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耶鲁与牛津教授浅谈外国人都感兴趣的“国潮”物质文化

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时间英文中文
0:04Good evening, everyone, and good morning and good afternoon to Denise and Jennifer.大家晚上好,早上好,下午好 丹妮丝和珍妮佛
0:10Welcome to the Yale Center Beijing, which is Yale University's only university-wide欢迎来到耶鲁中心 北京是耶鲁大学唯一的大学
0:16center outside of its U.S. campus, representing its 15 schools.中心位于美国校园外,代表其15所学校.
0:22For those of you who are new to this space, we were founded in 2014, and we host activities对于你们这些新人来说,我们成立于2014年,我们主办活动
0:30such as these almost every two to three days.例如,几乎每两三天一次。
0:34And tonight, we're very delighted to again今晚,我们很高兴再次
0:37collaborate with the Royal Asiatic Society of Beijing on probably, you know, one of our与北京皇家亚运会合作 可能,你知道,我们的一个
0:51Oxford professors, no less.牛津的教授们,同样。
0:55Denise was actually a classmate from Yale College.丹妮丝其实是耶鲁学院的同学.
1:01We were contemporaries, and we went to each other's dorms and dining halls.我们当时是同龄人,我们去了对方的宿舍和餐厅.
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1Good evening, everyone, and good morning and good afternoon to Denise and Jennifer.大家晚上好,早上好,下午好 丹妮丝和珍妮佛
2Welcome to the Yale Center Beijing, which is Yale University's only university-wide欢迎来到耶鲁中心 北京是耶鲁大学唯一的大学
3center outside of its U.S. campus, representing its 15 schools.中心位于美国校园外,代表其15所学校.
4For those of you who are new to this space, we were founded in 2014, and we host activities对于你们这些新人来说,我们成立于2014年,我们主办活动
5such as these almost every two to three days.例如,几乎每两三天一次。
6And tonight, we're very delighted to again今晚,我们很高兴再次
7collaborate with the Royal Asiatic Society of Beijing on probably, you know, one of our与北京皇家亚运会合作 可能,你知道,我们的一个
8Oxford professors, no less.牛津的教授们,同样。
9Denise was actually a classmate from Yale College.丹妮丝其实是耶鲁学院的同学.
10We were contemporaries, and we went to each other's dorms and dining halls.我们当时是同龄人,我们去了对方的宿舍和餐厅.
11So I'm┮и琌
12particularly grateful to have her around because she is also sick, but has agreed to soldier on.特别感激有她身边 因为她也生病了, 但已经同意士兵。
13And I'm also very grateful for Jennifer for joining from the U.K. and Xingxing Ni,我也非常感谢詹妮弗从英国和新尼加入
14our moderator, joining here in Beijing.我们的主持人 来到北京
15So today's talk is about an edited volume by所以今天的谈话是关于 编辑的一卷由
16Denise and Jennifer on material contradictions in Mao's China.丹妮丝和詹妮弗谈毛泽东中国的物质矛盾.
17I think the very powerful title我觉得这个名字很有威力
18really speaks for itself.说得很清楚
19Jennifer Altahanger is the Associate Professor of Chinese History and詹妮弗·阿尔塔汉格是中国历史与历史副教授
20Jessica Rawson Fellow in Modern Asian History at the University of Oxford and Merton College.牛津大学和默顿学院的杰西卡·罗森现代亚洲历史研究员.
21Her research focuses on the history of the People's Republic of China.她的研究重点是中华人民共和国历史.
22In addition to being除了现在
23the co-editor of The Namesake of Today's Event, she is also the editor of the online resource她也是在线资源编辑
24The Mao Era in Objects, which I would highly recommend to all of you if you have time to browse如果有时间浏览的话,我强烈推荐你们
25on the web at some point.在网络上的某个时候。
26She is the author of Legal Lessons, Popularizing Laws in the People's她是法律课的作者,在人民中普及法律
27Republic of China, 1949 to 1989, and supported by the Arts and Humanities Research Council中华民国,1949年至1989年,获文艺人文研究会支持.
28and the Alevar Humay Trust.还有阿莱瓦尔·胡迈信托公司
29She is currently working on a book entitled The Matter of Design,她目前正在编写一本书,题为《设计问题》,
30Furnishing Socialist China.怒斥社会主义中国.
31Thanks very much for joining our event online, and I hope to be able非常感谢你加入我们的网络活动 我希望能够
32to welcome you in person at some point in the future.在未来某个时候欢迎你
33Denise Ho is the Associate Professor of丹妮丝 何 is为副教授
3420th Century Chinese History at Yale University.耶鲁大学20世纪中国历史.
35She is a historian of modern China with a她是现代中国的历史学家
36particular focus on social and cultural history.特别强调社会和文化历史。
37Besides being the co-editor of material contradictions除了作为物质矛盾的共同编辑者
38in Mao's China, she is also the author of Curating Revolution, Politics on Display in Mao's China.在毛泽东的中国,她也是"责难革命","毛泽东的中国的展示政治"的作者.
39She's currently completing her second book, entitled Cross-Border Relations, a Grassroots她目前正在完成她的第二本书,题为“跨界关系,草根”
40History of Hong Kong and China.中国香港史.
41We're also very pleased to welcome Ching Ching Ni to Yale Center,我们也很高兴欢迎清清妮来到耶鲁中心
42Beijing.北京报.
43Is this your first time?这是你的第一次吗?
44No, I'm so glad, but this is your first time as a moderator,不,我很高兴 但这是你第一次担任主持人
45and we're very honored.我们非常荣幸
46Ching Ching Ni is Editor-in-Chief of the New York Times Chinese程晴妮任"纽约时报"中文总编辑
47Language website and the Xi Lifestyle magazine.语言网站与习近平生活风格杂志.
48She began her career as the Shanghai Bureau Chief她开始担任上海分局局长
49and Beijing Correspondent for the LA Times.以及"洛杉矶时报"的北京记者.
50She branched briefly into academia, serving as她短暂进入学术界,担任
51Associate Dean and Professor at the Journalism School at Shantou University.山图大学新闻学院副院长兼教授.
52And so tonight's所以今晚我们...
53event will go as follows.活动如下。
54Melinda will say a few words about the genesis of tonight's event and梅琳达会说几句话 关于今晚事件的起源和
55the Mao's Mango we have here, a bit of a story.毛泽东的芒果,我们这里有一个小故事。
56Ching Ching will say a few words and then晴晴会说几句话,然后
57our speakers will go through their much-anticipated presentation.我们的发言者将宣读他们期待已久的发言。
58Thank you so much.非常感谢
59Actually, I'm going to speak very, very briefly because the creation story其实,我要说非常,非常简短 因为创作故事
60behind the talk is actually going to be told by Denise in her presentation, so I'm not going to谈话的幕后 丹妮丝在她的演讲中会说 所以我不会
61go through with that.说吧
62I'm just going to say one thing about this mango.我只想说一件事 关于这芒果。
63Today I was wrapping it今天我把它包起来
64up to bring it over here to the Yale Center, and the mango doesn't travel very much or very well.上面把它带到耶鲁中心, 芒果不经常或很好旅行。
65It's very fragile.它非常脆弱。
66I actually think it's made out of wax, but it's been around since the 60s,其实我觉得它是用蜡做的 但从60年代开始
67and I was hit by the epiphany of it all.我被这一切的启示击中了
68Here I was wrapping it lovingly with bubble wrap,我在这里用泡泡包装它
69and then I pulled out the monograph about the mango written by our dear friend然后我拿出了我们亲爱的朋友写的芒果的专著
70Elfriede Merck, an art historian who did a whole study of the cult of the mango.埃尔弗里德·默克(Elfriede Merck),一位艺术史学家,对芒果的邪教进行了全面的研究.
71She called it the她称之为
72sanctification of the mango, and then it struck me, you know, what am I doing wrapping this so芒果的圣洁化, 然后它袭击了我,你知道,我在做什么 包这个这样
73lovingly and with such care?慈爱和如此小心?
74I mean, it's a freaking mango, and then that's not even a real one.我的意思是,这是一个该死的芒果, 然后那甚至不是一个真正的。
75It's a这是一个
76process.进程。
77What made me treat this with cult-like是什么让我对待这个像邪教
78attention and reverie is exactly what this talk is going to be about, because a very ordinary thing注意和敬重正是这次谈话的主旨 因为一件很普通的事
79in normal times, I mean, even when it's on the menu of a Thai restaurant, I don't order it,在平时,我的意思是, 即使它在泰国餐厅的菜单上, 我不订购它,
80and yet there I was treating it like, I mean, it took me half an hour to wrap this thing,但我却把它当做 我花了半个小时才把它包起来
81because in Mao's time, small everyday things took on great larger-than-life significance,因为毛泽东的时代 日常的小事情 具有比生命更大的意义
82and that's why we're all fascinated to listen to our speaker and moderator.这就是为什么我们都迷上 听我们的演讲者和主持人。
83Thank you very much,非常感谢
84and I'm so glad the mango has finally been revived after so many decades,我很高兴芒果在几十年后终于复活了
85to be back in the limelight even briefly.甚至短暂地回到焦点
86Over to you, Ching Ching.交给你了,清正
87Thank you, Melinda.谢谢你 梅琳达
88Well, thank you all for coming on this blistering day.感谢你们今天光临
89It's so cold,这么冷
90but I know that just seeing this mango is worth your trip, so I do hope that if you want to look但我知道只要看到这芒果就值得你旅行 所以我希望你想看看
91at it up close, you can come up afterwards, because I see cracks on the mango, and I couldn't靠近它,你以后可以上来 因为我看到芒果上的裂缝,我不能
92believe that this mango was real when Melinda told me about it, but I did a little bit of research,相信这个芒果是真的 当梅林达告诉我它, 但我做了一点研究,
93and I hope that Denise will tell us more about it, but apparently when it was first given to the我希望Denise能告诉我们更多关于它的事 但显然当它第一次被交给
94workers, most of the workers were from northern China, and they had never seen or tasted a mango工人,工人大多来自中国北部 他们从未见过或尝过芒果
95before, and I can attest to that, because my father told me that the soldiers from the north,之前,我可以证明这一点, 因为我的父亲告诉我,来自北方的士兵,
96when they saw a banana for the first time, they didn't know what it was, and they just bit into当他们第一次看到香蕉时, 他们不知道它是什么, 他们只是咬进
97banana with the peel on, and you can imagine what they would do with a mango, and I read somewhere香蕉和皮,你可以想象 他们会做什么 用芒果,我读到的地方
98that when the mango started to rot, the farmers or the workers boiled it in a big pot, and each当芒果开始腐烂时, 农民或工人用大锅煮了它,
99had a spoonful, and they drank it.喝了一个勺子,他们喝了它。
100It's like communion, you know, and it's like they each这就像圣餐,你知道, 这就像他们每个人
101a piece of mouth in them.嘴里有一块
102It's kind of creepy, but that was how it was that this fruit became有点令人毛骨悚然 但果实就是这样变成的
103a sacred object, so that's what I read, so I hope to turn it over to you, Denise.圣物,所以这就是我读的 所以我希望把它交给你,丹尼丝。
104I can't think of我无法想象
105a better segue to this presentation tonight, and I hope you all think of good questions to ask,希望大家能想出个好问题
106because I have some questions, but I'll save it for later, so thank you so much, Denise and Jennifer.因为我有些问题, 但我会留待以后, 所以非常感谢你,丹尼斯和珍妮弗。
107The floor is yours.地板归你了
108I wanted to start by thanking the Yale Center of Beijing and我想首先感谢耶鲁大学北京中心
109the Royal Asiatic Society for organizing this wonderful event, to Carol for hosting, to Jingjing皇家亚运会举办这次盛会, 卡罗尔主办,静静主办
110for moderating, and to Alan and Melinda for really sparking the idea of this collaboration.以及艾伦和梅林达 真正激发了这种合作的想法
111I'm delighted to have the chance to introduce our book to you today, Material Contradictions很高兴今天有机会向大家介绍我们的书 《物质矛盾》
112in Mount China.在中国山。
113Before I talk about the mango and maybe what's not the mango,在我谈论芒果之前 也许不是芒果
114I wanted to start by posing this question, and can I have the next slide, please?我想首先提出这个问题, 能给我下一张幻灯片吗?
115I'd like to start by asking this question to introduce the project, which is how do we usually首先我要问这个问题 来介绍这个项目 这就是我们通常如何
116think, or what do we usually think of when we imagine material culture in the Mao years?或者,当我们想象毛时代的物质文化时,我们通常会怎么想呢?
117Any ideas or suggestions from the audience?观众有什么想法或建议吗?
118Melinda has gotten us started by talking about how梅林达让我们开始 谈论如何
119something small, clocks...小东西,钟...
120Portraits of Mao himself?毛泽东本人的肖像?
121Okay, Mao was a figure, perhaps even a cult figure.好吧,毛泽东是一个人物, 甚至一个邪教人物。
122What else?还有什么?
123I think museum culture, so like objects and like, kind of, if we think about like我认为博物馆文化, 所以像物品和喜欢, 那种,如果我们考虑
124the National Museum and the People's Museum, kind of objects from like peasants, landlords of that国家博物馆和人民博物馆 像是农民、房东
125era, you know, bloody shirts, things like that.时代,你知道,血腥的衬衫, 类似的东西。
126Fantastic.厉害
127So we have, I think just in that one所以我们有,我想就在那个
128comment, we have a whole lot to unpack.评论,我们有很多东西要收拾
129We have objects that are associated with particular classes,我们有与特定阶级有关的物品,
130landlords, peasants, workers, so objects can be imbued with class.地主,农民,工人,所以物品可以与阶级混为一谈.
