始 学习的决赛。 |
| 340 | Oh yeah finals why didn't you let me die? | 哦,是的,决赛 为什么你不让我死? |
| 341 | Yeah look on the that that moment of oh right finals why didn't you let me die? | 是啊,看看那个时刻 哦正确的决赛 为什么你不让我死? |
| 342 | The kind of | 这种 |
| 343 | kind of cast aside hyperbolic comment is actually perfectly matched with actual death | 那种丢弃双曲评论 实际上是完全匹配 实际死亡 |
| 344 | scenario and it really helps us understand what it might feel like to be a teenager facing | 这真的帮助我们理解 当青少年时的感受 |
| 345 | finals. | 决赛 |
| 346 | On a more serious note though it also as I was saying before helped illustrate some of the | 更严重的是,尽管正如我先前所说,它也帮助说明一些 |
| 347 | teenage negotiations of queer identity especially with older parents that were not necessarily | 青少年与同性恋身份的谈判,尤其是与年龄较大的父母的谈判,这些父母不一定是同性恋。 |
| 348 | understanding of this relationship. | 理解这种关系。 |
| 349 | So in my next clip I'm going to show you a dialogue between Joyce | 所以,在我的下一个片段 我会告诉你一个对话 乔伊丝 |
| 350 | Buffy's mother and Buffy when she is coming out to her mother as a vampire slayer and if you listen | Buffy的母亲和Buffy 当她作为吸血鬼屠夫来到她的母亲面前 如果你听 |
| 351 | closely to the dialogue between the mother and daughter they're talking about vampire slayers | 紧跟母亲和女儿的对话 他们谈论吸血鬼屠夫 |
| 352 | the kind of identity that is being shared but you could easily insert a different word there | 正在共享的那种身份, 但您可以轻松插入一个不同的单词 |
| 353 | for example lesbian or transgender um as a and to understand the kind of conversation that's taking | 比如说女同性恋或变性人... ...嗯... ...了解这种谈话 |
| 354 | place. | 地点。 |
| 355 | So I'll summarize the dialogue for you in short uh Buffy says mom I'm a vampire slayer and | 所以我总结一下你的对话 Buffy说妈妈我是吸血鬼杀手 |
| 356 | she goes are you sure you're a vampire slayer and she goes yes I'm sure mom she goes how long have | 她走了 你确定你是一个吸血鬼屠夫 她走了 是的 我相信妈妈她走了多久 |
| 357 | you been a vampire slayer she goes my whole life mom he goes have you tried not being a vampire | 你是一个吸血鬼屠夫 她走我的整个生活 妈妈,他走,如果你尝试 不作为一个吸血鬼 |
| 358 | slayer and Buffy kind of rolls her eyes and that she said it's because you didn't have a strong | 屠夫和巴菲会卷起她的眼睛 她说是因为你没有强壮 |
| 359 | father figure right it's like they're on the one level they're talking about vampire slayers on | 父亲想对了 他们好像在谈论吸血鬼的屠夫 |
| 360 | the other level there's clearly other ways of ulterior ways of reading this um this particular | 另一层显然还有其他别有用心的方法 来解读这个 嗯 这个特别 |
| 361 | scene um and this was exactly Joss Whedon's intent the creator um I'll share with you just a quote | 这是乔斯·惠顿的本意 创造者 我和你说一句 |
| 362 | that he shared in a 2001 interview he says I designed Buffy to be an icon to be an emotional | 他在2001年的一次采访中说,我设计巴菲 成为一个偶像 一个情感 |
| 363 | experience to be loved in a way that other shows can't be loved it's because uh it's about | 以其他节目无法被爱的方式 被爱的经历 是因为... |
| 364 | adolescence which is the most important thing people go through in their development becoming | 青春期是人们成长中最重要的事情 |
| 365 | an adult and it mythologizes it in such a way such a romantic way it basically says everybody | 一个成年人,它神话化 它的方式如此浪漫 它基本上说每个人 |
| 366 | who made it through adolescence is a hero and I think that's very personal that people get | 谁度过了青春期 是一个英雄 我认为这是非常个人的 |
| 367 | something from that that's very real um and that's one of the reasons I really enjoy teaching Buffy | 我很喜欢教巴菲的原因之一 |
| 368 | to students today one because they are a little bit older they didn't grow up in 90s um as I did | 对今天的学生来说 因为他们年纪稍大一点 他们没有像我一样在90年代长大 |
| 369 | but they can still identify with that idea that being a teenager is one of epic battle royales | 但他们仍然可以认同 少年时代是史诗般的战斗 |
| 370 | on a daily basis even in their daily life at Yale it's one with which we identify and this is | 即使他们每天在耶鲁的日常生活中, 我们都会认同这一点。 |
| 371 | certainly a precedent for where we go with the humanist vampire um so in addition to these kind | 当然是人类吸血鬼的先例 除了这些 |
| 372 | of transitions to adulthood um we also get lots of satires of course these kind of parent uh teen | 向成年的过渡,嗯... 我们还得到很多的讽刺 当然,这种家长... |
| 373 | relationships and humanist vampire which I'm now going to turn to kind of brings these these | 关系和人文主义吸血鬼,我现在要转而 一种带这些 |
| 374 | different threads together in really interesting ways on the first point about sexual sexually | 在性爱的第一点上 不同的线条以非常有趣的方式结合在一起 |
| 375 | deviant uh vampires humanist vampire turns vampire sexuality basically into an awkward | 变态的吸血鬼 人类主义的吸血鬼 让吸血鬼的性生活变得尴尬 |
| 376 | judy bloom chapter book which is to say there is very little actual sex in this movie um | 朱迪盛开的章节书 也就是说这部电影中 很少有真正的性爱 |
| 377 | and that's part of I think the delightful tension of teenager um life and particularly for | 这也是一部分,我认为 令人愉快的紧张 青少年嗯生活,尤其是为 |
| 378 | Gen Z as it's been documented by um those in studies of anthropology and sociology um second | 人类学和社会学研究中 记录的Z基因 |
| 379 | humanist vampires also deals with this kind of young adult transition by focusing on the | 人文主义吸血鬼也处理这种青壮年的过渡, 专注于 |
| 380 | awkwardness of teen love the kind of silences um the distances uh the resistance the shyness | 青少年的尴尬 喜欢那种沉默... 距离... |
| 381 | and then third uh it really beautifully satirizes the kinds of challenges teen vampires face | 第三,呃,它真的 美丽地讽刺各种挑战 青少年吸血鬼面对 |
| 382 | especially from their parents they're very well intentioned parents the film allegorizes all | 特别是他们的父母 他们非常有意让父母 这部电影暗示所有 |
| 383 | sorts of issues from helicopter parenting to disordered eating which was also has a long | 从直升机的养育到无序的饮食 也有很多问题 |
| 384 | history back into the 19th century of kind of monstrous women were often kind of psychologically | 回到19世纪的历史 那种可怕的女人 常常是一种心理上 |
| 385 | deviant in different ways that included diseases we now identify today as anorexia or bulimia | 不同方式的异常 包括疾病 我们今天确定为厌食或暴食 |
| 386 | so um the main characters in humanist vampire are two teenagers named Sasha and Paul | 所以,嗯 人文主义吸血鬼的主角 是两个少年 名叫萨沙和保罗 |
| 387 | but the plot actually starts off in a way that's quite different from vampire films whereas | 但情节开始的方式 与吸血鬼电影有很大不同 |
| 388 | most vampires are kind of outsiders they're dark they show up mysteriously we are from the very | 大多数吸血鬼都是外人 他们很黑暗 他们神秘地出现 我们来自 |
| 389 | opening scene put in the shoes of Sasha the young vampire in the opening scene she's probably about | 开场表演让萨沙的鞋里 年轻的吸血鬼在开场表演中 |
| 390 | eight or ten years old ostensibly in human years um and the scene begins with a black screen and | 8或10岁 表面上在人类时代,嗯 和场景开始 黑幕和 |
| 391 | just the audible sounds of a birthday celebration of hers her parents are leading her blindfolded | 只听到她生日庆典的响声 她的父母正带领她蒙着双眼 |
| 392 | to her present then the screen finally reveals a piano and you are getting the absolute perspective | 她的礼物,然后屏幕 终于揭示了钢琴 你得到了绝对的视角 |