131We have Mao-related objects, so我们有和毛泽东有关的物品 所以
132things related to iconography.和图画有关的东西
133And then interesting, it's interesting that you brought up有意思的是,你提起来
134museums because what we often think of when we think of the material culture of the Mao era博物馆,因为当想到毛泽东时代的物质文化时,我们经常想到的东西
135is the kind of thing that is most often the propaganda object that is most often exhibited最常被展示出来的宣传品
136in museums, like the big character poster or propaganda posters, Mao badges and things like在博物馆,像大人物海报或宣传海报,毛徽章之类的
137this.这个
138So if we start with Chairman Mao Mango, let's advance to the next two slides, please.所以,如果先从毛文果主席开始,请先到下两张幻灯片.
139Let's start by talking about the propaganda object and then I think that will help us lead into我们先谈谈宣传对象 然后我想这能帮助我们进入
140going beyond the propaganda object.超越宣传对象。
141So as Melinda and Qingqing were telling you,就像梅林达和青青告诉你的
142here we have, you have a real replica in front of you at the Yale Center of Beijing.在这里,你有一个真正的复制品 在你们面前 在北京耶鲁中心。
143This was, it originated from a state gift from Pakistan to Chairman Mao, which he then re-gifted这是从巴基斯坦送给毛主席的 国家赠品,然后他又给毛主席
144to a group of workers and this mango was then, some of the original mangoes were preserved对一群工人来说 那时这只芒果 保留了一些原始芒果
145and then the replicas were made and given out as awards, as you see here in this 1968然后复制品被制作出来作为奖品 1968年你在这里看到
146photograph with PLA soldiers.与解放军士兵合影。
147If you advance to the next slide, you'll see an example of如果你进入下一个幻灯片,你会看到一个实例:
148not just the reproduction of the mango, but the admiration, the adulation of the mango.不仅是芒果的复制,还有对芒果的钦佩,标注.
149And then in the following slide, you'll see, may I have the next slide please?然后在下面的幻灯片,你会看到, 我可以有下一个幻灯片,请?
150You'll see the你会看到
151ways in which the mango, the previous one, was reproduced.之前的芒果被复制的方式
152So there you have a mango as part of因此,你有一个芒果作为的一部分
153a float in the National Day Parade and on the right, here's an example of mangoes as part of在"国庆游行"和"右边"中,这里有一个芒果的例子,作为其中的一部分
154fabric, you know, the fabric that's used in everyday life here, I believe a quilt cover and织物,你知道,这些织物 用来在这里的日常生活, 我相信一个被子封面和
155these images are all courtesy of Alfreda Merck from her research on Mao's mango.这些图像都是阿尔弗雷德·默克(Alfreda Merck)从她对毛泽东芒果的研究中得到的礼遇.
156So when we first所以,当我们第一次
157think about material culture from the Mao era, sometimes it's these objects that come to mind,想想毛泽东时代的物质文化, 有时想到的就是这些物体,
158these exactly, these sorts of things that you see in museums.这些就是博物馆里看到的
159One of the projects or one of the main项目之一或主要项目之一
160aims of our edited volume is to look beyond these propaganda objects.我们的编辑本的目的是要超越这些宣传对象。
161Of course, we do have those当然,我们有这些
162items in our book, but to look beyond those things to see what was the fabric of everyday life我们书中的内容,但是要超越那些东西,看看什么是日常生活的结构
163in Mao's China.在毛泽东的中国。
164How was it experienced by everyday people?日间人是怎么经历的?
165And just because, you know,因为,你知道,
166one of our stereotypes is that this era was a time of great scarcity and indeed it was,我们的陈规定型观念之一是,这个时代是一个极为匮乏的时代,事实上,
167but just because there was scarcity doesn't mean that material goods didn't matter to ordinary但是,只是因为有 稀缺并不意味着 物质商品不重要到普通
168people.人们
169So we were really interested in what else is there beyond the propaganda object.因此,我们真正感兴趣的是,除了宣传对象之外,还有什么。
170So if we advance to the next slide, one of the goals that Jenna and I had when we first started所以,如果我们推进到下一张幻灯片, 其中一个目标 Jenna和我 我们刚开始的时候
171talking about this project almost a decade ago was to create a network of scholars who were all大约十年前讨论这个项目 是要建立一个学者网络 他们都是
172interested in studying this material culture and materials in the Mao period.有兴趣在毛泽东时期研究这种物质文化和材料.
173And here's a photograph这张照片
174of a group of us at one of our first conferences in New Haven.我们在纽黑文举行的首批会议之一
175And now Jenna's going to tell us a现在珍娜要告诉我们
176little bit more about those conferences and then her website, the Mao era and objects.关于那些会议 还有她的网站 毛时代和物品
177Thank you, Denise.谢谢你,丹妮丝。
178I hope everybody can hear me clearly and I wanted to add my thanks to everyone我希望每个人都能清楚听到我 我想向大家表示感谢
179for having us and for organising this wonderful event.感谢我们的到来 还有组织这次精彩的活动
180So as Denise just said, and this is one of所以,正如Denise刚才所说, 这是其中之一
181the photos from a Yale conference in 2018, we were extremely fortunate, and we like to sort of2018年耶鲁会议的照片, 我们非常幸运, 我们喜欢排序
182point this out because it is so central to making a network, we were extremely fortunate to have the指出这一点,因为它是如此的核心 做一个网络,我们非常幸运有
183support of many institutions, including the British Academy, the Yale Macmillan Centre, the Yale支持许多机构,包括英国学院、耶鲁麦克米兰中心、耶鲁大学
184Council for East Asian Studies, the Arts and Humanities Research Council to set up this东亚研究理事会、艺术与人文研究理事会设立
185network across a series of conferences.一系列会议的网络。
186And that's an extraordinary thing if you're actually able not如果你真的做不到,这是很不寻常的事
187just to meet once, but multiple times and really see your work develop.仅仅见面一次, 但多次,真的看到你的工作发展。
188So we met, next slide please,所以,我们见过,下一张幻灯片,
189we met in London, this started in late 2016, then we met in Hong Kong in the summer of 2018,我们在伦敦相遇,这开始于2016年末, 然后2018年夏天在香港相遇,
190in New Haven at Yale in autumn 2018 from where these pictures come of object handling sessions2018年秋在耶鲁的纽黑文, 这些图片来自对象处理会话
191that we organised as part of the conference, and again in London in spring 2019 where this book,2019年春天在伦敦 这本书
192where the chapters had really come together and we were very much workshopping what this edited在那些章节真正聚集在一起的地方 我们非常努力地研究这些编辑
193volume would be.音量将是。
194So if sometimes edited volumes are sort of editors who have an idea and they所以,如果有时编辑的卷 是那种编辑 谁有一个想法,他们
195solicit chapters, in this case it was really a group of people who were collectively working要求章节,在这种情况下, 真的是一群人 集体工作
196to see how their various case studies could come together.以了解他们的各种案例研究如何汇聚在一起。
197Now our hope was that this network of现在,我们希望这个网络
198colleagues interested in socialist Chinese material culture would not just lead to the关心社会主义中国物质文化的同事们,不仅会导致
199edited volume we are talking about today and we'll talk a lot more about in a minute,我们今天讨论的编辑卷 一会儿再谈更多
200but that it would also help inspire and nourish us as a result of our individual但是,它也会帮助激励和滋养我们 因为我们的个人
201book projects and larger article projects.书籍项目和更大的文章项目。
202So everybody who was in the volume was also所以,每个人 谁在音量也是
203doing something larger on this topic besides.做一些更大的问题。
204We also wanted to do more than write and edit books,我们还想做的不仅仅是写和编辑书籍,
205they do take up a lot of time but we wanted to do something that took us beyond the classic work他们确实需要很多时间 但我们想做一些 超越经典工作的东西
206of academics and so there were two things, there were several things we did but two in particular,有两件事 我们做了几件事 但其中两件事
207so for instance the conference in Hong Kong in the summer of 2018 was co-organised and例如,2018年夏季在香港举行的会议是共同组织的,
208hosted by the curator team at Hong Kong's new M plus museum.由香港新M+博物馆馆长团队主办.
209This was actually when the museum这其实是博物馆的时候
210was still in planning, now it's opened its doors and there's some wonderful work on visual and还在计划中,现在它打开了门 并且有一些精彩的视觉作品
211material culture and during that workshop we talked a lot with curators about new approaches在研讨会期间,我们与馆长们讨论了很多新办法
212in the study of Chinese visual and material culture, about how to curate collections,研究中国视觉和物质文化, 如何整理收藏,
213what one might collect and how to tell the often very complex story of different objects and how收集什么 以及如何讲述 不同物体的复杂故事
214we go from different levels from sort of individual experiences of object to larger societal,我们从不同的层次 从个人经历对象到更大的社会,
215long-term historical developments where objects can tell us something not just about individuals长期的历史发展 物体可以告诉我们 不只是关于个人的东西
216but also at large.但也无处不在
217If I could have the next slide please, thank you.请给我下一张幻灯片 谢谢
218Another example that Denise丹妮丝的另一个例子
219mentioned of our work beyond editing books and writing books and articles was a website,提到我们除了编辑书籍、撰写书籍和文章之外的工作是一个网站,
220Mao era and objects which we created and edited with the help of King's College London's digital在国王学院伦敦数字学院的帮助下 我们创作和编辑的毛时代和物品
221humanities team.人文团队.
222Now the website introduces the history of post-49 China through 24 objects,现在网站通过24个物体介绍49后中国的历史,
223now some of these were famous objects of the era and each of this, so this is sort of a mosaic and现在有些是时代的著名物品 每一个都这样 所以这有点像马赛克
224you can click on things and go through the various object biographies, some of these were famous你可以点击一些东西,通过各种对象的传记, 有些是著名的
225objects of the era like wristwatches, Denise wrote an entry on big character posters,戴妮丝在大人物海报上写了一个条目
226other objects were perhaps less talked about but they were a firm part of people's everyday lives,其他的物体也许谈得比较少 但是它们是人们日常生活中坚定的一部分
227for instance handloom cloth, stools and chairs or diaries and then there are also some objects so例如手织布、凳子、椅子或日记 还有一些东西
228it's pretty eclectic, there are some objects we might not even think of as objects at first like有一些东西我们一开始可能不认为是物体
229bricks, money or documentary films that were however very much part of material culture of the砖块、金钱或纪录片,尽管这些片子在很大程度上是人类物质文化的一部分。
230time.时间。
231Now each of these object biographies was written by a specialist who knows the object现在每个这些物品的传记都是由一位知道物品的专家写的
232stories very well and it is accompanied by a set of primary sources that visitors can study故事非常精彩,并伴有一系列主要来源可供参观者学习
233themselves, so in other words we like to think of the website and it looks so elegant now,所以换句话说,我们喜欢想到网站 现在看起来如此优雅,
234everybody did an enormous amount of design but it was so much work, it's really nice to see it每个人都做了大量的设计,但是它 这么多的工作,它真的很高兴看到它
235together.一起来
236In other words the website for us was meant to be a mini exhibition, an edited volume换句话说,我们的网站本来是小型展览,编辑的一卷
237and a teaching resource combined and we really hope that it will appeal to a lot of visitors和教学资源加在一起,我们真的希望它能吸引到很多游客
238who can just browse these different objects and trajectories.他们可以浏览这些不同的物体和轨迹。
239So in many ways our conversation所以在许多方面,我们的对话
240today and it's really exciting to be here is a continuation of this network and we hope this今天在这里非常令人兴奋 是这个网络的延续 我们希望
241material proves interesting to you and please do reach out to us if you're interested in any材料证明你很有趣 请联系我们 如果你有兴趣的话
242of the aspects I talked about.我谈论的方面。
243Now if I could have the next slide please,现在,如果我可以有 下一个幻灯片,请,
244Denise will now introduce the various chapters, thank you.Denise现在介绍各章 谢谢
245Thank you so much, so I'm just going非常感谢,我要走了
246to go through, we have 10 chapters in the volume and I wanted to flag each of them for your我们的书里有十章 我想给每个章子上标注
247attention.注意点
248We'll wrap up the talk by each of us introducing ours in more detail but just to give我们会把大家的谈话结束 更详细地介绍我们的演讲 但只是为了给
249you a sense of the scope of the chapters and what we were hoping to do.你对各章的范畴 以及我们所希望的
250Let me introduce each让我介绍一下
251of them in turn, if I could have the next slide please.请给我下一张幻灯片
252The first chapter is called Bamboo Objects第一章叫做竹子物体
253and Socialist Construction, Jen will tell you more about it at the end of the talk but I just和社会主义建设,仁会告诉你更多 在谈话结束时,但我只是
254wanted to flag for you what I found most striking about this chapter was these do-it-yourself我想为你标出 我发现最引人注目的 本章是 这些做它 -你自己
255handbooks you see here portrayed on the right which showed people how to make their own things在这里你看到的手册 描绘在右边 向人们展示如何制作自己的东西
256bamboo toys and they really represent a society where everybody was making do and one way to do竹子玩具,它们代表着一个社会 每个人都在做和一种方法
257this was to become a maker yourself.这是要成为一个制造者自己。
258The next chapter is entitled The Brick and it's by an下一章的题目是"砖块",它是一个
259architectural historian at Hong Kong University, Cole Roscombe and this chapter studies mud or香港大学的建筑史学家 Cole Roscombe 和本章研究泥土或
260clay bricks as the most basic and local building block of Chinese architecture and one of the粘土砖是中国建筑中最基本的局部构件,也是中国建筑中最原始的建筑之一.
261questions that Cole asks in this chapter is how is the brick conceived of as a revolutionary objectCole在本章中提出的问题是 如何将砖块视为革命目标
262and one of the things I found most fascinating about this piece is the way in which the brick我发现最吸引人的东西之一 就是砖块的方式
263not unlike bamboo in Jen's chapter is also something that requires expertise and has different和Jen章里的竹子一样 也是需要专业技术的
264degrees of technology and so in more than one way this vision of the brick like other things in科技程度,所以不止一种方式 这种砖像其他东西的视觉
265China outpaced the reality.中国的速度超过了现实。
266The brick making still required experts and the Chinese were not做砖块还需要专家,中国人没有
267readily available able to incorporate for example soviet technology so the brick was at once现成的苏维埃技术,
268something we look at and we think of it as something very simple but in reality the manufacturing我们看的东西,我们认为这是一件非常简单的事情 但实际上,制造
269could be quite complicated.可能会很复杂
270The next chapter if I could see the next slide is by Christine Ho接下来的一章,如果我能看到 下一张幻灯片是 由Kristine Ho
271an art historian at UMass Amherst and her chapter studies the central academy of craft and design在Umass Amherst的艺术史学家 她的章节研究中央工艺和设计学院
272including the designers themselves and their design publications and her question in her包括设计师本人及其设计出版物以及她的问题
273chapter is what was design supposed to look like in socialist China and the answer she provides us章子是设计在社会主义中国的模样 她给我们的答案
274is that socialist design was based on folk handicrafts and this spoke handicraft legacy社会主义的设计是建立在 民间手工艺品之上的 这讲的是手工艺遗产
275was incorporated into light industrial goods.被并入轻工业品。
276One of the primary sources that she draws upon is她利用的一个主要资料来源是:
277depicted here in this slide the design magazine of the central academy of craft and design which在此幻灯片中描绘了中央工艺和设计学院的设计杂志。
278was entitled Zhang Shi decoration and if you look at this iconic cover for example you'll see that张士杰的装饰品,如果你看看这个标志性的封面 比如说,你会看到
279it incorporates folk style drawings of the dragon and Han dynasty brick symbols for clothing,它吸收了龙和汉朝砖雕的民间风格图案作为服装,
280food, a bowl, a house, and a wheel.食物,碗,房子,还有轮子
281So this chapter is really about taking folk art and所以,这个章节 真的是关于拿民间艺术和
282historic tradition and incorporating them for everyday design.历史传统,并将其纳入日常设计。
283The next chapter chapter four下一章第四章
284um if you advance the slide thank you is called dance props in the rural imaginary and this is嗯,如果你推进了幻灯片,谢谢 你被称为舞蹈道具 在农村想象中,这是
285by the scholar of dance and ethnographer Emily Wilcox at the College of William and Mary威廉和玛丽学院的舞蹈和民族学家Emily Wilcox
286and Emily is herself a dancer and ethnographer of Chinese dance and I believe she's actuallyEmily本人是中国舞蹈的舞蹈家和民族学家 我相信她其实是
287in China now on a book tour of her of her book revolutionary bodies.现在在中国 她的书 革命身体的书游。
288In this chapter she studies在本章,她学习
289how dancers in the Mao era used dance props like fans scarves baskets buckets and she argues that毛泽东时代的舞者如何使用舞蹈道具 像粉丝的手巾桶 她认为
290these objects were an extension of the dancer's body and also mediators for example between the这些物体是舞者身体的延伸,也是例如男女代表之间的调解人。
291cities where the dancers came from and the countryside um I Wilcox opens her chapter if舞者来自的城市和乡村 我威尔科克斯打开她的篇章,如果
292have the chance to read it with an ethnographic moment where she describes Chinese dancers asked{\fn华文仿宋\fs16\1cHD1D1D1}有机会用一个民族学的瞬间读出来 {\fn华文仿宋\fs16\1cHD1D1D1}她描述的是中国舞者
293to do an impromptu performance but they actually are not able to do it because they don't have the做即兴表演 但他们实际上不能做 因为他们没有
294props and she uses this as a way of telling us exactly how central props are to the performance道具 她用这个来告诉我们 中央道具对表演的作用
295{\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}但当威尔科克斯向我们 展示她的篇章时 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}我却不能公平
296actually brought a fan and demonstrated um and it's really just kind of um dazzled the audience其实带了个粉丝来展示 嗯,它真的有点... ...
297with how important um props are to performance.和如何重要 um道具的性能。
298Speaking of performance the next chapter, chapter说到表演 下一章 章
299five is called Mobile Projectionists and the Things They Carried by Jie Li a scholar of Chinese五人叫移动投影师 以及中国学者李杰
300studies and cinema and media at Harvard who is has just come out with a new book on Chinese film哈佛大学的研究、电影和媒体 刚刚出版的中国电影新书
301and the watching of film and this chapter Mobile Projectionists and the Things They Carried观看电影和本章 移动投影师和他们所携带的东西
302examines the expansive network of film showings that crisscross China in the Mao era so we think研究了毛泽东时代 横跨中国的电影的广博网络
303of cinema as an urban phenomenon but in fact in the Mao period these people known as film但事实上在毛泽东时期 这些人被称为电影
304projectionists as you see in the image here traveled around the country on foot sometimes你从图像中看到的投影者有时徒步走遍全国
305in very difficult conditions and they carried all of the material they needed to um to show films在非常困难的条件下,他们带着所有他们需要的材料 来展示电影
306from the projectors from the film to electric generators to the clappers the bamboo clappers从投影机从胶片到发电机 到拍竹片
307you see here and so they did more than just show the films they also brought them to life你看这里,所以他们做的不只是 展示电影 他们也带给他们的生命
308as performers themselves.以表演者发誓,
309One of the things that Jie argues in her chapter is that film was both吉在她的篇章中认为 电影是两部
310a physical and spirit medium one which conveyed new ways of seeing to mass audiences.一个物理和精神介质, 传达了新的方式 看到大众观众。
311It gets它会得到
312channeled through the physical infrastructure of the film screening and the ability of cinema to通过电影放映的有形基础设施和电影院的能力提供
313bring things to life.带东西给生命。
314The next chapter chapter six is my chapter and so I'm actually going to wait接下来的第六章是我的章节 所以我要等
315and introduce this to you in the next section it's called Outside Objects and Material Propaganda并在下一节中向大家介绍这个 叫做外物和材料宣传
316and I'll tell you what that means more in a moment.我马上告诉你这意味着什么
317Chapter seven the next slide please第七章 请下一张幻灯片
318纽约大学中国研究学者Laurence Coderre 著
319and this chapter addresses the question of how plenty was portrayed in China's Mao era.本章论述中国毛时代如何描绘丰产的问题.
320We think我们觉得
321this period as one of austerity in which the ordinary person had very little frugality was这段时期的紧缩 普通人几乎没有节俭
322a virtue but what Coderre shows in her chapter is that the reality was much more complicated但Coderre在她的篇章中显示 现实要复杂得多
323party propaganda she argues from theoretical texts to films portray what Coderre calls她主张从理论文本到电影 来描述Coderre所说的
324productivist plenty.大量生产主义者。
325According to this logic socialism would actually produce plenty根据这个逻辑,社会主义实际上会产生很多
326frugal living and scarcity were only a stepping stone to this future plenty.节俭的生活和匮乏只是通往未来财富的垫脚石。
327Chapter eight is called Nationalizing Food Provision in Beijing and it's by a historian第八章是北京的"国家化食品供给" 历史学家说
328of 20th century China at the University of Washington in Seattle Madeleine Dong Yue and在西雅图的华盛顿大学
329this chapter focuses on Beijing's food industry in the 1950s and it takes us its case study本章主要介绍1950年代北京的食品工业,并介绍其案例研究
330a pickle company and a hot pot restaurant.泡菜公司和热锅餐厅
331So this is really fascinating because it's at这真的很有趣,因为它在
332once a food history and it's also an economic history.曾经是食物史 也是经济史
333Dong studies what happens to traditional董学究传统
334food establishments during what's called socialist transformation which took place in 1956-571956-57年发生的所谓社会主义改造期间的食品单位
335the political campaign to nationalize private industry and incorporate it into the socialist将私营企业国有化并将其纳入社会主义的政治运动
336economy and what's really fascinating is how Dong shows how shifts in economic incentives经济,真正令人着迷的是 东是如何展现经济激励的转变
337transformed the taste of traditional Beijing foods.改变了传统北京菜的味道.
338The next chapter, chapter nine下一章 第九章
339by Jacob Eifert a historian a social historian at the University of Chicago is called One Country芝加哥大学的一位社会历史学家 名叫"一个国家"
340Two Material Cultures and in this chapter Eifert suggests that we think of two distinct material两种物质文化,在本章Eifert中,我们设想两种不同的材料
341cultures in Mao era China the urban and the rural in contrast to cities where we can imagine people在毛泽东时代的中国 城市和农村 与我们想象中的城市形成对比
342having and using things like bicycles and watches in the countryside people had actually very few在农村拥有和使用自行车和手表的人实际上很少
343commodities using oral histories of Shanxi Eifert shows how peasants navigated this world and how利用山西艾菲尔特的口述历史 来展示农民如何渡过这个世界
344they produced essentials like cotton and what's at stake here is how very different the socialist他们生产了棉花等必需品 这里的利害关系是 社会主义者的差别有多大
345experience looked like in the countryside and which is where the vast majority of Chinese people经验看起来像在农村 而那里是绝大多数的中国人
346lived until very recently and I think when he presented his research to us in the group一直生活到最近 我想当他向我们介绍他的研究
347for many of us even though we've been studying China for years and perhaps decades it really hit虽然我们研究了中国好几年,也许几十年,但中国确实受到冲击
348home to us really how very different life was in the countryside one example that particularly乡下的生活是多么不同 特别是
349stands out is the idea of oil being so very scarce that it was dripped onto finished meals显而易见的是,石油非常稀少,以至于被滴在了成品饭上
350with an eye dropper because every drop of oil was so precious.因为每滴油都这么珍贵
351The final chapter of the book书的最后一章
352chapter 10 if I could have the next slide is called The Makings of China's Cold War Motor City第十章 如果我能下一张幻灯片 叫做"中国冷战汽车城的制作"
353this is by Koval Masekins a historian of modern China at the Naval Postgraduate School in California这是加州海军研究生院 现代中国历史学家科瓦尔·马塞金斯写的
354and in this chapter Masekins studies the second auto works as a project of China's third front在本章中,Masekins研究第二辆汽车是中国第三战线的一个项目
355a campaign to relocate industrial centers into China's interior.将工业中心迁移到中国内陆
356The upshot of this project这个项目的高潮
357was to build urban centers of production in the countryside.在农村建设城市生产中心。
358The second auto works was a city第二个汽车工程是城市
359built from the ground up and his research shows how third front workers dealt with everyday他的研究表明,第三线工人每天如何应对
360material conditions of scarcity and how the project as a whole may do with scarce resources缺乏物质条件和整个项目如何利用稀缺资源
361and so this is perhaps in a segue into thinking about contradictions in this book here in the所以这或许是在 沉思 这本书中的矛盾
362contradictions were between city and countryside plenty and scarcity and Jen is going to tell you城市和农村之间的矛盾 充斥着资源 珍会告诉你
363a little bit more about the title of the book and why we chose to call it material contradictions.关于书名和我们为什么选择把它称为物质矛盾的多一点.
364Thank you could I have the next slide please thank you so during our conferences it became谢谢,请给我下一张幻灯片 谢谢,所以在我们的会议期间
365increasingly clear and this is the beauty of having many meetings and really talking about越来越清楚,这就是 有很多会议 和真正谈论
366the research one is trying to write up so it became increasingly clear that there was one big研究者试图写作 所以越来越清楚的是,有一个大
367theme across all the chapters and that was that theme of contradictions as embodied in as所有各章的主题,也就是以下列形式体现的矛盾主题:
368experienced through material culture and we began to call these types of contradictions我们开始称之为这种矛盾
369material contradictions because they all somehow were connected to this material dimension.物质上的矛盾 因为它们都与这个物质层面有关
370Now the idea of contradictions is of course central to modern philosophy and it was central矛盾的思想当然是现代哲学的核心,也是核心
371Mao Zedong thought so in 1937 of the year the second Sino-Japanese war broke out Mao Zedong1937年,第二次中日战争爆发,毛泽东以为是.