| 393 | of Sasha so we know we are in the the point of view of the vampire right from the beginning | 萨沙 所以我们知道我们的观点 吸血鬼从一开始 |
| 394 | which is quite different from the and many of the teen stories leading up to this point | 这和很多十几岁的故事 都大不相同 |
| 395 | and what happens in this young Sasha's birthday party is a clown shows up as part of her present | 这个年轻的萨沙的生日派对上 有个小丑作为礼物出现 |
| 396 | it turns out that the clown is meant not only as entertainment but as a family snack | 原来小丑不仅是娱乐 也是家庭小吃 |
| 397 | which is quite traumatizing to young Sasha who does who loves the clown and does not want to see | 这对爱小丑却不想看到 |
| 398 | him destroyed now and as a result this leads to a kind of series of trauma infused questions by | 他现在被摧毁了 结果导致了一系列的创伤性问题 |
| 399 | parents Sasha is not developing her fangs on time this is the kind of coming of age moment when | 萨沙的父母没有及时发展她的牙尖 这是年龄的到来 |
| 400 | a vampire learns to desire to kill and they create little fangs that pop out from their mouth | 吸血鬼学会了杀人的欲望 他们制造出从嘴里冒出来的小尖牙 |
| 401 | and so what did her parents do well they do what any normal parent would do and they take her to | 所以她的父母做得很好 他们做任何正常父母都会做的 他们带她去 |
| 402 | vampire teeth specialists she goes through a series of testing there's all sorts of | 吸血鬼牙齿专家 她经过一系列的测试 有各种各样的 |
| 403 | let me share my screen real fast to show you the image here there's all sorts of | 让我快速分享我的屏幕 让你看看这里的画面 |
| 404 | various kind of mental studies that they do and her parents of course are asking the questions | 他们做的各种心理研究 她的父母当然会问问题 |
| 405 | that typical parents would ask there's a wonderful conversation between her parents at this particular | 典型的父母会问 她的父母之间有一个美妙的谈话 在这个特定的 |
| 406 | neurologist's office where Georgette the mother and her father are arguing over what the right | 神经科医生的办公室 在那里,乔治特 母亲和她的父亲争论什么权利 |
| 407 | course of action is for their daughter he says she goes we know nothing about post-traumatic stress | 行动方针是给他们的女儿 他说她去 我们不知道创伤后压力 |
| 408 | and then the father goes i know my daughter she just needs time everyone has their own pace | 然后父亲就走了 我知道我女儿 她需要时间 每个人都有自己的节奏 |
| 409 | Georgette it won't fix itself the longer we wait the more she'll be impaired our job is to raise | 乔琪 我们等得越久 她就越会受损 我们的工作就是抚养孩子 |
| 410 | an independent child Aurelian the father says it's also our job not to force her into something | 一个独立的孩子,奥瑞莲,父亲说,我们的职责 也是不强迫她做一些事情 |
| 411 | she's not ready for i'm pretty sure i've had that exact conversation with my partner about | 她还没准备好 我敢肯定 我和我的搭档谈过 |
| 412 | children at various stages in my life and so although the topic of fangs may be unfamiliar | 孩子们在我生命的不同阶段, 所以虽然 尖牙这个话题可能并不熟悉 |
| 413 | to modern-day parents the contours of this conversation are realistic in a world where | 对于现代父母来说,这个对话的轮廓是现实的,在这个世界上, |
| 414 | parents are bombarded by parenting advice from experts such as doctors teachers therapists coaches | 家长受到医生、教师治疗师等专家的家长建议的攻击; |
| 415 | the government grandparents and peers and in the field of parenting guidebooks have created this | 政府外祖父母和同龄人,以及在养育子女指导手册领域,创建了该指南。 |
| 416 | illusion that parental decisions have a straight line of causality of child outcomes here we get | 错觉父母的决定有 直线 儿童结果的因果关系 在这里,我们得到 |
| 417 | a wonderful satire that of course that is not true so as Sasha grows up turns out in this story | 一个美妙的讽刺,当然不是真的 这样萨沙长大了在这个故事里 |