372famously wrote an essay entitled On Contradictions known Mao Don and in this one in this essay he著名地写了一篇题为"关于矛盾的"的散文 众所周知的毛顿和在这篇散文中
373outlined what he called materialist dialectics and called for the study of things and their他概述了他所称的唯物主义辩证法,并呼吁研究事物及其
374relationships from atoms to social classes so for Mao contradictions were necessary for development从原子到社会阶级的关系 因为毛泽东矛盾是发展的必要条件
375they were really key.他们真的是关键。
376Objects and material culture had a role to play in this quest for物体和物质文化在追求
377revolutionary social transformation but on the other hand as Denise just described we were also革命性的社会变革,但另一方面,正如Denise刚才描述的那样,我们也是
378seeing the very real experienced contradictions of people's material life so we were wondering看到人们物质生活中真实的矛盾 所以我们在想
379sort of between this level of philosophy and political writings and the level of everyday那种介于哲学和政治著作水平 和日常水平之间
380material life what's the story here how can we connect the two and so this became the focus of物质生活是什么故事 在这里,我们如何连接 两者,因此这成为焦点
381all of our chapters and all these different chapters ask in their different ways how over我们所有的章节 和所有这些不同的章节 以不同的方式问如何结束
382the three decades of the Mao era material lives changed objects were made and unmade how tensions三十年来的毛泽东时代 物质生活发生了改变 事物是如何被改变的 紧张是如何形成的
383in everyday life materialized how objects made and mediated relationships and how people在日常生活中实现物体如何形成和调解关系以及人如何形成
384conceived of themselves and their role in a new China Xinzhongguo in material terms.在新的中国新忠国中他们自己和作用的构想,从物质上讲。
385Now as with every edited volume we considered several lineups of the chapters but the one we现在和每本编辑过的书一样,我们考虑了各章的几行,但是我们
386selected and this was actually a good amount of fun but the one we selected in the end best被选中,这其实是一个很好玩的乐趣 但最终我们选择的最好
387reflected three what we thought three sets of contradictions which we have on the slide here反映了我们所认为的三组矛盾,
388or if you want three perspectives on contradictions.或者你想从三个角度看待矛盾
389So the first one is from materials所以第一个是从材料上
390to objects and this encompasses the three this includes the first three chapters of the volume到对象,这包含这三章,包括卷的前三章
391the chapters on my chapter on bamboo objects Cole Roskam's chapter on the brick and Denise关于竹子的章节 科尔罗斯卡姆的章节 关于砖块和丹妮丝
392sorry Christine Ho's chapter on design and handicraft and these all ask how different people对不起,克莉丝汀 何某某关于设计与手工业的章节 都问道:
393and groups try to make materials productive by turning them into objects so the contradictions和团体试图通过将它们变成物体来制造材料 从而产生矛盾
394here were between industry and handicraft between local and centralized production工业与手工业之间 地方与集中生产之间
395between this question of how to make for the masses and how to retain that local knowledge如何为大众创造和如何保留当地知识
396of making by hand.手动制造。
397The chapters also asked how different materials can symbolize both socialist这些章节还问,不同的材料如何象征社会主义
398progress on the one hand and a lack of economic development on the other.一方面是进步,另一方面是经济发展不足。
399Now the second set of现在第二套
400objects as revolved around objects of mediators here we focused on the role that learning by围绕调解人目标的目标,我们集中研究了通过
401as Denise already alluded to that learning by doing played in the Mao era in other words the丹妮丝已经提到过 在毛泽东时代 边学边学
402idea that the revolution would be accomplished through many many small steps of combining theory认为革命将会通过 结合理论的许多小步骤来实现
403and practice and that that together would make major social transformation possible and we asked我们问道,
404and while three chapters do this majorly all of our chapters have this a little bit we asked how三个章节主要做这个 我们所有的章节都有这个 一点点,我们问如何
405objects mediate and embody this message or contradict this message at different times.对象在不同时间调解并显示此信件或与此信件相矛盾。
406So here especially the chapters on mobile protectionists dancers and small packets from特别是流动保护主义者的舞者 和小包的章节
407Hong Kong to mainland China make this point extremely clear and Denise will talk about her香港到中国大陆说得很清楚 丹妮丝会说起她的
408chapter on small packets shortly and one of the dominant contradictions here was again between关于小数据包的章节不久,这里的主要矛盾之一再次出现在
409city and countryside how dance props as so dance objects used in guns that Denise mentioned earlier城市和乡村 舞蹈道具是怎样的 舞蹈物品 使用在枪支上 丹尼丝前面提到
410on as extensions of the dancers body so we very much think also about the body as part of material作为舞者身体的延伸, 所以我们也非常想 身体作为材料的一部分
411culture allowed urban dancers to portray the rural yet always somehow kept them at arm's length文化让城市舞者能够描绘乡村,
412in an interesting way and that this was an embodied contradiction and then the final以有趣的方式,这是 一个内在的矛盾,然后最后
413and that was the contradiction between abundance and scarcity and one of the main messages Denise这是富足和稀缺之间的矛盾 也是丹妮丝的主要信息之一
414mentioned it earlier on but we wanted to reinforce it once more one of the main messages we all took之前提到过,但我们想再次强化它 我们所接受的主要信息之一
415away from this project was that a shortage a lack of objects did not equal a lack of material与该项目不同的是,缺乏物品并不等于缺乏材料
416culture the things people had mattered and their story is worth telling so abundance and scarcity他们的故事值得讲述 如此丰富和匮乏
417terms people used to express their lived experience in there across the many many sources在许多来源中,人们用来表达自己生活经历的术语
418we have of the Mao era and they were used to explain their material lives at the same time我们有毛时代,他们用来 解释他们的物质生活同时
419abundance and scarcity were also terms in these binaries were also terms state media used to这些二进制中的丰富性和稀缺性也是国家媒体用来
420explain the historical path of progression towards communism so there was a famous to you a famous解释走向共产主义的历史道路 这样你们就有名气
421at the time called hard work and frugal living and it was meant to bring about this was the idea那时人们称之为勤奋和节俭的生活, 其目的是实现这个想法
422that by living purposefully with scarcity being frugal working hard this would bring about通过有目的地生活在稀缺 勤奋工作,这将带来
423revolutionary transformation and it would bring china onto the road and eventually to革命性改造,它会带 瓷器上路,并最终
424making communist utopia a reality yet at the same time as the years went on it actually made使共产主义乌托邦成为现实 却与往年同时发生
425people wonder whether this utopia would ever become reality now the chapters in this section人们想知道这个乌托邦是否会变成现实 现在这个章节
426on the discourse of plenty on the food scape of beijing on rural material culture and on富人关于美食风景的论述
427industrial construction of the artworks all explore how this push and pull between abundance艺术作品的工业建设 都探索了如何推动和拉动富庶之间
428and scarcity shaped political discourse on the one hand and people's daily material lives人民日常物质生活
429that is what they ate how they lived how they worked on the other hand if i could have the这就是他们吃 如何生活 他们是如何工作的 另一方面,如果我可以得到
430please we will now introduce briefly our own chapters in case studies and denise will start请我们现在在个案研究中 简要地介绍一下我们自己的章节 并开始讨论
431with hers great thank you so much for that jen i wanted to start by asking a question since i非常感谢你,珍妮... ...我想先问一个问题,因为我
432heard some american accents in the audience what do you think of when you when you think of a care在观众中听到一些美国口音 当你想到关心时,你会怎么想?
433package what comes to mind or a parcel in british english a care package or a parcel i think包裹什么 想到或包裹 英国英语 一个护理包 或包裹 我想
434speaking as a recent college student you know i think of parents sending you know以最近大学生的身份发言 我想父母会派你来
435bits to of things that remind them of home to like their sons to their daughters有些事让他们想起家 喜欢儿子和女儿
436to their children in college i think of maybe more in official terms i think of like对他们的孩子来说,在大学里 我想也许更多的 官方方面,我想
437un usaid missions like dropping dropping things into like development areas没有我们援助的任务 就像把东西扔进发展领域
438yeah fantastic okay so that that comment brings up a number of a number of issues one is this好极了,这样的话,这个评论 提出了很多问题之一就是
439distance between family members the expression of familial care and then you also have you brought家庭成员之间的距离 家庭照顾的表达 然后你也带来了
440this dropping of relief packages so perhaps something that might be government or ngo或许是政府或恩戈政府
441sponsored that speaks to a gradient between a place that has has products or has consumer goods赞助者在拥有产品或消费品的地方之间表示梯度
442in a place that does not any other any other things that come to mind when others hear the在一个没有任何其他东西的地方 当别人听到
443word a care package or a special parcel um i think when i was in the state and my parents说一个护理包或一个特别包裹 嗯,我想 当我在州和我的父母
444were trying to send me care packages i think they're usually something very like chinese我本来想送些护理包的 我觉得它们通常都跟中国人一样
445like traditional stuff is hard to find in the states that will be included in my care package像传统的东西是很难找到的 在各州 将包含在我的护理包
446maybe fantastic fantastic so things that remind you of home things that express care things that也许神奇的奇妙 让你想起 家庭的东西 表达关心的东西
447are not easily found in the in the place where the receiver is is reciting and that's an excellent很难在接收器的背诵地点找到 这是极好的
448segue into my chapter which examines the practice of sending care packages from hong kong into the将护理包从香港送到香港
449people's republic of china in the late 1950s and 1960s which is at the time of china's great leap20世纪50年代末和60年代的中国人民共和国 恰逢中国大跃进
450forward campaign and the subsequent famine so these packages they were two pound so-called前进运动和随后的饥荒 所以这些包裹是两磅所谓的
451small packets they contain things like food and medicine and they were sent to family and friends里面有食物和药品 寄给家人和朋友
452in china at its height some two million packages across the border each month it was actually not在中国高地,每月有两百万个包裹 跨越边境,其实不是
453very easy for me to find images of this on the left and on the right there as you see in the slide我很容易在左边和右边 找到这个图像,就像你在幻灯片里看到的
454are from a new a british news newsreel on the left is a store that specializes in sending those是一家专门发送这些消息的商店
455packages and on the right is someone sending the packages in on the hong kong post office包裹和右边是有人送包裹到香港邮局
456i actually haven't been able to identify a physical package i was in a museum in guangdong this其实我还没能辨认出一个物理包裹 我在广东的博物馆里
457summer and someone had there was a museum with a package from the republican era but it wasn't the夏天有人有一个博物馆 里面有共和时代的包裹 但是不是
458right size and wasn't from the right time so i i'm still searching if anybody in the audience has尺寸合适 时间不合适 所以我还在寻找观众中是否有人
459has a preserved package from that era so this is a enormous phenomenon that's known about有个从那个时代保存下来的包裹 所以这是一个巨大的现象
460anecdotally when i gave this talk in hong kong before the pandemic people would rush up to me传闻说,在流行性疾病流行之前,我用洪口语谈这个
461afterward and tell me about the things that their families sent to relatives in the mainland之后告诉我他们家寄给大陆亲戚的东西
462during this era when i began this research i was interested in how widespread was it how did it在这个时代,当我开始这个研究时, 我对它有多广泛感兴趣,它是如何做的
463work how did these goods circulate in china and then how were they perceived as outside objects这些商品是如何在瓷器中流通的,然后如何被视为外物
464as i described in the title of the chapter it was significant at its height we had something like正如我在该章标题中描述的,在它的高度上,它是重要的,我们有类似的东西
465two million packages a month in certain periods outside objects were prevalent enough to influence某些时期外物体每月200万包, 足以影响
466the chinese market for particular goods of course it's most prominent in urban areas and in south当然,中国的特定商品市场 在城市地区和南部最为突出
467china that places that had a lot of overseas trainees but packages were also broken up and有很多海外受训者但包裹的瓷器也被拆散了
468then mailed up to other relatives within china so you can imagine this kind of network with capillaries然后寄到中国其他亲戚那里 这样你就可以想象这种有卷毛的网络
469that spread objects into mainland china there were multiple channels where you could send things将物体扩散到大陆瓷器中 有多种渠道可以发送物品
470the hong kong post the macao post you could cross the border from hong kong into shenzhen红龙贴上马曹岗 你可以从红龙越界进入深圳
471and mail packages directly department stores specialty shops and even street hawkers people和邮包 直接百货商店 特色商店 甚至街头小贩的人
472on the street would mail packages on your behalf for a commission there were other channels街上会代表你寄包裹给佣金 还有其他渠道
473including the ability to order packages to be made up in warehouses in china or you could send包括能够订购在瓷器仓库中装配的包裹,或者可以发送
474coupons to be redeemed for goods in kind in china and in my research i was able to pin together在瓷器和我的研究中, 我能够拼凑在一起
475on both sides of the border so customs archives in china and then hong kong postal archives in边疆两侧的海关档案 包括中国的海关档案
476hong kong to show how much was sent what kinds of materials were sent and packages of course洪刚,要说明送了多少,送了多少材料,当然还有包裹
477are not the only ways in which objects go into china things are carried across the border by并非物品进入瓷器的唯一方式 物品被运过边境
478visitors including overseas chinese and sometimes these outside objects find their ways into chinese包括海外中国人在内的游客,有时这些外来物体会发现自己是中国人
479markets either because visitors are reselling them or because businesses are actually going市场要么是游客转售 要么是因为生意正在发展
480to custom stations and buying them for resale so shanghai department stores may be going to因此上海百货公司可能要转售
481customs posts in guangdong and buying things and these objects then end up in shanghai department在广东的海关关卡和买东西 和这些物品最后在上海省
482stores one of the things i suggest in my uh in my chapter is that these objects formed a kind of我在我的篇章中建议的东西之一是 这些物体形成了一种
483material propaganda one of the really interesting things about these two pound small packets材料宣传 真正有趣的事情之一 关于这两磅的小包
484is they're not allowed to include any kind of written material so you couldn't include a他们不允许包含任何类型的书面材料 所以你不能包含一个
485the only thing you could include is an inventory so the receiver would know what's sent你唯一能包括的就是盘点一下 以便接收者知道寄来的是什么
486so in some ways people have to express their feelings and concern through things rather than因此,在某些方面,人们不得不通过事物表达他们的感情和关切,而不是
487words and that's one of the main concerns of material culture history how can we understand语言,这是物质文化历史的主要关注之一 我们如何理解
488something through the object alone when we don't have any words to describe it and beyond this当我们没有任何文字来描述它 和它之外的东西
489material expression from relatives and friends the appearance of these outside commodities also act亲朋好友对外部商品的表象也起到了作用
490as a counter propaganda so against the idea that hong kong and other capitalist societies were作为反面宣传,反对弘功和其他资本主义社会
491terrible places here were necessary and sometimes critical goods like food and medicine that were可怕的地方是必需的,有时是关键的东西 比如食物和药品,曾经是
492coming from outside and let me give you a couple of examples to close this out um from the from从外面过来 让我举几个例子 来结束这一切
493the chapter i begin my essay with an incident that happens in 1962 when a train from shenzhen1962年深圳的火车 发生了一起事件
494pulls into the guangzhou station a shipment of two pound small packets is being unloaded and all运入广州站的两磅小货包正在卸货
495sudden a group of people rushes forward to try to steal them and the police fire at the crowd突然一群人冲过来想偷东西 警察朝人群开枪
496this is observed by a small packet middleman and that's how it gets recorded in the hong kong这被一个小包的中间人观察到了, 这就是它如何被记录在洪口
497intelligence file so this brings up all kinds of issues this one piece of archival evidence情报档案,这引起了各种各样的问题 这个档案证据
498people knew about small packets they were motivated to try to steal them and it was人们知道一些小包裹 他们的动机是试图偷它们,这是
499became a political issue and that's how it ends up in hong kong intelligence records成了一个政治问题, 事情就是这样在香港的情报记录中结束的
500one of the things just by way of conclusions that i found really fascinating about this research其中一件事只是通过结论 我发现真正迷人的 这项研究
501is the way in which packages could be a barometer of conditions in china so in times of scarcity and包件可以成为瓷器条件的晴雨表 从而在稀缺时期
502even famine the number of packages soared the contents also reflected this what the shortages即使是饥荒, 包裹的数量也猛增 内容也反映了 短缺的原因
503were and where they were after the famine for example the balance of the packets shifts from饥荒后他们在哪里,例如,这些包的平衡从
504food back to cotton and finally i think the phenomenon of small packets shows how people食物回到棉花,最后我觉得小包的现象 显示人们如何
505on the street knew what was happening in china sometimes when i lecture about the great leap在街上,我有时会说大跃进时 就知道中国发生了什么
506to undergraduate classes at yale and elsewhere people the students will ask you know did people到耶鲁和其他地方的本科班 学生会问你知道的人
507on the outside know and i think this small packed phenomenon shows how ordinary people did know about外面的人知道这个小现象 说明普通人知道
508privation and famine on the mainland and how they may have known even northern officials did大陆的贫困与饥荒, 以及他们如何知道 即使是北方官员
509and they responded to changes in policy in what was needed and what was allowed faster than the他们回应了政策变化 需要和允许的比
510hong kong postal officials or even the government did so i think this is really speaks to what i'm香港邮政官员,甚至政府都这么做了 我觉得这真的能说明我是什么
511interested in which is how grassroots society experienced political change i think now it's关心的是基层社会是如何经历政治变革的,我想现在是
512jen will tell you about her chapter thank you denise so as in denise denise's case and as inJen会告诉你她的篇章 谢谢你的赞美 在Denise的案子里
513the case of many of our contributors my chapter was sort of part of a bigger project i was developing我们的很多贡献者... ...我的分会是... ...一个更大的项目的一部分...
514at the time and a segue into thinking about the history of furniture and everyday life and i was当时我开始思考家具和日常生活的历史
515lots of interesting materials that i was trying to sort of make sense of and bamboo was one of them很多有趣的材料,我试图 排序与合理 竹子是其中之一
516and i'm sure we are all in the interest of time i'm not going to ask who actually has bamboo我确信我们都是为时间着想 我不会问到底谁有竹子
517objects at home but i suspect many of us do and i'm sure we're all very familiar with the world家里的物体 但我怀疑我们很多人都这样做 我相信我们都非常熟悉这个世界
518of bamboo objects in china and i think it's fair to say that bamboo really is everywhere说竹子真的无处不在
519in architecture in construction in fine arts in applied arts in food culture食品文化应用艺术中的美术建筑
520and of course also in everyday objects of use so think bamboo chairs bamboo stools other kinds当然,在日常用品中也一样 所以认为竹椅竹凳 其他种类
521of furniture made of bamboo baskets steamers chopsticks is an entire world entirely made用竹篮做成的家具 蒸汽机 筷子 是一个完全世界
522of bamboo it is an incredibly versatile material but it is particularly these everyday bamboo竹子是超多功能的材料 特别是这些日常的竹子
523objects that interested me most i could find them in lots of different posters and photos and我从很多不同的海报和照片中找到最感兴趣的东西
524memoirs in lots of different archival materials of the era talking about bamboo very much as回忆录在很多不同档案资料中 谈论竹子的时代,就像
525sort of a material next to wood and wood is famously a material in great shortage during木头和木头旁边的某种材料 著名的是,在木材和木头旁边的某种材料
526the people's republic of china because wood is needed for all these major industrial projects由于所有这些重大工业项目都需要木材,
527and so bamboo is this material that often gets presented as the local material the versatile所以竹子是这种材料 经常被呈现为当地的材料 多功能
528the material that might actually be able to do much much more even than it already is doing at甚至可能比它已经做的更多
529the time so in other words the sources suggested very clearly that these kinds of bamboo objects换句话说 来源非常明确地表明 这些竹子物体
530were important on only two chinese history sort of in the long term and they'd been around well从长远来看,只有两条中国历史很重要,而且它们一直很好
531before the foundation of the people's republic of china but they were also important somehow to the在中国人民共和国成立之前,
532so much like other objects these bamboo objects of you seem to tell stories of scarcity and像其他物体一样 这些竹子物体你似乎 讲述了稀缺的故事
533abundance which we mentioned multiple times already but there was also something to the我们多次提到富足的问题,但也有一些
534material of bamboo itself all the publications the images the reports i was looking at put竹子本身的材质 所有出版物 我所看到的报告的图像
535enormous weight on the importance of doing things with bamboo on making with bamboo of transforming对用竹子做事情的重要性 有着巨大的影响力
536the material and bamboo into bamboo objects in other words it wasn't so much just the object so材料和竹子变成竹子 换句话说,它不是那么简单
537this is not a matter of advertising the objects but very much the entire media world is all about这不是广告对象的问题 但整个媒体世界都是如此
538how working with bamboo should become part of revolutionary transformation and that aspect i与竹子合作应该如何成为革命性变革的一部分,这一方面 I
539found very interesting so in my chapter i look at three different examples of bamboo as a promise很有趣,所以在我的章节里 我观察三个不同的竹子例子 作为承诺
540as a material promise of revolutionary transformation and i've given you three different作为革命变革的物质承诺 我给了你三个不同的
541images here and i'll talk you through them shortly so the first is the story of a图像在这里,我会告诉你 通过它们很快,所以第一个是故事 一个
542revolutionary model Zhang Shuiquan from Hubei province who was a rural bamboo artisan born in革命模范 湖北省张水泉 农村竹匠出身
5431892 so this is a picture from a booklet telling his story as a model to the story on the left1892年,这张照片从一本小册子上 讲述他的故事,作为模特到左边的故事
544hand side where he talks to apprentices and is educating apprentices after 19491949年后他和学徒谈话并教育学徒的手边
545and what made Zhang extraordinary and important to the Chinese Communist Party's project of trying何以让张超凡出众,对中共的试办计划很重要
546to make bamboo working with bamboo part of revolutionary work was that he had managed使竹子与竹子一起工作 成为革命工作的一部分 他已经管理了
547before 1949 to make affordable exquisite bamboo furniture of the style of the design and of the1949年以前,制造出设计风格和
548quality and durability usually reserved for the rich in other words working with the material he质量和耐久性通常保留给富人,换句话说,用他的材料工作
549the potential of bamboo to be both beautiful and available to the masses and so this becomes a竹子既美丽又可供大众使用的潜力 所以这变成了一种
550major part of the story told about Zhang Shuiquan as well as of his objects and this then becomes a大部分关于张水泉的故事 以及他的物品
551model commune in the mid 1950s he died in 1962 so quite soon after 1949 fairly soon after 194920世纪50年代中期的模范公社 他于1962年去世 1949年之后不久
552now the second example i look at in my chapter is that of the Fuzhou bamboo craft experimental现在,我在本章中看到的第二个例子是福州竹制工艺实验
553factory a factory set up in 1958 in Fuzhou and it closed in 1969 it was established by1958年在福州设立工厂,1969年关闭,由福建建厂公司成立.
554a group of artisans to experiment with ways to turn cheap bamboo into durable attractive furniture一群工匠尝试如何把廉价的竹子变成耐用的有吸引力的家具
555for mass production in fact they actually end up exhibiting in Beijing and making bamboo furniture事实上,它们最终会在北京展出 并制作竹家具
556for Zhongnanhai in 1960 as well so they become quite well known even if they're only actually in1960年的"中南海报" 也因此他们变得相当知名 即便他们实际上
557producing for 11 years and they have this and this is for historians of design of interest11年来,他们有这个 这个是历史学家 设计的兴趣
558they try to pioneer what they call revolutionary methods and in many ways they are revolutionary他们试图开拓他们所谓的革命方法,在许多方面他们都是革命者
559of collective design work of bringing people who make plans for objects together with the artisans集体设计工作,将那些为物体制定计划的人与工匠们结合起来
560together with the material experts in a collective form of design work from the start of the material与材料专家一起,从材料开始以集体形式进行设计工作
561to the finished product and then my third example is the one that Denise mentioned我第三个例子是丹尼丝提到的
562when she briefly touched on my chapter early on which is that of do-it-yourself guides for bamboo刚才她简短地提到我的一章 章子上写着"竹子自导自演"
563work which were published widely across China during the Mao era and you have two examples here毛泽东时代在中国各地广泛出版的作品 这里有两个例子
564to the right of the picture of Zhang Shuiquan one from a 1970 i think it's 1972 leaflet从1970年的张水泉的照片右转 我想是1972年的传单
565{\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}还有我发现有趣的是 {\fn黑体\fs22\bord1\shad0\3aHBE\4aH00\fscx67\fscy66\2cHFFFFFF\3cH808080}我对竹子很感兴趣
566these materials is that they explained how to do work with bamboo how to make objects of use out这些材料是,他们解释 如何与竹子一起工作 如何制造使用对象
567of bamboo how to care for bamboo forests trying to explain to people that bamboo was very much如何照顾竹林 试图向人们解释 竹子是非常
568they shouldn't see it as something distant but very much something part of their lives and something他们不应该把它看成遥远的东西 但很多时候他们生活的一部分
569they should be looking after a resource to look after and the idea was that people could make他们应该照顾 资源来照顾, 想法是 人们可以做
570their own objects though in the end very often and that's an interesting contradiction here他们自己的物品,虽然最后经常出现,这在这里是一个有趣的矛盾
571they presume far too much prior knowledge for the average lay person so there's a contradiction here他们认为对普通的外行来说 知识太早了 所以这里有矛盾
572between expert knowledge being made accessible disseminated to the wider population and this将专家知识传播到广大民众之间,以及
573question what kind of skills do you actually need to make things so one of the arguments i想知道你到底需要什么样的技能 才能把事情做成这样
574tried to make is that the material bamboo was clearly local it was chinese but in itself it试图制造的是,物质的竹子 显然是局部的 它是中国的,但是它本身
575not necessarily socialist we often think about i think actually socialist what makes an object不一定是社会主义 我们经常思考什么是社会主义的东西
576socialist versus you know an object produced in a capitalist country and in this case what came out社会主义与你知道一个 资本主义国家制造的物体 以及在这个案例中
577quite clearly is that it was objects made of bamboo not just the material but the objects made of it很明显,它不是用竹子做的 而是用竹子做的
578that were supposed to embody socialism so that means they mediated the message so object is也就是说他们调解了信息 所以目标就是
579um that they existed only because of the ingenuity of common people using local materials to create他们的存在只是因为 普通人有智慧 使用本地材料创造
580objects that the wider population could enjoy and in this way i think bamboo was what i call更广大的人可以享受的物体 我认为竹子就是我所说的
581a hinge material bamboo objects became hinge objects because they embodied revolutionarya 支链材料竹物体成为支链物体,因为它们是革命性的
582material and revolutionary potential and people's existing talents that with the help of the party在党的帮助下,物质和革命潜力以及人民的现有才能
583new china could be unlocked to turn bamboo into material that could serve the people in a socialist新的瓷器可以解锁 将竹子变成为社会主义人民服务的材料
584future so they link past and present in these very particular ways yet and this brings me to未来,所以它们以这些特别的方式 将过去和现在联系起来
585the conclusion at all times there was a push and pull between bamboo's promise of plenty在竹子的丰产承诺之间 一直有推力和拉力
586and the fact that it was the material to fall back on in times of hardship and that that remained而在困难时期 物质会倒塌 而这仍然是
587throughout the entire era and that was a contradiction that was never resolved整个时代的矛盾从未解决
588um so with that if we could have the last slide please嗯,这样的话,如果我们可以 有最后一个幻灯片,请
589um and say thank you very much and we very much look forward to your questions嗯,说非常谢谢你 我们非常期待你的问题
590okay thank you so much denise and jennifer um so thank you for that i i feel very much like好吧,谢谢你这么多 denise和Jennifer 嗯,所以谢谢你,我感觉非常喜欢
591this was a trip down memory lane because i feel like i'm a product of the mal era这是一次在记忆道上的旅行 因为我觉得自己是恶性时代的产物
592and i'm almost as old as the mango here unbelievably so um and i um because i was我几乎和芒果一样老了 难以置信的,所以嗯... ...