| 418 | vampire's age much more slowly she appears to be a teenager but she's actually about 68 years old | 吸血鬼的年龄慢得多 她看起来是十几岁 但其实是68岁 |
| 419 | vampire life expectancy being approximately 300 years she comes across paul and paul is a kind | 吸血鬼的寿命是大约300岁 她遇到保罗和保罗是一种 |
| 420 | of outsider of a teenager he's very shy he works in a bowling alley where he receives no respect | 他非常害羞,在保龄球馆里工作 他得不到尊重 |
| 421 | his boss pours nacho cheese in his shoes and when we meet paul he's standing on the edge of a building | 他的老板把玉米片奶酪倒进他的鞋里 当我们见到保罗时 他站在一栋楼的边缘 |
| 422 | deciding whether or not to jump and he's at first deferred but then Sasha sees him again about to | 决定是否跳伞 他一开始被推迟了 但萨沙又看到他了 |
| 423 | jump but she starts to kind of hunt him down a little bit possibly because she feels sympathy | 跳下来 但她开始追杀他 可能是因为她同情他 |
| 424 | for him and doesn't want him to harm himself possibly because she's perhaps a vampire and a | 可能因为她可能是吸血鬼和吸血鬼 |
| 425 | little bit thirsty although up until this point she's refused to kill to drink the blood that | 有点渴,不过直到现在为止 她拒绝喝那些血 |
| 426 | she so desperately needs to survive she's been living off of these stored pouches of blood | 她非常需要生存 她靠这些血袋生存 |
| 427 | provided to her by her family much to her family's frustration they are eager for her | 她的家人为她提供了很多 让她的家人失望 他们渴望她 |
| 428 | to become more independent and able to hunt for herself they later reconvene at a depression and | 他们后来在萧条中重新开会 |
| 429 | suicide small group and they realize that they have something in common or a way to help each | 他们意识到自己有共同点 或帮助每个人的方法 |
| 430 | other in that paul doesn't want to live anymore and he's willing to give his life for a greater | 保罗不想再活着了 他愿意为更大的生活而献出生命 |
| 431 | cause and Sasha recognizes that maybe she could take him up on this author offer so what happens | 萨沙承认 也许她可以接受他 这个作者的提议 |
| 432 | she brings him back to his her room where she's staying with her cousin and as you can see from | 她把他带回她的房间 她和她的表妹住在一起 如你所见 |
| 433 | this scene all sorts of teenage awkwardness ensues there is attraction there is nervousness there is | 这个场景 各种青少年尴尬 随之而来 吸引人 紧张 紧张 |
| 434 | fear there are wonderful quotes like they're sitting on the bed together and paul says you | 害怕有美妙的引言 就像他们坐在床上 保罗说你 |
| 435 | know would you like me to lie down should i turn off the lights would it help if i bent my neck | 如果我把灯关了,你想让我躺下吗? |
| 436 | like this and of course they're not talking about the typical teenage hookup they're talking about | 像这样,当然他们不是在谈论 他们谈论的典型的青少年勾搭 |
| 437 | vampire blood sucking moment but again it's it's awkwardness it's not | 吸血鬼吸血的时刻,但还是尴尬的,不是 |
| 438 | lustful sexuality of previous teen dramas that we've seen and so eventually they go through a | 我们之前看过的十几部戏剧的性欲 最终他们经历了一场 |
| 439 | series of steps to lead to the actual turning of paul including granting his dying wish which is | 导致保罗真正转身的一系列步骤,包括给予他垂死的愿望。 |
| 440 | to get back at all of these people in his community that have treated him and ostracized him and most | 回到他社区里那些对待他 排斥他的人 |
| 441 | importantly at the end they come up finally with a solution to solve this problem of paul wanting | 最终他们终于想出一个解决方案 来解决保罗想要的问题 |
| 442 | to become a vampire Sasha not wanting to harm or kill anyone and to come up with an existence | 成为吸血鬼 萨沙 不想伤害或杀害任何人 并想出一个存在 |