593born in the middle of the culture revolution and everything that you talked about i feel like i出生在文化革命的中间 和你谈论的一切
594could really relate to and it was starting to remind me of my childhood of deprivation这让我想起我曾经被剥夺的童年
595because back in the day is true and it's hard to believe that china was once so poor because today因为从前是真实的 很难相信瓷器曾经如此贫瘠 因为今天
596seem to have everything and once upon a time when i was growing up in china all the clothes似乎什么都有 曾经我从小在瓷器里长大 所有的衣服
597that we wore were handmade and and we i don't think we ever wore something from the store and我们穿的是手工的 而且我们不认为我们曾经穿的东西 从商店和
598maybe once a year we bought something from the store and and that so when we were leaving china也许一年一次 我们从店里买了东西 所以当我们离开瓷器时
599in 1979 we had to go to the friendship store and buy outfits that was presentable for the flight1979年,我们不得不去友情店 买衣服,这些衣服适合飞行
600we've never taken an airplane obviously before and the friendship store as you know is another我们以前没坐过飞机 友谊店也是
601relic of the mal era it's like literally across the street still right and back in the day it you邪恶时代的遗迹 就像是街对面的字面 仍然对面 回到从前
602needed a special currency in order to buy anything from the friendship store and ordinary people需要特别的货币才能从友谊店和普通人那里买到任何东西
603couldn't shop there and we could shop there because we were leaving we had passports to travel不能在那里购物 我们可以在那里购物 因为我们要离开 我们有护照可以旅行
604and i remember the things that we bought or material that we had never touched before like我记得我们买的东西 或者我们从未碰过的材料
605down jackets that we felt like was made of plastic but it's you know it's the down material shiny下夹克,我们感觉像 塑料做的,但你知道 这是下 材料闪亮
606material and everything that we were made out of cotton and so we we really did not look like物质和我们用棉花做成的一切 所以我们真的不像
607и谋眔и》狝  overseas иぃ稱
608like country bumpkins from communist china but of course when we got on the plane whatever we were就像共产党瓷器上的乡巴佬 但当然当我们上飞机时
609couldn't hide the fact that we were communist bumpkins because we threw up the whole time不能隐瞒我们是共产主义者的事实 因为我们一直呕吐
610because we never been on a plane before and it was disgusting but you know you couldn't hide you因为我们以前从没上过飞机,很恶心,但你知道你不能隐藏你
611couldn't dress your way out of that but anyway so back then i remember that my mother had to have a无法为你穿好衣服 但后来我记得我母亲必须有一个
612special outfit made and she had to go to the special store where they had a tailor to make特制服装,她不得不去 特殊商店,在那里他们 有裁缝做
613a two-piece suit because she thought that you needed to wear that in america and she's never一件两件西装 因为她认为你需要穿 在美国,她从来没有
614worn something like that before and i recently um heard from listening to hong hwang's podcast我最近听到洪焕播客的声音
615that there is a special store that did that and she had her clothes made from that store in order有个特别的店做了这个 她从那家店里做了衣服
616for her to to travel to study in the united states when she was young i never had one made for me my她年轻时去美国留学 我从未为我做过
617mother had this one made for her i don't think she ever wore it um but i've seen it in her closet妈妈给她做了这个 我想她从没穿过 但我在衣柜里见过
618and it always looked too big and too ugly for me i've never seen her wear it because in america它总是看起来太大 太丑陋对我来说 我从来没有见过她穿它,因为在美国
619she always liked to wear mini skirts and colorful things that she didn't get to wear in china but她总是喜欢穿迷你裙 和彩色的东西 她没有穿在瓷器,但
620anyway so today in honor of this event and of this mango i'm wearing my mother's jacket from the mal今天为了纪念这件事 还有芒果 我穿着我妈妈的外套
621era so yeah isn't that amazing it's a hongdu and i'm i didn't even know a hongdu is so special所以,是啊,是不是惊人 这是一个红杜,我什至不知道 红杜是如此特殊
622until i heard it from hong hwang and um so anyway i'm older than my mother was then直到我从洪焕那里听到,嗯... 所以无论如何,我比我妈大了,那时
623but history has a way of catching up to you so anyway um i tell that story as a way um to say但历史有办法追上你 所以反正... ...我讲这个故事...
624thank you for this trip down memory lane and making the everyday object matter again感谢您这次在记忆中旅行 使日常物品再次重要
625i haven't thought about those years many many years and i didn't know these little things我很久没考虑过这些年了 也不知道这些小事
626mattered but it is so true that that sometimes when you can't say it in words the things themselves但确实如此 有时候当你不能用言语 来表达事物本身
627have meaning and so thank you for um sharing that with us so i wanted to ask my first question for所以谢谢你和我们分享这些 所以我想问第一个问题
628denise and jennifer both of you is do you have a personal connection to this material and um你们有个人联系吗?
629and what led you to this particular subject matter um because i loved your pack small package story是什么让你想到这个特别的主题 因为我喜欢你的小包小故事
630and i wonder how you came across that uh material and if your family or someone you knew ever sent我想知道你是怎么发现的 呃 材料,如果你的家人或你认识的人 曾经派遣
631something because what surprised me about that story is how that was even allowed um i know that因为我对那个故事感到惊讶的是 如何允许... 我知道
632my relatives when they tried to send letters to china it wasn't allowed for many many years我亲戚想给中国寄信 好多年都不允许
633and i'm kind of surprised that the borders were so porous that you are allowed to uh send packages我有点惊讶 边界有漏洞 让你可以发包裹
634thank you denise it's great thank you so much for that question um so your question is do i have a谢谢你的问候 非常感谢你 那么你的问题是 我有一个
635personal connection to the to the research and the answer is yes um so my my parents are both个人与研究的联系 答案是肯定的 所以我的父母都是
636born in hong kong my my dad was born in 1948 my mom was born in 1951 and my dad has a story of出生于香港 我父亲出生于1948年 我妈妈出生于1951年 我爸爸有个故事
637first time he went to china was 1960 so this is the height of the great leap famine he was going他第一次去中国是在1960年 所以这是他所经历的大饥荒的高潮
638back to visit his he was going with his mom and his brother um so i guess he was um 10 12 years old回去探望他,他正和他妈妈和弟弟一起去 所以我猜他是10岁12岁
639to visit his grandfather um in guangzhou and that was his first memory of going to china as the这是他第一次记得去中国
640little boy from hong kong um and he remembers that journey in particular because his mom was香港小男孩 他特别记得那次旅程 因为他妈妈是
641detained and the reason she was detained was she was carrying a jar of uh which is a lard她被拘留的原因是 她带着一罐 呃 这是一种猪粪
642so it's a jar of lard and in the jar of lard was um a bunch of sewing machine needles and so i never所以这是一罐猪油 在猪油罐子里 是一堆缝纫机针 所以我从来没有
643knew my grandmother she died before i was born and so i never got a chance to ask her what the她知道我奶奶在我出生前就死了 所以我没机会问她
644story was and i tried asking my dad but he didn't really understand he remembered the story but he故事是,我试图问我爸 但他并不真正理解 他记得的故事,但他
645didn't know anything about um about why she carried that or what she planned to do um but i不知道她为什么带着那东西 也不知道她打算做什么
646think that at that time um i think if i put my historian's hat on then um at that time there were那时我想如果我戴上历史学家的帽子 那那时...
647sewing machines in china right american singer sewing machines and if you sew you know that缝纫机在瓷器右 美国歌手缝纫机 如果你缝合 你知道
648sewing machines break and the needles break and you need to replace them but this is a time when缝纫机断了,针也断了 你需要替换它们,但是现在
649all of the metal is being collected for the great leap forward and people don't have sewing machine所有金属都被收集起来 是为了大跃进 人们没有缝纫机
650needles so somehow my grandmother who was illiterate um knew that people needed sewing所以不知怎么的 我奶奶是文盲 嗯... 知道人们需要缝纫
651machines and this is something small that she could carry with her um and resell um to to make机器和这个小东西,她可以携带 与她的嗯,转售 um制造
652up make a little bit of money along the way and the other thing to know about lard is that when一路赚点钱 另一件关于拉氏的事情是
653it's cold then it it hardens right and you can't see what's inside um and so um my my它很冷,然后它变硬了 你看不到里面的东西,嗯,所以,嗯,我的
654grandmother was still my my grandmother was still my my grandmother was still my my grandmother was still my my外婆还是我的外婆 我的外婆还是我的外婆
655dropped and searched because she had this object on her.因为她身上有这个东西 才掉下来搜身
656And I think it was a particularly strong memory for my dad.我认为这对我爸爸来说是一个特别强烈的记忆。
657This is his first encounter with China这是他第一次与中国见面
658and his first encounter with a Chinese state.他第一次遇到一个中国国家
659And for me as a historian,作为一个历史学家,
660I think it shows how kind of this very personal story我想这说明这个故事有多私人化
661and this larger economic condition以及这一更大的经济状况
662can come together in one jar, right?一起来一个罐子,对不对?
663You have a need for sewing machine needles需要缝纫机针头
664during the Great Leap Forward.在大跃进时期
665You can't have American imports into China.你不能让美国进口到中国
666And somehow this person knows that she could bring this in.不知何故,这个人知道 她可以带来这个。
667And then what was going to happen to the lard,然后会发生什么 猪肉,
668I think it would properly be consumed.我认为它应该被消耗掉
669And you were allowed to bring in items你被允许携带物品
670for your own personal consumption,你个人消费,
671including food and grain.包括粮食和谷物。
672Because one of the problems,因为其中一个问题
673as you may know from this period,如你所知 从这一时期,
674is that China is under a ration system是中国实行配给制
675and you need ration coupons to buy,你需要购买配给券
676to salt and oil and grain.至盐、油、谷。
677And so if you have visitors, there were exceptions.所以,如果你有访客, 有例外。
678So visitors could apply to get special ration coupons.因此访客可以申请获得特殊的配给券.
679But if you're going to visit your family,但如果你要去探亲
680you needed, they need to be able to provide food for you.你需要,他们需要 能够为你提供食物。
681So oftentimes people would carry in their own food.所以人们常常会带着自己的食物。
682So this is indeed a story of这确实是个故事
683how this personal and political and economic,如何是个人,政治,经济,
684Cold War embargo all comes together in one object冷战禁运都集中在一个目标上
685that my family was carrying across the border我的家人背负着跨越边境
686from Hong Kong to China in 1960.1960年从香港到中国.
687Great, Jennifer, do you have any story to share?太好了,珍妮弗,你有故事要分享吗?
688Not quite at the Hong Kong border,不是在香港边境
689but in many ways, and I think this is what Denise and I但在许多方面, 我认为这就是 丹尼斯和我
690found quite fascinating.发现相当迷人。
691So I grew up in what was still divided Germany.所以我在当时仍然分裂的德国长大。
692And my mother is American我母亲是美国人
693and we certainly didn't have the money to fly to the US我们当然没有钱飞到美国
694more than I think two or three times比我想的多两三次
695before my grandmother passed away in the 1990s.在我祖母于1990年代去世之前
696And so in a way, care packages,所以从某种意义上说, 护理包,
697both across the German-German border,都跨越德德边境
698as well as goods going across the German-German border,以及穿越德德边境的货物,
699as well as care packages coming out of the US,以及从美国来的护理包,
700very much meant that when I grew up,我长大以后
701things came in parcels包裹里有东西
702and special things came in parcels和特殊的东西 包裹
703or were passed on to other people或者被传给别人
704and friends and relatives.还有朋友和亲戚
705And so in many ways, when I was starting to look at China在许多方面, 当我开始看中国时
706and I was starting to ask, well, where are certain things?我开始问,嗯, 哪里是某些东西?
707So this is also how I came to everyday goods,所以,这也是为什么我来到 日常用品,
708like furniture.像家具一样
709I found it so interesting that when it comes to the history我发现它是如此有趣 当它涉及到历史
710of West and East Germany,西德和东德
711there's an incredibly rich flourishing literature有一种令人难以置信的丰富 繁荣的文学
712on its material culture,关于其物质文化,
713expecting that, yes, even if it was a state socialist country,期待,是的,即使它是一个国家社会主义国家,
714it was kind of still in the West.它有点在西方。
715And hence, slowly after these questions因此,在这些问题之后慢慢地
716were asked for Western Europe,他们要求西欧,
717or what we call Western Europe,或者我们所说的西欧,
718which in many ways is a Cold War construct,这在很多方面是 冷战构造,
719the next question then was what happened in Eastern Europe接下来的问题是东欧发生了什么
720and the Soviet Union.和苏联。
721And I was fascinated that these questions我着迷于这些问题
722seldom extended to China and East Asia and Southeast Asia,很少扩大到中国、东亚和东南亚,
723all of which are countries with enormous experience所有这些国家都有丰富的经验
724of being governed by a communist party,被共产主义政党统治,
725of trying to build a socialist society.努力建设一个社会主义社会。
726And in many ways, and this is an important part of the story在很多方面,这是故事的重要部分
727of trying to be sovereign, self-sufficient,想成为自主的、自足的,
728socialist societies, decolonized socialist societies.社会主义社会,社会主义社会的非殖民化.
729And that voice was missing那个声音不见了
730and it was largely drowned in the,它几乎被淹死,
731well, people didn't have much, China was poor,人们没有太多,中国很穷
732so we don't need to tell the story.所以我们不需要讲这个故事。
733And I think this is where the personal connection for me我觉得这就是我的个人联系
734of having seen life across borders, it just struck me,看到生命跨越国界, 它刚刚袭击了我,
735why would one set of countries get to tell that story为什么一群国家会说出这个故事
736and not another?而不是另一个?
737Great, I hope you're all thinking of questions.太好了,我希望你们都在想问题
738I have a few more.我还有些
739One thing I'm curious about is what was the most difficult我好奇的是 最困难的是什么
740thing about doing this kind of research since,关于做这种研究,因为,
741it seems like everyday objects are also rather sensitive好像日常物品也相当敏感
742in terms of that time period, Denise and both of you.就这段时间而言 丹妮丝和你们两个
743Denise, I'm happy to start this.丹妮丝,我很高兴开始
744Sure, go ahead.当然,去吧。
745Actually, of course, some topics very much are sensitive其实,当然,有些话题很敏感
746in some time periods, but in terms of looking在某些时期,但从寻找
747at everyday objects, the story of material culture在日常物品, 物质文化的故事
748during this historical period,在这个历史时期,
749I found enormous amounts of materials.我发现大量的材料。
750I was able to talk to a lot of people我和很多人谈过了
751and it didn't seem quite as sensitive, at least in my case,但至少就我而言 似乎没有那么敏感
752Denise's might have been different.丹妮丝可能不一样
753I worked in the Fujian Provincial Archives.曾在福建省档案馆工作.
754I worked in other archives and this material,我在其他档案室工作过 还有这些材料
755and this was not, it wasn't the archivists actually were,这不是,不是档案员实际上是,
756they were actually really interested他们其实真的很感兴趣
757in the sort of things I was finding那种我发现的东西
758and in the stories I was hoping to tell在故事中,我想告诉
759because they said, well, this is a huge part,因为他们说,嗯, 这是一个巨大的部分,
760as you said, Tintin, this is a huge part of our experience正如你说的 丁丁 这是我们经验的一大部分
761of the way we grew up and these things mattered so much我们成长的方式 和这些事情如此重要
762to us, it is nice to see them being also discussed对我们来说,很高兴看到他们也得到讨论
763(原始内容存档于2018-09-21). by histors.