| 443 | that doesn't reimagine the world in which they live but one that allows them to fit | 无法想象他们生活的世界 只能让他们适应 |
| 444 | within it while still being themselves and i think this is quite profound so by the end of the film | 我认为这是相当深刻的 在电影结束时 |
| 445 | they end up becoming a kind of | 他们最终变成了一种 |
| 446 | palliative care hospital assistance group where they come into people who are | 医院援助小组,他们进入的人 |
| 447 | basically at the end of their lives and they play Sasha plays a piano concert for them and paul who | 基本上在他们生命的尽头 他们演奏萨沙 为他们和保罗演奏钢琴音乐会 |
| 448 | has been turned into a vampire helps drain the blood of these these patients as if in a kind of | 被变成吸血鬼 帮这些病人排血 就像在某种 |
| 449 | the hospital staff and so it's a kind of a happy ending i would say in a way because they they get | 医院的工作人员,所以这是一个快乐的结局 我在某种程度上会说,因为他们得到 |
| 450 | to use their vampirism for some kind of benevolent good depending on on your beliefs or thoughts | 根据你的信仰或思想 利用他们的吸血鬼为某种善良的好东西 |
| 451 | about palliative care and euthanasia but this is an important and this is what i wanted to get at | 姑息治疗和安乐死 但是这很重要 这就是我想要得到的 |
| 452 | as the kind of the big contribution of this film to teenage vampires and why i think it gives me | 作为这部电影对十几岁吸血鬼的重大贡献 以及为什么我认为它给了我 |
| 453 | hope for where the the genre is going so nina auerbach writes in our vampires ourselves that | 希望流派的去向如此 Nina auerbach 在我们的吸血鬼自己写道: |
| 454 | vampires reflect the cultures they inhabit and what's remarkable about the ending of this film | 吸血鬼反映了他们所居住的文化 以及这部电影的结局 |
| 455 | is how they take a very difficult vampire situation and they turn it into a practical | 他们如何对待一个非常困难的吸血鬼 并把它变成一个实用的 |
| 456 | solution they actually write paul writes it down on paper as to what will happen and this according | 他们实际上写在纸上写下 接下来会发生什么,这个根据 |
| 457 | to a number of researchers on gen c is a typical gen z response i'll read for you from a mckinsey | 给很多研究者来说 gen c是典型的gen z反应 我从Mckinsey读给你听 |
| 458 | and company report on gen z which says gen z is generally known for its idealism and its social | 公司关于gen z的报告说gen z 以其理想主义和社会性而广为人知。 |
| 459 | there are socially progressive dreamers and above all they value flexibility authenticity | 有社会进步的梦想家,最重要的是他们珍视灵活性的真实性 |
| 460 | and a pragmatic approach to addressing problems gen zers believe in doing their part to help stop | 和务实的解决问题的方法 gen zers相信 尽自己的责任帮助停止 |
| 461 | intensification of climate change and to establish greater equity than all more than any other | 实现比任何其他方面更大的公平 |
| 462 | generation gen z collectively demands purpose and accountability the creation of opportunities | 创造机会的目的和问责制 |
| 463 | for people of diverse and underrepresented backgrounds and of course rigorous and | 对具有不同和代表性不足背景的人,当然严格和 |
| 464 | sustainable green practices so these are kind of community-minded teens that are taking their | 可持续绿色做法,所以这些是 那种有社区意识的青少年 他们正在采取 |
| 465 | their vampirism and giving back to the community in a kind of practical way so i just wanted to | 他们的吸血鬼主义 以一种实用的方式还给社区 所以我只想 |
| 466 | vampire film and it's one worth considering because of the ways in which it takes the genre | 吸血鬼电影是值得考虑的 因为它用的方法 |
| 467 | and really adapts it to the demands of the teenage culture that we have today and i'll stop there | 并真正适应 青少年文化的要求 我们今天有,我会停下来 |
| 468 | thanks | 谢谢 |
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