764And I think there's actually a really growing field并且我认为,实际上 有一个真正的增长的领域
765of material culture and design studies材料文化和设计研究
766and studies of everyday objects, such as for instance,研究日常物品,例如,
767there's a wonderful museum by Shen Yu,有沈雨的博物馆
768Professor Shen Yu and Shanghai,沈雨和上海教授
769the Shanghai Industrial Design Museum and many others上海工业设计博物馆等
770that are starting to show the objects开始显示对象
771and tell this history through the objects然后通过对象来描述历史
772as opposed to the more perhaps more standard historical而不是比较标准的历史
773narratives that have dominated so far.至今一直占主导地位的叙述。
774Denise has a question.丹妮丝有个问题
775I have not given this talk in China yet,我还没有在华演讲
776so I'm not sure how it might be received.所以我不知道怎么收到这个信
777I do think, I think there are different ways我觉得有不同的方式
778to slice this question.要切开这个问题。
779One of them is to think about how politically sensitive其中之一是思考政治敏感性
780these objects were in their time.这些物体是在其时代。
781And I think that the answer you had asked this我想你问的答案
782in your initial remarks, Jingjing was,在你最初的评论中,静静是,
783how was this even allowed?怎么会这样?
784And I think it was allowed in the margins.我认为它是允许在边缘。
785So this phenomenon of outside optics going to China所以这种外光学到中国的现象
786was allowed because in most periods,被允许,因为在大多数情况下,
787the Chinese state was interested in cultivating ties中华民国曾有意培养关系
788with overseas Chinese.与海外华人.
789You wanted to show that relatives in China你想给中国的亲戚看
790were being taken care of, that they were flourishing.正在被照顾, 他们正在繁荣。
791So even though sometimes you look at the documents所以,尽管有时你看看文件
792and they say there's a package struggle,他们说有 一揽子斗争,
793but we still need to take care of people但我们还是需要照顾人
794with overseas Chinese relatives.与海外华侨亲属.
795So there is the overseas,因此,有海外,
796there's kind of the United Front perspective有种联合阵线的观点
797of cultivating ties with overseas Chinese.与海外华人建立联系
798And there's also just the sheer economic necessity还有纯粹的经济需要
799of needing these objects.需要这些物体。
800If you look at, for example, the customs gazetteer以海关地名录为例
801from the 1990s, which describes things coming in and out从1990年代开始,它描述的东西进出
802of China over time, in certain periods中国历经一段时间
803when pharmaceuticals were scarce,当药品短缺的时候,
804they were not being manufactured in China,在中国不是制造的
805customs officials did look the other way.海关官员的确视而不见。
806And Philip Tai in his book on smuggling菲利普・泰在他的书 关于走私
807shows how the Chinese leaders,向中国领导人展示
808including people like Zhou Enlai,包括周恩来这样的人
809would encourage the smuggling of certain objects将鼓励走私某些物品;
810that were needed in industrial production,工业生产需要,
811like tungsten for cutting for blades像是砍刀用的钨
812that you need in manufacturing.在制造业你需要的。
813So this kind of hard ideological limit所以这种思想上的硬限制
814that we think of as the border我们把边界视为
815does have its porosity.确实有它的孔隙。
816Now, of course, when you get to periods现在,当然,当你到达时
817like the Cultural Revolution, for example,比如说文化大革命
818these things can go out the window.这些东西可以从窗户出去
819And if you look at Hong Kong newspapers in this period,如果你在这个时期看香港的报纸
820you might see reports that say things like,你可能会看到报道说,
821people are telling their relatives not to send them packages人们告诉亲戚不要寄包裹
822so that they won't get in trouble with the authorities.以免他们惹上当局的麻烦
823So I think there's an ebb and flow of these packages,所以,我认为有 ebb和流这些包,
824which is precisely what made it interesting to me这正是让我感兴趣的
825as a historian, because I think they can serve作为一个历史学家, 因为我认为他们可以服务
826as a best barometer for not only economic conditions作为最佳气压计 不仅是经济条件
827in China, but political conditions in China as well.在中国,但中国的政治条件也是如此。
828In the course of doing my research,在我的研究过程中
829I don't think I ran into huge problems,我不认为我遇到了大问题,
830but a lot of the material that I'm looking at但我看到的很多材料
831is in Hong Kong.是在香港。 。 。
832In some ways, looking at customs, excuse me,在某些方面,看看海关,对不起
833customs documents or postal documents海关文件或邮政文件
834may seem actually very boring.可能看起来很无聊
835But one of the wonderful things about material culture,但关于物质文化的美妙之处之一
836I think, is that you can take these我想,这是你可以拿这些
837seemingly ordinary and quotidian objects看上去很普通和典型的物体
838and tease out intensely personal and intimate和挑逗 强烈的个人和亲密
839and also political stories as well.还有政治故事
840Great, so one of the chapters that fascinated me好极了,让我着迷的章节之一
841was about the Cold War Motor City.是关于冷战时期的汽车城
842And it reminded me of the movie, Oppenheimer.这让我想起了这部电影 奥本海默
843I don't know if you all have seen it.我不知道你们有没有看过
844So there's this movie where they built the Los Alamos, right?所以有一部电影 他们建造洛斯阿拉莫斯,对不对?
845And then, but the first thing they did然后,但他们做的第一件事
846was to build schools and homes是建造学校和住宅
847and make sure the wives and the families all could live there确保妻子和家人都在那里生活
848so that the scientists could stay there.以便科学家可以呆在那里。
849And in this piece, in this chapter,在这部作品中 在本章中
850is the extreme opposite.绝对相反。
851They're like, build the factory first,他们喜欢,先建造工厂,
852build housing later.晚点再建住房
853And so all these scientists, or not scientists,所以所有这些科学家,或者不是科学家,
854workers came and they didn't even have a place to sleep.工人来了,他们甚至没有地方睡觉。
855And so there was no food, there was nothing,所以没有食物,什么都没有
856there was like a desert, and they had to build那里就像沙漠 他们不得不建造
857what it's like, tens of thousands of trucks.怎么样,几万辆卡车。
858They didn't have the technology.他们没有技术
859And then there was a picture that you shared还有一张你分享的照片
860from that chapter where the workers are using hammers工人们使用锤子的那一章
861to build trucks.建造卡车。
862Anyway, they didn't have the technology or the means.无论如何,他们没有技术或手段。
863So can you talk a little bit about that piece所以,你可以谈一点点 关于这个作品
864and how that talks about, that represents as an example和如何谈论, 这是一个例子
865of the contradictions of that period of insecurity.与那个不安全时期的矛盾。
866And then, and yet, it's so blatantly obvious然后,然而,它是如此明显
867that they have seemed to show no concern for the workers.他们似乎不关心工人。
868I don't know, either of you who?我不知道,你们是谁?
869I think we're trying to coordinate,我想我们正在努力协调
870and it turns out to be a little difficult to coordinate结果很难协调
871who says what in the Q&A process.谁说在QQA过程中。
872But I can maybe start, if you like, Denise.但我可以开始,如果你喜欢,丹尼丝。
873And I think we were quite excited to get this chapter.我想我们很兴奋地得到了这个章节。
874Cavell Masegans is also the author of a book卡维尔·马塞根斯也是一本书的作者
875on the Third Front in China, which is a,在中国第三战线,这是一个,
876which was a major, sort of a major project这是一个重大的项目
877to industrialize part of China's inland provinces.实现中国部分内陆省份产业化.
878Many of you will have heard about it.你们中的许多人将听说这件事。
879It was kept very secret during the Cultural Revolution文化大革命期间一直保密
880even after, but now it's much better known.即使在之后,但现在它更 众所周知。
881And so I think in part, this project came out所以我想,部分地,这个项目出来了
882of Cavell's other research where he engages also卡维尔的其他研究中他也参与了
883with what the author of Building for Oil,以油楼的作者,
884which is wholly has written about,这部经是彻头彻尾的,
885namely this idea of industrialization即这种工业化思想
886without urbanization.没有城市化。
887And it really was quite telling,这真的很说明问题
888because you do have in the 1950s,因为你在20世纪50年代确实有
889if you look at other industrial projects,如果你看看其他工业项目,
890you do have the classic setup你有经典的设定
891of making housing next to the factory.在工厂旁边建造住房。
892But something in the case of the motor city但对于汽车城来说
893that Cavell talks about, this had been inverted.卡维尔说的,这是颠倒的
894And the emphasis was on getting actual production running,重点是实际生产
895and then making, doing everyday life.然后制造, 做日常生活。
896Also as a way, well, it was presented作为方法,它被提出
897as a way of showing revolutionary fervor.以示革命热情
898So I think this is very much a specific historical moment所以我觉得这是一个非常特殊的历史时刻
899when what had happened during the 1950s,1950年代发生的事
900which was much more the kind of construction process更像是建造过程
901that we might be familiar with,也许我们熟悉,
902had actually been inverted to the point of saying,其实是颠倒到说
903actually people can make their own huts.实际上人们可以自己做小屋
904They can do without most things他们可以做很多事情
905because they have this revolutionary fervor因为他们有革命性的热情
906to create transformation out of very, very little.创造出很小的转变
907If I could add onto that for a moment,如果我能再补充一下,
908I think two other threads are worth pulling out from this.我觉得还有两条线值得抽出来
909One of them is about the militarization of everyday life其中之一就是日常生活的军事化
910in Chinese society, in the Mao period.在中国社会,毛泽东时期.
911So that this, I think the ethos所以,我认为,这种特质
912of the Cold War motor city workers,冷战时期的汽车城市工人,
913the third front workers was really第三个前卫是真正的
914to make this extreme sacrifice来作出这种极端的牺牲
915in order to build the factory,为了建造工厂,
916to build the urban out of the rural.以建设城市出农村.
917And then the other thread that I think is worth pulling on然后另一条线 我认为值得拉
918is thinking about the legacy of all of this,考虑这一切的遗产,
919which is something we haven't had a chance to talk about.这是我们没有机会谈的事
920The third front soldiers are then after the Mao period,第三个前锋在毛时期之后
921they're some of the people他们是一些人
922who go and build the city of Shenzhen谁去建设深圳市
923out of almost nothing as well.几乎一无所有
924This is something that the historian Taomo Zhou这是历史学家周涛友的作品
925has written about third front soldiers已经写了第三个前锋士兵
926then go to Shenzhen and build a city there,然后去深圳建个城市
927bringing with them that spirit of sacrifice and struggle带给他们牺牲和斗争的精神
928and building your own housing and living on very little建造自己的住房,生活于极少数
929in order to create the urban miracles为了创造城市奇迹
930of China's reform era.中国改革时代大事记.
931Okay, I have one or maybe two more questions好吧,我还有一个或两个问题
932so you all think of your questions,所以你们都考虑一下自己的问题
933but I have to ask about food and what happened但我要问食物和发生了什么事
934to the restaurants and the businesses that they destroyed.他们摧毁的餐馆和企业。
935In the book you mentioned two,在你提到的书中,两,
936one is Liu Biju and one is Donglai Shui.一是刘双儒,一是东来水.
937And these are two very local and famous brands这是两个非常本地和著名的品牌
938for Chinese Beijing residents.为中国北京居民服务.
939And how do they, can you just tell the audience他们怎么跟观众说?
940a little bit more about how they destroyed the restaurant更多关于他们如何摧毁餐厅的
941and because of the supply chain issues和因为供应链问题
942and then how they destroyed the preserved vegetables.然后他们怎样毁坏了保存下来的蔬菜。
943And I guess my question is how,我想我的问题是如何
944these are the two names that we are familiar with,这是我们熟悉的两个名字,
945but many, many, many traditions were destroyed,但许多,许多,许多传统被摧毁,
946restaurants were destroyed.餐馆被毁。
947Like when I was growing up, there were no restaurants.就像我长大的时候 没有餐馆
948They just make your own food and there are no restaurants.他们只是做你自己的食物,没有餐馆。
949And so, but there's a long tradition of food所以,但有一个很长的传统的食物
950obviously in China.很明显在中国
951And then I always wondered how did the Chinese people我总是在想中国人是怎么做到的
952pick it back up after like 20 years of,20年后再捡回来
953destroying like a whole generation of memories摧毁像一代人的记忆
954about how to make something so detailed如何让事情如此详细
955and like preserved vegetables or the,喜欢保存的蔬菜,
956whatever the sauce they used for the lamb.不管他们用什么调味料做羊肉
957But so can you say more about how that was destroyed但是,你可以多说 如何摧毁
958and how that contradicts with the idea和如何与这个想法相矛盾
959that socialism is supposed to improve people's lives?社会主义应该改善人们的生活?
960Whereas in fact, not only are they starving,事实上,他们不仅在挨饿,
961they lost all their traditions as well.他们也失去了所有的传统。
962Thank you.谢谢
963Thank you so much for that.非常感谢
964Jen, I can start.珍,我可以开始。
965So it's really fascinating.所以这真的很有趣。
966You're talking about Madeleine Dong's chapter你说的是马德琳·董的篇章
967on nationalizing these restaurants将餐厅国有化
968and food companies in Beijing in the 1950s.以及1950年代北京的食品公司.
969One of the things that she shows is,她展示的其中一件事是,
970one of the things she engages with她参与其中的一件事
971and one of the things that historians和历史学家的一件事
972are really interested in is what happens to craft真正感兴趣的是 如何发生在工艺
973if we think about food manufacture如果我们想到食品制造
974and these traditional crafts,和这些传统工艺,
975of manufacture during the socialist period社会主义时期的制造
976when the imperative is to produce,当必须产生,
977to produce more, to produce more cheaply.生产更多,生产更廉价。
978And sadly, she shows the ways in which the incentives可悲的是,她展示了激励的方式
979work against the preservation of craft.从事反对保护船只的工作。
980So for example, certain kinds of vegetables比如说,某些种类的蔬菜
981that grow the fastest are the ones成长最快的是那些
982that farmers are incentivized to grow,激励农民成长,
983like leafy vegetables, for example,譬如叶子般的蔬菜,
984whereas eggplant and certain kinds of garlic而茄子和某种蒜类
985that take longer, people just don't wanna grow them anymore这需要更长的时间, 人们只是不想再种植他们
986because they're not incentivized to do so.因为他们没有这样做的动力。
987The other thing she goes in to explore还有一件事她去探索
988is the structure of the factory or the workshop.是工厂或车间的结构。
989So if artisans and ordinary workers are paid the same,所以如果工匠和普通工人得到同样的报酬,
990nobody wants to become the chief artisan anymore现在没人想当首席工匠了
991because there's no incentive to do so,因为没有动力这样做,
992or there's a certain kind of pickle或有一种腌菜
993that needs to be stirred for 24 hours a day,需要一天24小时
994and nobody wants to stir those pickles for 24 hours a day一天24小时都没人想搅泡菜
995if there's a limited number of working hours.如果工作时间有限的话。
996So one of the things she explores is to show所以她探索的一件事就是展示
997how the economic incentives turn into经济激励机制如何转化为
998a not very good tasting product in the end.一种不好的品尝 最终。
999And so when people are wondering,所以当人们想知道,
1000why doesn't it taste the same?为什么味道不一样?
1001It's actually because of socialist transformation.这实际上是社会主义改造的结果.
1002Thanks, Denise.谢谢,丹妮丝
1003What I might add to this,我还可以补充一点
1004and Madeleine's chapter really made me think about,玛德琳的章节让我想起
1005and this is also partly my students这也是我的学生
1006who are making me think about this,谁让我想到这一点,
1007the global history of food in the 20th century二十世纪全球粮食史
1008and the whole world.和整个世界。
1009So our chapter, this chapter is very much about,因此,我们的章节, 本章是非常关于,
1010of course, China, but if we think about当然,中国,但如果我们考虑
1011the mid-century globally,中世纪全球,
1012and that includes places like the US,包括美国这样的地方
1013it includes places like Europe,包括欧洲等地
1014there's this drive to try and standardize food,有这个驱动 尝试和标准化的食物,
1015much like trying to standardize just about everything就像把一切标准化一样
1016as a way of making it available to a broader set of people,作为向更广泛的人民提供这一工具的一种方式,
1017creating food stability,创造粮食,
1018trying to ensure that a growing population,试图确保人口的增长,
1019and this is, of course, the era of huge worries这当然是大烦恼的时代
1020about population growth globally,关于全球人口增长,
1021trying to ensure that a population is fed.试图确保人口得到食物。
1022If we think in the US,如果我们在美国思考
1023this starts to be the moment of things like Monsanto,这开始像孟山都一样
1024grain standardizations.谷物标准化。
1025It is exactly what Denise talked about,这正是丹妮丝说的
1026certain kinds of garlics no longer get planted,某些种类的大蒜 不再被种植,
1027while in Europe, certain kinds of apples在欧洲, 某些种类的苹果
1028no longer get planted,不再被栽赃
1029so we actually get very specific,因此,我们得到了非常具体,
1030standardized kinds of apples and food products苹果和食品的标准化种类
1031in an attempt to feed a very large group试图喂养一个非常大的群体
1032of a very large world population.人口众多
1033And so my question is a little bit,所以我的问题有点小
1034and I find it's fascinating我觉得很迷人
1035that this chapter addresses this in some ways.本章以某些方式述及这一点。
1036What about the story in China is particularly socialist?中国的故事特别社会主义呢?
1037What about it is about socialist transformations社会主义改造怎么办?
1038and the logic of this domestic kind of economic planning?以及这种国内经济规划的逻辑?
1039And what about it is also a process of food modernization那又怎么样 也是食品现代化的过程
1040and food standardization that then in many ways leads?和食品标准化 在许多方面导致?
1041And I remember reading this chapter我记得我读过这一章
1042and then having my mother-in-law,然后有了我的岳母,
1043who lives in a suburban village in Southwest Germany,住在德国西南部的一个郊区村庄
1044tell me when I was telling her about the chapter,告诉我,当我告诉她关于一章,
1045she said, oh, but we had that as well here她说,哦,但是我们这里也有
1046because things no longer taste the way they did因为事情不再像他们那样
1047when I was a child.当我还是个孩子。
1048You can no longer get all of these things.你再也得不到这些东西了
1049We once had much cleaner food,我们曾经有过很多干净的食物,
1050we've had food with fewer additives.我们的食物添加剂较少
1051So I thought, well, it's really, really interesting所以我想,嗯,这是真的,真的很有趣
1052how the China historians see this sort of中国历史学家如何看待
1053within the context of socialist transformation,在社会主义改造的背景下,
1054but it is also part of this much larger story但它也是这个大故事的一部分
1055of post-war food standardization.战后粮食标准化。
1056Okay, my last question is,好吧,我最后一个问题是,
1057I asked you before when we first met,我们第一次见面之前我问你
1058why should we care about this subject matter now, right?为什么我们现在要关心这个主题?
1059Because if you remember,因为如果你记得
1060we just passed the singles day,我们刚刚过了单身一天,
1061the largest shopping day in China中国最大的购物日
1062and where the whole country is shopping整个国家都在购物
1063and you seem to be able to buy anything and everything.你似乎可以买任何东西和一切。
1064And for the young people in the audience, right?还有观众中的年轻人,对吧?
1065They can't even remember the day他们甚至不记得那天
1066when China didn't have everything当中国没有一切的时候
1067that they could possibly want as long as you have money.只要你们有钱 他们就可能想要
1068So why should we care about the past我们为什么要关心过去
1069and what can we learn from the past?我们能从过去学到什么?
1070Because like also the other thing is that因为还有一件事是
1071China now makes everything现在中国做一切
1072that everyone else wears in the world.世界上每个人都穿。
1073We're the factory of the world.我们是世界的工厂
1074And despite all the supply chain shifts尽管供应链有变化
1075and all the tensions,和所有的紧张,
1076we are still making everything for the world.我们仍在为世界创造一切。
1077And that is like unimaginable这就像难以想象
1078in the period that you were studying.在你学习期间。
1079So why should we care?那么我们为什么要在乎呢?
1080Why should the young people in particular care?年轻人为什么要特别关心?
1081Denise, I might give a first couple of ideas.丹妮丝,我或许会先考虑一下
1082Sure, go ahead.当然,去吧。
1083So one of the interesting things I think所以我觉得有趣的事情之一
1084historians of the Mao era are starting to show毛泽东时代的历史学家们开始显现
1085and Denise's example of Taomo Joe's work和丹妮丝的例子 陶莫乔的作品
1086about the continuation between the third front workers关于第三战线工人之间的延续
1087who worked during the Cultural Revolution文化大革命期间工作过的人
1088and set up these factories并建立了这些工厂
1089and then go to Shenzhen and set up cities,然后去深圳建立城市
1090is that there is so much more continuity如此多的连续性
1091across from the Mao era into the post Mao era.从毛时代到后毛时代
1092Like there had been a lot of continuity好像有很多连续性
1093from the Republican and wartime era从共和和战争时期开始
1094into the 1950s and 1960s,进入1950年代和1960年代,
1095continuities and breaks.续与断.
1096And so perhaps at the most general level,所以也许在最一般的层面上
1097knowing the past is always important知道过去总是重要的
1098for understanding the present理解现在
1099because there are a lot of things,因为有很多事情,
1100even in a country of plenty,即使在一个富裕的国家,
1101there are a lot of things, habits,有很多东西,习惯,
1102ways of working in everyday,每天工作的方式,
1103ways of treating objects perhaps处理物体的方法也许
1104where the chapters in our volumes书中各章
1105may help to explain why things are done the way they are或许可以帮助解释为什么事情会这样
1106and why things mean what they mean和为什么事情的意义 他们的意思
1107and how we may have inherited practices以及我们如何继承惯例
1108we didn't even know we inherited.我们甚至不知道 我们继承。
1109They just become sort of customary and naturalized他们只是变得习惯和归化
1110and yet they had historical moments但他们有历史时刻
1111where they first appeared.他们第一次出现的地方
1112And the other bit that I find most interesting,还有一点我觉得很有趣
1113so I've also have done some work所以我也做了点工作
1114on the 1980s and early 1990s1980年代和1990年代初
1115and at least for some time in the early 1980s,至少在1980年代初的一段时间里
1116the material changes that were coming after 19781978年以后发生的物质变化
1117were actually interpreted by many people其实是被很多人解读的
1118as finally a delivery of that socialist promise.终于实现了社会主义的诺言
1119So it wasn't so much,所以没那么多
1120it was the end of the cultural revolution这是文化大革命的结束
1121but it wasn't necessarily for people the end of socialism但不一定是社会主义的终结
1122and it was very much about building something now而现在建造的东西
1123that had very long been talked about,已经谈论了很久,
1124trying to make finally something happen.试图让事情终于发生了。
1125So I think the story of the 80s and 90s所以我认为80年代和90年代的故事
1126seeing that material plenty also in the larger看到那些物质的丰富 同时也在更大的
1127sort of across a longer arc有点过了更长的弧度
1128of talking about what material plenty might look like谈论什么材料 丰富的可能看起来像
1129is in my opinion really important.我认为这很重要
1130Denise, did you wanna add?丹妮丝,你想加吗?
1131Yes, thank you so much for that question.是的,非常感谢你的问题。
1132Two thoughts, one of them echoes what Jen just said两个想法,其中一个回响了仁刚说的话
1133about thinking about a longer arc考虑一个更长的弧
1134of modern Chinese history and continuities.中国现代历史与延续.
1135I think one of the things we really want readers我想我们真正想要读者的东西之一
1136to come away with from this volume离开这卷
1137is this idea that it's not the 1980s这个想法不是1980年代
1138that bring a revival or a new phenomenon of consumer culture带来消费者文化复兴或新现象
1139or even a revival of consumer culture甚至是消费者文化的复兴
1140from the Republican era, the time before 19491949年以前的共和时代
1141but that you have this continuous story of change,但你有一个持续的故事 变化,
1142of consumption, of using material goods消费、使用物质商品
1143and of making meaning from material goods从物质货物中产生意义
1144and consumer products and that these matter消费者产品,以及这些
1145to ordinary people and ordinary Chinese lives.对普通人和普通中国人的生活。
1146I think that's one of the many takeaways from the book.我想这是书上很多外卖之一
1147And the second thing that I wanted to conclude with还有第二件事我想说
1148is a story that we actually started the volume with.这是一个故事 我们实际上开始的音量。
1149So in the introduction to the volume,所以在卷子的介绍中
1150we talk about some materials that I found我们谈了一些我发现的材料
1151in the Stanford University has an archive斯坦福大学有档案
1152called the Hoover Institution Archive名为胡佛机构档案
1153and there's a collection within that里面还有收藏
1154called Contemporary Chinese Political Movements.被称为当代中国政治运动.
1155And I happened to find quite randomly a file我碰巧偶然找到一个文件
1156that had a collection of divorce papers.里面有一堆离婚文件
1157And so this is kind of a very poignant and intimate thing所以,这是一种 非常孔雀和亲密的东西
1158to find maybe three to five pages of the divorce papers寻找三至五页的离婚文件
1159of an ordinary worker or two workers,普通工人或两名工人,
1160a man and a woman in Tianjin who had five children.天津一男一女育有五个孩子.
1161And the papers primarily consisted of their household goods报纸主要是家庭用品
1162and how they were going to divide them.以及他们怎样分道扬镳。
1163And it was very, very ordinary things非常非常,非常普通的东西
1164like clothes hanging pole or metal wash basins,衣服挂着柱子或金属洗涤盆,
1165a table, a walk, and you have these inventory things,一个桌子,一个散步, 你有这些库存的东西,
1166one side what goes to the man一边是男人
1167and one side what goes to the woman.一边是女人
1168And I think we were able to decipher我想我们可以破译
1169from those divorce documents kind of the story从离婚文件 类似的故事
1170of how this life, this family comes together如何这个生活,这个家庭在一起
1171and then how it comes apart.然后它是如何分开的。
1172And even very intimate details like the fact甚至非常亲密的细节 类似事实
1173that the wife keeps a larger walk and the larger beds.妻子走得更远 床也更宽
1174So it means that the children who are still at school age意思是那些还学龄的孩子
1175are living with a mother.和一个母亲住在一起
1176And then it turns out that at the end of the story结果发现故事最后
1177that there isn't enough housing没有足够的住房
1178because housing is so scarce因为住房太少了
1179that even though they're divorced,即使他们离婚了
1180they're living in the same place他们住在同一个地方
1181with these divided objects.与这些分隔对象。
1182And so what I'd love readers to come away with所以我希望读者能带着
1183is this sense that from these small stories从这些小故事中
1184and seemingly insignificant or trivial details似乎微不足道或微不足道的细节
1185from these small material objects,从这些小物质物体,
1186you can really tell the story of an entire family你真的可以讲一个全家的故事
1187and of an entire nation.和整个民族。
1188Well, thank you so much.非常感谢
1189I think we're out of time, we're way over,我觉得我们没有时间了,我们已经过去了
1190but thank you for an amazing presentation.谢谢你的精彩介绍
1191I learned so much from all of you,我从你们身上学到了这么多
1192the presenters, as well as the questions from the audience.以及观众的提问
1193So I think Alan has some announcements to make所以我觉得艾伦有些事情要宣布
1194and I wanna thank Denise and Jennifer我想感谢丹妮丝和珍妮弗
1195for staying up so early in your morning to join us.这么早就醒过来加入我们
1196Thank you so much.非常感谢
1197["Pomp and Circumstance"]["庞普和情境"]
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